each hour-glass shaped walnut lamp with three brass bands and waist; patination to brass; rewired; new shades 'as is'

the square game table with 'floating' top of radiating oak veneer; above an ebonized body fitted with two drawers with oak secondary wood; raised on tapering, stepped quadrangular supports; professionally refreshed surface; good vintage condition

each with flared ceramic neck above a gadroon-form body; raised on faux bois metal bases; excellent vintage condition with no chips or cracks; rewired 

excellent quality reproductions, each with serpentine shaped top above a conforming bombe-form body fitted with two drawers over a pierced rocaille-carved apron all raised on scrolled supports; the drawer fronts with graceful hand-carved surface depicting elegant scrollwork and floral vines all flanked by shaped side panels centering circular reserves; richly-colored patina with intentionally distressed finish to imitate age; good overall condition with light wear; refreshed finish

constructed of finely crafted interlocking fallow deer antlers; the front-facing coronets adorned with relief carvings of a dog, boar, deer and ibis; all raised on wooden casters; good solid condition with overall even wear and patina; professionally reupholstered.

a wonderful period English George III hand-carved tilt-top supper/tea table with shell and leaf carved top with circular reserves, over a turned baluster support issuing three downswept legs terminating in ball and claw pad feet; the English supper table became popular during the reign of King George II and continued into the late 18th century; repair to edge of top; refinished surface

each of elegant shape with cartouche-shaped back above a serpentine seat flanked by scrolled arms; all raised on cabriole supports; with custom down-filled cushions; good sturdy condition with overall minor wear and rich patina; refreshed surface; caning intact 

a large and rare set of German Black Forest furniture with chair and ottoman; with oval back above a tight seat all surrounded by a robust frame symmetrically constructed of entwined fallow antlers; good sturdy construction with nice patina; suede upholstery in good condition with some fading and wear

of good scale and quality, circa 1930; each high back dining chair with beige leather upholstery and birdseye maple frame, for S.Hille & Co, London, consisting of two arm and six side chairs, having a vasiform splat above a tight seat; raised on graceful splayed supports; professionally refinished; minor wear and patina to later leather upholstery; 

each hand painted ginger jar with domed lid above a bulbous tapering body raised on a stained wooden base; painted with various figures in a landscape setting divided by cloud scroll perimeter bands; craquelure to glaze; good antique condition; now mounted as lamps; rewired

of generous proportion with flared back and arched crest above a seat with a small hinged compartment; the seat back with carved paneled reserves; raised on a wooden base with later supports; the whole fitted with iron hardware; new channeled leather loose cushion; overall wear and patina; sound construction 

Susan's energetic, colorful abstract contemporary paintings are based on her study of nature - from flowing water to rolling meadows; her use of thick brush strokes while adding and removing material creates a vivid collage of color and movement; within a thick birchwood frame; signature to lower left and on the reverse; label on reverse; good condition with no visible defects to canvas; minor wear to wooden frame

each neoclassical open armchair with beaded framed oval back above a bowed tight seat over a beaded apron flanked by scrolled arms and uprights with acanthus carving; raised on reeded and fluted supports with acanthus collar and ending in a spheroid foot; wear and patina to refreshed painted surface; sturdy frame and good antique condition with new upholstery

each shapely lamp of hand-blown sky blue dappled glass all raised on a brass and lucite circular base; professionally rewired; good vintage condition with minimal wear

the tall and striking ribbed art glass lamp of conical form in luminous smoked glass all resting on a brass base; Empoli is known as the other Italian mid-century glass. Simpler in design than their Murano cousins, the simple traditional styles of Empoli glass were quickly adapted to the sparse abstract shapes of mid 20th century modernism. The vast majority of mid century-styled Empoli glass was made for the American market; height: 21.25" (top of glass)  32" (top of shade); good vintage condition with no chips or cracks; professionally rewired; even wear to re-painted base

Each hand-carved cup-shaped vessel with Greek key collar above a tapering body resting on a separate square base; overall wear and patina; one side on each urn of darker patina; some chipping to surface; one with replaced Greek key rim

a custom pair of flame mahogany Guéridon Tulipe side tables in the manner of Pierre Chareau (b. Bordeaux, France 1883 d. New York 1950) and fabriacted by Gatti Furniture, San Francisco; each hexagonal top of bookmatch veneer flame mahogany raised on a tulip-form slatted support; all over a conforming stepped base; each signed 'Gatti Furniture San Francisco 2000'; diameter: 23.25" (26.5" point to point); good condition and structurally sound; professionally refinished 

the large sturdy hand-carved table of pegged construction with shaped rectangular top of matchbook European walnut veneer above a scalloped apron with rocaille carving; all raised on bold cabriole supports ending in hoof feet; structurally sound; intentionally distressed finish to imitate age; minor overall wear and rubbing; professionally polished and waxed

the serpentine top above a bombe-form body fitted with three drawers adorned with bold bronze foliate mounts; all in a well-figured and richly patinated black walnut veneer; excellent antique condition with minor veneer replacements; later hardware

the ochre marble top resting on a well-carved aqua painted base with ochre foliate scrolls; all supported on hoof feet; overall even wear and patination.

Made in France from French limestone, the table is comprised of a thick round top with bullnose edge and graduated circular base. New with only minimal wear expected; table is ideal for exterior or interior design projects. Due to the custom nature of each table, stone variations will occur; available in custom sizes and carved bluestone

custom sizes available in French limestone or Belgian bluestone;  in three parts, the thick seat resting on waisted supports; 12 week lead time; new with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, stone variations will occur 

Custom sizes available; made in France from French limestone, the table is comprised of a thick round top with bullnose edge and barrel-form support. New with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, stone variations will occur