A tall and striking American 1960s handblown apple-green decanter by Joel Myers for Blenko Glassworks; the bulbous shaped body with long neck of heavy handblown glass fitted with a 
an iconic airtwist Sommerso style stopper; with fire pontil mark to underside; good vintage condition with no chips or cracks
see similar example: https://attic.city/item/MJx2/blenko-6716-decanter-by-joel-myers-in-teal-...

each hand-blown vase of striking size with everted lip and short neck above a ribbed cylindrical body all resting on a Lucite base; good condition with no chips or cracks; minor surface abrasions commensurate with age; professionally rewired with later Lucite base

each hand-blown shapely lamp with a nod to Chinese ceramic ginger jars composed of a luminous crackle-glass; all resting on gold painted wooden bases; height: 15.75" (top of glass) 26" (top of shade); good vintage condition with no chips or cracks; rubbing to gold; professionally rewired 

The tall vase of white cased-glass covered in an orange textured glaze adorned with a continuous fret band; excellent condition with no chips or cracks

the tall and striking ribbed art glass lamp of conical form in luminous smoked glass all resting on a brass base; Empoli is known as the other Italian mid-century glass. Simpler in design than their Murano cousins, the simple traditional styles of Empoli glass were quickly adapted to the sparse abstract shapes of mid 20th century modernism. The vast majority of mid century-styled Empoli glass was made for the American market; height: 21.25" (top of glass)  32" (top of shade); good vintage condition with no chips or cracks; professionally rewired; even wear to re-painted base

each shapely lamp of hand-blown sky blue dappled glass all raised on a brass and lucite circular base; professionally rewired; good vintage condition with minimal wear

this signed special edition art glass bowl is one of Blenko's yearly designer series offerings for 2001; the large handblown circular bowl with wide rim in a rich cerulean blue glass resting on a chamfered amber-colored foot; with acid etched signature to underside 'Richard Blenko 2001'; with maker's label 'Blenko Handcraft'; excellent condition with no chips or cracks

the tall ribbed lamp of sea-foam green art glass with controlled bubbles; excellent condition with no chips or cracks; rewired

each of decanter form with long flaring neck above a compressed spheroid body; all in a graduated yellow-to-green clear glass infused with large bubbles; excellent vintage condition with no chips or cracks; rewired 

a tall and fantastic pair of sculptural arm chairs, each with tall back above a bucket seat flanked by outscrolled arms; raised on splayed walnut supports with a single wishbone support on the reverse; sturdy and stable with new upholstery; professionally refinished

the hand-blown lamp of translucent pale blue glass with long neck above a bulbous body all raised on brass bases; excellent vintage condition with minor wear; no chips or cracks; some pitting to brass; professionally rewired

the short flared neck above an elongated body tapering at the base; adorned overall with raised thistle branches in white glass on a coral ground; excellent condition; no chips or cracks; minor wear to underside, circa 1960's

each striking lamp with long flaring neck above an ovoid body decorated with ivory, brown and ochre perimeter stripes on a mottled pumice-colored ground; resting on splayed walnut bases with brass caps; height: 21.25" (top of ceramic)  34" (top of shade); good vintage condition with minor rubbing to surface; professionally rewired; no chips or cracks

of large scale, the robust lamp of octagonal baluster form with everted lip above an ovoid body all resting on a splayed foot and circular base; decorated overall in a rich drip glaze in colors of ochre, green, brown and ivory; 18.5" (top of ceramic)  30.5" (top of shade); good vintage condition with no chips or cracks; professionally rewired

unusually large with a scavo (acid) finish in a golden hue; acid etched signature to underside with original label

each with square leather saddle-stitched seat above a Z-form chrome frame; good vintage condition with some rubbing to chrome; new leather upholstery

each large baluster-form lamp with a taupe-colored textured iridescent glaze at the shoulder cascading down to a rich emerald green striated perimeter band; resting on brown lacquered wooden bases; height: 17.5" (top of ceramic)  29.5" (top of shade); professionally rewired; good vintage condition with fine craquelure to glaze; minor wear and scuffing.  

the French made cased-glass bodies of graduated triple-gourd form resting on brass bases; in a deep teal color accentuated by the cased-glass process of fusing together multiple layers of glass; each with foil label 'BASE MADE IN FRANCE'; height: 17" (top of glass)  28" (top of shade); excellent condition with no chips or cracks; some pitting and patina to brass bases; professionally rewired 

An unusual pair of hand-blown clear and gold aventurine Venetian candlesticks with large-scale dolphin connectors made by Salviati, circa 1920's featuring dramatic full-bodied upward-facing dolphins; raised on a splayed quilted foot with removable quilted bobeche; excellent condition with no chips or cracks;

each colorful bottle-form lamp adorned with painted circles in soft colors of blue, green, peach and yellow with a gold swirl overlay all on an ivory glazed ground; supported on brown painted metal bases;  height: 23" (top of ceramic)  33.25" (top of shade); good vintage condition with minor rubbing to surface; professionally rewired

with deep brown lacquered finish, the tall graduated caned back above a loose cushion flanked by down-swept arms all over splayed legs; The Grand Ledge Chair Company was founded in 1837 in Grand Ledge, Michigan,  as a small furniture shop by Thomas Garrett, Harry Jordan, and Edward Crawford. It remained a family run business until 1973, when the business was sold and eventually closed in 1981; professionally refinished with newly upholstered seat

each of colored satinato glass with domed lids above a cylindrical body over a splayed foot; good vintage condition with one minor chip to green jar lip

each hand-blown white and clear glass cattail shade set into a brass back plate; no chips or cracks; some wear and patina to back plates; professionally rewired; priced individually $3,800 each

the striking ovoid vessel with fish-mouth opening; painted overall with large leaves and bamboo shoots all on a white ground; with underglaze blue markings to underside; The first porcelain factory in the town of Marktredwitz opened in 1872 and was known under the name of Porzellanfabrik Jaeger, Thomas & Co. until Fritz Thomas quit in 1898, opening his own factory in 1903. In 1908, the “F. Thomas, Marktredwitz” factory was purchased by Rosenthal, ceasing operation in 1960.

of openwork pineapple form in a gray and subtle verdigris finish with flared top above a bulbous woven body raised on splayed feet; glass top not included; structurally sound with expected wear and patina to the iron surface from outdoor use