each in a rich egg yolk-yellow glaze with everted neck above an ovoid body with stylized laurel leaf perimeter band flanked by lions masks; all raised on a fluted splayed support resting on an ebonized wooden base; excellent vintage condition with no chips or cracks; wooden base refinished; rewired

this stylish Hollywood Regency gilt-brass and crystal pendant light fitted with over-scaled round faceted crystal elements; rewired with 6 chandelier bulbs with a maximum of 60 watts each; excellent vintage condition with no chips or missing crystals

each with dramatic incurved openwork back sloping to upright teminals capped with giltwood spheres; flanking an attached leather seat all raised on a curule-form support; newly painted and gilded; newly upholstered in tan leather

each richly-glazed lamp in a mottled chartreuse glaze with lobed collar above a short flaring neck over a lobed body resting on a splayed base; good vintage condition with no chips or cracks; rewired

in a deep brown lacquer finish; the openwork lattice back and sides flanking a tight seat; with sloping arms joining a channeled apron all raised on gently splaying supports; good vintage condition; professionally refinished a reupholstered

the slender brass faux bamboo support resting on a circular bronze rockwork base with outscrolled leaves; good vintage condition with overall even patina and wear; professionally rewired.

Since its inception in 1860, Maison Bagués has been an emblem of French sophistication in luxury interior design and craftsmanship. Founder Noël Baguès emphasized the use of traditional techniques, solidifying the firm's elite standard of elegance and excellence in their craft.

designed in 1959 by Bodil Kjær to accompany her iconic ‘James Bond’ desk in a well-figured and deeply patinated rosewood; manufacrtured by E. Pedersen & Søn for Jason Møbler; fitted with one filing drawer and one smaller drawer all supported on steel supports; good vintage condition with professionally restored finish; key plate removed and filled

each large lamp of bulbous form with long everted neck above on ovoid body raised on a brass base; all in a swirling silver and gold faux marble glaze; excellent vintage condition with minor wear; patina to metal bases; rewired 

this beautifully decorated lamp of ovoid form finely painted overall with large floral stems in rich shades of blue, green and ochre all on a mottled pale blue ground; with subtle gilt decoration; artist signed and dated 1950; excellent vintage condition with no chips or cracks, rewired; with custom giltwood base

each composed of a metal frame with wooden top and side panels; fitted with 2 metal faux-bamboo doors with antiqued mirrored panels; excellent restored condition with replaced tops

with deep brown lacquered finish, the tall graduated caned back above a loose cushion flanked by down-swept arms all over splayed legs; The Grand Ledge Chair Company was founded in 1837 in Grand Ledge, Michigan,  as a small furniture shop by Thomas Garrett, Harry Jordan, and Edward Crawford. It remained a family run business until 1973, when the business was sold and eventually closed in 1981; professionally refinished with newly upholstered seat

each inset glass top within a solid brass frame raised on quadrangular supports joined by a lower glass shelf; excellent condition with minor overall wear

of impressive scale, the orb-form lamp of mercury glass fitted with an ebonized wooden cap and base; good vintage condition with age to silvering; re-wired

this exuberantly rendered iron sculpture of a radiating super nova depicting the last stellar explosion of a star's life; excellent condition; oxidation to metal

Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to.

Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to.

Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to

each with solid brass tilting barrel resting on a heavy-weight carriage with working wheels; finely and realistically decorated; excellent antique condition with overall even wear and patination

the stylized carved wooden rosette centering a circular reserve surrounded by a wreath of scrolled acanthus leaves all in a warmly patinated painted and gilded surface; good antique condition with overall even wear and patina

each of conical form in a deep cerulean blue opaline glass; with brass caps and bases; good vintage condition with no chips or cracks; 18.25" (top of glass)  29.25" (top of shade); some pitting to well-patinated brass; professionally rewired

each with arbalète-form crest above an incurved upholstered back over a loose cushion seat; flanked by upholstered arms all raised on gadrooned uprights and legs; professionally reupholstered and refinished; good overall condition

a serene impressionistic sunlit scene of a couple in the foreground seated in a gondola facing the viewer with a typically-dressed gondolier standing at the stern; with the towering St. Mark's Campanile and striking Basilica softly lit in the background; signed lower right; site dimensions: 11.5" x 11.5", overall dimensions: 16.5" x 16.5"; Raul Jose Mina Mora (Minamora) was born in Santa Ana, El Salvador in 1915, the son of a wealthy coffee plantation owner. Minamora came to San Francisco in 1924 where he studied at the California School of Fine Arts (San Francisco).

purchased in Rome in the 1980's, the well-carved chubby winged putti in opposing stances and poised on one foot over a rock-work base; depicting the grape harvest also known as the allegory of autumn (see detail image of Jean-Jacques Lagrenée's 'Putti Harvesting Grapes'); interior image courtesy 'Edward Lobrano Interior Design', NYC; excellent antique condition with overall rubbing to refreshed gilding

each large glazed ceramic baluster-form table lamp on later lucite bases designed by Swedish artist Ingrid Atterberg as part of the "Spiral' series, circa 1949, with alternating ochre and white stripes on a matte brown ground; impressed marks to underside; Ingrid Atterberg (1920-2008) was born in the northern Sweden city of Harnosand. She studied at Slojdforeningens School in Gothenburg. Ingrid came to the Upsala-Ekeby Pottery factory in 1944, staying on until 1964.