the original mirrored top above an openwork frieze raised on exaggerated openwork cabriole supports; overall even rubbing to gilded surface; antiquing and surface wear to mirrored top

the round top of deeply patinated and well-figured quarter veneered macassar ebony raised on incurved supports joined by a lower shelf; all over a tripod base with block feet; good antique condition and structurally sound; professionally refinished with small areas of replaced veneer

a large and well-executed pair of rococo style 4-arm candelabra with trefoil-shaped baluster stem supporting a single candle cup; all resting on a six-footed splayed base; the four double-modeled candle arms supporting tulip-shaped cups on circular bobeches; adorned overall with meandering floral vines, foliate scrolls and rocaille motifs; with underglaze blue maker's mark; excellent vintage condition with no apparent chips or cracks

each with leather saddle seat seeming to float above an ebonized wooden base with turned legs fitted with brass caps and feet; new tan leather upholstery; good vintage condition with minor marks and wear; The G Plan Story: G Plan can trace its roots back to 1898, when Ebenezer Gomme began handcrafting furniture in his workshop. In 1953, his grandson Donald launched the G Plan brand and with it a post-war furniture revolution. Over the years G Plan has created some of the most enduring and iconic furniture of the 20th century.

of exceptional quality, each double-gourd form lamp with hand-painted butterflies and raised polychrome floral and foliate vines all on a white glazed ground; height: 18" (top of porcelain  30" (top of shade); professionally rewired and restored with minor replacements to flower heads and vines

each bulbous lamp of white cased glass fitted with a walnut neck and base; good vintage condition with minor wear; re-wired

each with ruffled lip above an ovoid body over a splayed base; painted overall with brightly colored floral decoration; some wear to surface

unusually large with a scavo (acid) finish in a golden hue; acid etched signature to underside with original label

of varying heights, each with ruffled cup of striking orange glass; raised on clear glass stems; with foil labels; excellent condition with no chips or cracks

each portly lamp with horizontal banding; raised on a tole base; excellent condition; some soiling to original shades.

each painted in a teal and cranberry plaid adorned overall with a lacy foliate vine; raised on square wooden plinths; labeled 'Frederick Cooper, Chicago'; good vintage condition with no chips or cracks; minor rubbing and wear to surface

each well-figured urn of campagna form with everted lip above a tapering neck and compressed mid-section all resting on a square plinth; excellent condition.

mounted as lamps, each dressed in a white flowing robe holding a large lotus flower standing on decorative brass stands; rewired; professional repairs to fingers; patina to brass surface

each with long flaring neck above a tapering body painted overall with stylized floral and foliate vines in colors of ochre and aqua with gilt highlights all on a white ground; raised on a water-gilded wooden base; signed 'Marbro Lamp Italy'; excellent condition with no chips or cracks; re-wired; some rubbing to gilding

vintage Curtis Jeré metal wall sculpture depicting the iconic Conservatory of Flowers in San Francisco; large scale dimensional wall sculpture composed of detailed brass and wire-work with benches, lamposts and urns on pedestals; signed on upper left eave of roof 'C. Jeré'; good vintage condition; oxidation in areas and overall patina; some tarnish to the brass

each with shaped lid over a cylindrical body all in alternating clear and frosted glass with hand-painted foliate perimeter bands with gilt highlights; overall even wear with rubbing to gilded surface; no chips or cracks; foliate bands of different hues

each with round teak top raised on metal supports ending in teak feet; Albert Larsson was a Swedish carpenter and furniture maker from the Mid-century modern period. He established his own business Alberts Tibro in 1938, and after World War II the small production team began specializing in coffee tables and multifunctional height-adjustable tables. Throughout the following decades the company grew to become one of Sweden's most successful manufacturers.

each tall ribbed vase painted overall with floral and foliate stems resting on a pierced brass base; good antique condition with overall fine craquelure; rewired

the ovoid ribbed glass with controlled bubbles; with carerra marble cap and base; rewired; excellent condition with no chips or cracks; minor wear to marble; lamp shade as is.

the rectangular hinged top of well figured burlwood above a conforming body of similar veneer; with elongated hexagonal nickel plated handle.

pencil with wash; minor discoloration; within a later ebonized walnut frame; stamped 'Atelier Garnier, Lyon'

the globular pot with rolled lip tapering to the base; chipping and weathered surface

the thickly-modeled large vessel with exaggerated mouth above a long flaring neck over a bulbous body all in a richly-colored teal mottled drip glaze; excellent condition with no chips or cracks; original Jaru Pottery label

each bulbous urn with gilt perimeter bands with raised decoration all on a luminous white ground; excellent vintage condition with minor rubbing to brass mounts; rewired