fitted with two removable bentwood trays supported by a collapsible frame raised on circular supports ending in casters; maker's label adhered to inside of frame 'John Stuart, Inc, New York, Grand Rapids'; professionally refinished; some wear to casters
of contrasting woods with geometric designs on all sides; fitted with brass hardware; the interior fitted with a single drawer and burlwood shelf; each with 'Mastercraft' label; excellent vintage condition; professionally refinished
each of ginger jar form with scalloped octagonal body; all in a richly-colored blue and green drip glaze; good vintage condition with minor wear; re-wired
the inset square glass top within a gilt-iron frame adorned overall with a meandering floral and foliate vine; good vintage condition with overall wear and patina; some missing petals
nice collection of vintage Royal Haeger pottery vessels; marked 'Royal Haeger, USA' to underside; good vintage condition with overall minor wear, minor chipping to lower edge; some craquelure to glaze
nice pair of vintage Royal Haeger pottery pitchers with a textured drip glaze all on an ivory ground; marked 'Royal Haeger, USA' to underside; good vintage condition with overall minor wear; chipping to one spout; some craquelure to glaze
Moya Aiken
Of fine quality, the tall and impressive cabinet in the neoclassical taste with canted corners all capped by a pierced gallery above a case fitted with two hinged doors of book-matched mahogany veneer centering inlaid shell medallions below drapery festoons within well-carved framed reserves; the lower section fitted with three long drawers with inlaid stringing and half-round shell motifs; all flanked by fluted pilasters; the side panels with similar inlay; the whole raised on splayed bracket feet; good antique condition with professional restorations; refinished surface; portions of the g
the semi-attached leather cushion flanked by dramatic flared openwork arms with mother-of-pearl inlay over a similar openwork apron with mother-of pearl inlay and turned elements creating an intricate latticework; with beautifully carved spandrels above turned feet; the benches display the skill of the Damascus craftsmen of this time; excellent condition with only minor repairs; new leather upholstery
from his Potrero Hill studio, San Francisco artist Bill Stanisich would lay down his brush and gaze down onto Yerba Buena Island, the Bay Bridge and surrounding water. What he saw was ever-changing so he decided to capture on paper the various moods of mother nature. On still, clear nights, the water was a sheet of glass and Yerba Buena Island's silhouette soaked up the darkness creating a black void, while the tips of the Bay Bridge Towers emitted beacons of light in the distance. When it rained, vague shadows were barely visible through the wet, dark skies.
great Italian design, the oval mirror having scrolled gilt metal frame, over a wall-mounted demilune console table with glass top above a scrollwork base; excellent vintage condition with overall even wear to gilding
the rectangular quarter-veneered top with banding and molded edge over a burlwood frieze drawer above a scalloped apron; all raised on cabriole supports ending in pad feet; overall wear and patina; brasses replaced
a rococo style mirror with a modern twist; the oval plate within a gilt-metal frame consisting of lively C-scrolls and foliate sprays; excellent vintage condition with overall even wear to newly gilded surface
each with ruffled lip above an ovoid body over a splayed base; painted overall with brightly colored floral decoration; some wear to surface
this cleverly designed mid-century set of nesting tables designed by Bertha Schaefer (American 1895-1971) for M. Singer & Sons with rectangular case table fitted on the underside with 4 round drop-leaf slide-in collapsible tables suspended from slots; with label 'M. Singer & Sons, New York Chicago'; In 1924 Schaefer founded Bertha Schaefer Interiors. Her company designed Bauhaus-inspired furniture and interiors for both residences and businesses.
this signed special edition art glass bowl is one of Blenko's yearly designer series offerings for 2001; the large handblown circular bowl with wide rim in a rich cerulean blue glass resting on a chamfered amber-colored foot; with acid etched signature to underside 'Richard Blenko 2001'; with maker's label 'Blenko Handcraft'; excellent condition with no chips or cracks
with domed top and flared neck above a bulbous body over a splayed base; adorned overall with graceful gilt foliage; rewired; excellent condition with no chips or cracks; lamp shade as is.
each with flaring neck above a tapering body; adorned with gilt perimeter bands depicting delicate meandering floral vines; raised on a metal base with chow feet; rewired; minor wear to gilding; shades as is.
each square stool composed of rectilinear tubes fitted with leather strapwork supporting loose cushions; good vintage condition with new leather upholstery; Jørgen Høj was originally trained as a metal worker and upholsterer at the Copenhagen School for Arts and Crafts. He led a successful design business until his death in 1994 working with such designers as Poul Kjaerholm and Bodil Kjaer
with waisted brass collar above a double-baluster ceramic body all in a richly-colored sapphire-blue drip glaze; excellent vintage condition with no chips or cracks; fine craquelure to glaze; rewired
each with chrome back plate fitted with three glass "ice block" shaped elements of radiating form; the two outer elements are removable; professionally rewired; excellent condition with no chips or cracks; some patina to chrome
each with dramatic incurved openwork back sloping to upright teminals capped with giltwood spheres; flanking an attached leather seat all raised on a curule-form support; newly painted and gilded; newly upholstered in tan leather
the hand-blown lamp of translucent pale blue glass with long neck above a bulbous body all raised on brass bases; excellent vintage condition with minor wear; no chips or cracks; some pitting to brass; professionally rewired