the globular pot with rolled lip tapering to the base; chipping and weathered surface
excellent condition with overall even wear
with serene gaze turned to the right and looking downward above a voluptuous rough-hewed seated body; excellent condition.
with scrolling handle and openwork body over a tri-pod base; even wear and oxidation to surface; good overall condition
the inset glass top above curule-form supports with swan motifs; excellent condition with overall minor wear
surmounted by a plumed crest; refreshed gilding and later aged mirror plate
the well-figured top with chamfered edge; raised on scrolled supports and splayed legs joined by a lower shelf; good vintage condition; professionally refinished
with slender flaring neck above an ovoid body; composed of various laminated wooden sections turned on a lathe
each with square top above a square pedestal with inset reserves; chipping and overall weathered patina
each with central glass support surrounded by two tall opposing leaves of translucent gold aventurine glass all raised on a thick gold bullicante disk over a later Lucite base; height: 16.5" (top of glass) 27.5" (top of shade); good vintage condition with no chips or cracks; professionally rewired; later Lucite bases
the striking ovoid vessel with fish-mouth opening; painted overall with large leaves and bamboo shoots all on a white ground; with underglaze blue markings to underside; The first porcelain factory in the town of Marktredwitz opened in 1872 and was known under the name of Porzellanfabrik Jaeger, Thomas & Co. until Fritz Thomas quit in 1898, opening his own factory in 1903. In 1908, the “F. Thomas, Marktredwitz” factory was purchased by Rosenthal, ceasing operation in 1960.
the octagonal hinged lid with coved border above a flared body flanked by elaborate iron handles; raised on 4 openwork iron wheels; repainted; wear to interior.
the lively capital with outscrolled acanthus leaves all resting on a separate wooden base; excellent condition with later base
Excellent vintage condition with no chips or cracks; Königliche Porzellan Manufaktur, or KPM (established 1723) was a fundamental part of the landscape of the European decorative arts in the 19th Century, and was, and still is, one of the most prolific producers of luxury porcelain
a serenely rendered still life depicting a lush table-scape with an exotic pineapple, symbolizing hospitality, resting on a metal tray all amid a large urn and wine glasses; good condition; illegibly signed and dated lower right; all within the original ebonized wooden frame with gold slip
composed of interlocking antlers resting on a circular wooden base; general marks, rubbing and wear; antlers painted with some chipping; professionally rewired
of baluster form with long neck and everted lip above an ovoid body with splayed foot; the densely-painted and colorful flowers at the shoulder above delicate cascading wisteria; excellent vintage condition with no chips or cracks; only minor wear; professionally rewired; vase now drilled and mounted as a lamp
each composed of a metal frame with wooden top and side panels; fitted with 2 metal faux-bamboo doors with antiqued mirrored panels; excellent restored condition with replaced tops
the wide bowl with flared lip above a tapering body all raised on a raised foot; the underside with recessed frosted geometric design; excellent condition.
the domed lid with one seated and one standing rabbit with inquisitive gazes; resting on a circular basket-weave bowl; minor wear; excellent condition.
the inset glass top within a chrome frame with geometric openwork apron; good condition with minor overall wear
considered to be 'the most impressive botanical works of the period' by known art historian Anthony Blunt; new acid-free matte and giltwood frame; minor discoloration
the long inset glass top within a molded brass border; raised on a black metal base joined by a lower glass shelf; excellent condition with overall minor wear
centering a convex mirror within a brass frame surrounded by lively cut brass foliage; later mirror; wear and patina to metal; possibly once fitted with a clock
