each with incurved upholstered back above a loose cushion seat flanked by squared arms over a u-shaped frame with inlaid marquetry; excellent restored condition with new boar skin upholstery
Ideal for a smaller space, of polished and brushed chrome construction supporting three beveled glass shelves all joined by columnar supports; the whole flanked by scrolled handles and raised on steel casters; good vintage condition with some surface abrasions and rubbing; scratches and wear to glass shelves
the half-round glass top with ogee edge resting on a conforming brass plated openwork frame raised on four columnar supports ending in foliate scrolled feet all joined by a lower stretcher; good vintage condition with no chips or cracks to top; antiqued brass finish with nice patina
MADELEINE LIEPE (Oregon/Switzerland, 1929-2017) Signed lower right and dated 1970, signed again and titled verso; the serene charcoal drawing of lush trees surrounding a pond with a gently rolling lawn in the foreground; good clean condition with only minor discoloration; new acid-free matting with gilt fillet and ebonized wooden frame; Madeleine Liepe was a Postwar and Contemporary artist who spent her professional career in Oregon.
the framed in-curved back above a bowed upholstered seat flanked by openwork sides; all raised on tapering legs ending in casters; excellent vintage condition with new tan leather upholstery; refinished surface
of baluster form with long neck and everted lip above an ovoid body with splayed foot; the densely-painted and colorful flowers at the shoulder above delicate cascading wisteria; excellent vintage condition with no chips or cracks; only minor wear; professionally rewired; vase now drilled and mounted as a lamp
each with round beveled central plate within a scalloped mirrored frame of reverse-etched panels; label to back 'Uttermost'; good vintage condition with no chips or cracks; light wear to frame
the oval plate within a punched iron border surrounded by a sloping openwork frame of graceful s-curves; excellent condition
of good scale and quality, circa 1930; each high back dining chair with beige leather upholstery and birdseye maple frame, for S.Hille & Co, London, consisting of two arm and six side chairs, having a vasiform splat above a tight seat; raised on graceful splayed supports; professionally refinished; minor wear and patina to later leather upholstery;
each finely rendered lithograph of various French aircrafts of the 1930's with identifying script; used for french airplane engine marketing material; later mattes and mahogany veneered frames
Moya Aiken
Gunnar Donald Anderson (1927-2022) was active/lived in California, New York and is known for his child portraits and advertising art. After two years of study at the California School of Fine Arts in San Francisco, he attended Los Angeles Art Center School and in 1951 earned his Bachelor of Fine Arts Degree. From 1951 to 1955, he worked for as an art director for two New York City based advertising agencies, before moving to San Francisco in 1955. His works are held in numerous collections nationwide and has received multiple awards.
each shimmering lamp consisting of stacked geometric crystal elements resting on a pierced shaped metal base; excellent condition with no chips or cracks; patina to metal bases; rewired
the large crystal sphere resting on a classically-inspired bronze tripod stand adorned with rams head masks joined by swag festoons all ending in paw feet; all over a shaped stepped base; probably a marriage of the orb and base; overall patina and rubbing; glass orb is free of chips and cracks
each hand-carved swag with plump fruit and vegetables nestled among flower heads and foliage; good antique condition with overall minor wear
tall pair of Kashmir polychrome and black lacquer candlesticks now electrified; each twisting openwork stick surmounted by a candle cup issuing an electrified socket all raised on a round foot over a later ebonized wooden plinth; adorned overall with colorfully painted floral decoration; good antique condition with overall even wear and patina; professionally rewired; one foot with old stable split
each plaster baluster-form lamp by the Bradburn Gallery covered in a celadon painted linen with hand-painted colorful birds perched on a meandering foliate branch speckled with purple berries; height: 16" (top of plaster) 27" (top of shade); gilt embossed maker's mark to underside; good condition with minimal wear; professionally rewired