the tall back with dramatic arching crest above a serpentine seat flanked by padded arms all above a scalloped apron raised on cabriole supports; excellent restored condition.
perfect for the foot of a bed; the shaped padded seat above a scalloped apron raised on graceful cabriole supports; adorned overall with rocaille and shell carving; overall even wear; excellent restored condition; newly upholstered
the graduated obelisk-form body raised on 4 brass paw feet; resting on a splayed base over a brass plinth; excellent condition; rewired; shade as is
the lively capital with outscrolled acanthus leaves all resting on a separate wooden base; excellent condition with later base
the sturdy aluminum frame with adjustable back rest; raised on graceful splayed supports
decorated with a scenic reserve centering a hunter on horseback beside a pair of dogs all on a black lacquered ground with gilt foliate decoration; impressed mark to underside ' Mark Knowles and Sons'; good antique condition with some wear and patina to surface; later faux bamboo black lacquered stand
each bearded face surrounded by thick curly hair; with custom iron stands and lampshades
the cup-shaped bowl raised on a flared foot; with a hand-painted band of floral stems and fruit with gilt highlights
the shaped lacquered antique tray (circa 1890) with Chinoiserie decoration centering a floral bouquet surrounded by birds and butterflies; raised on a faux bamboo gilt metal stand (circa 1940); good condition with crackling to lacquer and overall even wear and patina
each with shaped lid over a cylindrical body all in alternating clear and frosted glass with hand-painted foliate perimeter bands with gilt highlights; overall even wear with rubbing to gilded surface; no chips or cracks; foliate bands of different hues
each painted in a teal and cranberry plaid adorned overall with a lacy foliate vine; raised on square wooden plinths; labeled 'Frederick Cooper, Chicago'; good vintage condition with no chips or cracks; minor rubbing and wear to surface
composed of interlocking antlers resting on a circular wooden base; general marks, rubbing and wear; antlers painted with some chipping; professionally rewired
the porcelain column wrapped with metal wire above a porcelain crackle-glazed orb; all raised on a black and gold painted base; patination to metal; excellent condition
of baluster form with long neck and everted lip above an ovoid body with splayed foot; the densely-painted and colorful flowers at the shoulder above delicate cascading wisteria; excellent vintage condition with no chips or cracks; only minor wear; professionally rewired; vase now drilled and mounted as a lamp
a pair of Maurizio Tempestini (Italian, 1908-1960) mid-century modern alabaster table lamps in a sculpted flame design of polished white alabaster with veins of black; raised on oval ebonized wooden bases; good vintage condition with minor chipping; professionally rewired and bases re-painted
each incurved crest with greek key fret band above a padded back; over an upholstered seat flanked by downswept arms; raised on gracefully splayed legs ending in bronze spheroid feet; new leather upholstery; fully restored condition.
of cornucopia form with flared candle holder tapering to a scrolled end; adorned with florets and acanthus leaves all over a later ebonized wooden plinth; ex-collection of Michael Taylor, San Francisco; later plinth; overall patina and wear; refreshed gilding
Of Neo-gothic style and large scale with a protruding cornice carved with a meandering foliate vine; above an openwork body with trefoil and quatrefoil pierced reserves over a pointed trefoil arch; good solid condition with shrinkage at joints; chips to wood and wear and patina to surface; fitted with large steel hooks on the reverse for hanging
A large-scaled and elegantly designed French 1940s Klismos chair with deep incurved back with scrolled terminals; above a leather seat of criss-crossing straps all raised on dramatic splayed supports; purchased in Paris in 1993 (receipt attached); good vintage condition with sturdy frame and seat; some wear to painted surface; later leather strapwork
Signed lower left; Paul Immel was born in Helena, Montana in 1864. Immel studied at the Ball School of Art in Minneapolis and in 1924 moved to Los Angeles where he further studied at Otis Art Institute, later moving to Seattle, Washington. Immel is known for his watercolor floral studies and was a member of the Puget Sound Group of Northwest Painters and the Northwest Watercolor Society; excellent condition with nice clear colors; some wear to blonde-stained wooden frame
each with dramatic incurved openwork back sloping to upright teminals capped with giltwood spheres; flanking an attached leather seat all raised on a curule-form support; newly painted and gilded; newly upholstered in tan leather
each hand-blown shapely lamp with a nod to Chinese ceramic ginger jars composed of a luminous crackle-glass; all resting on gold painted wooden bases; height: 15.75" (top of glass) 26" (top of shade); good vintage condition with no chips or cracks; rubbing to gold; professionally rewired
the octagonal forest-green marble top with painted inlaid scrollwork surrounded by floral and foliate decoration; all raised on a neoclassical style Michael Taylor faux stone cross tripod lyre base; overall good condition with some minor chips to base; minor even wear to top
tall pair of Kashmir polychrome and black lacquer candlesticks now electrified; each twisting openwork stick surmounted by a candle cup issuing an electrified socket all raised on a round foot over a later ebonized wooden plinth; adorned overall with colorfully painted floral decoration; good antique condition with overall even wear and patina; professionally rewired; one foot with old stable split
the shapely arching crest surmounted by a floral cluster emanating floral and foliate vines cascading around the perimeter surrounding gold painted chinoiserie decoration on a black ground; good antique condition with general marks and wear commensurate with age; some shrinkage at joints