Made from Belgian bluestone with a honed finish and embedded with fossils, the table is comprised of a thick square top with bullnose edge and baluster-form support. New with only minimal wear expected, table is ideal for exterior design projects. Due to the custom nature of each table, the fossil pattern will vary.

Made from Belgian bluestone with a honed finish and embedded with fossils, the table is comprised of a thick round top with bullnose edge and barrel-form support. New with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, the fossil pattern will vary.

custom sizes available in French limestone or Belgian bluestone;  in three parts, the thick seat resting on waisted supports; 12 week lead time; new with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, stone variations will occur 

Custom sizes available; made in France from French limestone, the table is comprised of a thick round top with bullnose edge and barrel-form support. New with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, stone variations will occur 

dressed in vintage 1940's clothes, the pensive golfer stares down the fairway after completing the perfect swing; inscribed EG ; with an overall brown patina with some green oxidation; good vintage condition with general overall wear; appears to have had a plaque on marble base; some chipping along bottom edge of base
 

one of the best examples of a spoon back chair with its tall incurved back with an inlaid stylized floral and foliate motif;  the down-swept arms above a box seat raised on console legs with carved volutes and lotus leaves at the knee; professionally restored with new black boar-skin upholstery

the inset leather top within a a stepped molded frame above an apron fitted with 5 drawers with oak secondary wood; the side panels centering carved floral clusters; the finished paneled back allows the desk to be floated; all raised on reeded bulbous supports ending in wooden casters; good restored condition with refinished surface; leather with nice rich patina

each boldly-shaped ovoid-form lamp of richly-colored turquoise crackle glaze; fitted with wooden caps and bases with brass fittings; excellent condition; one lamp of slightly darker hue; made by Frederick Cooper Lamp Company, Chicago (established 1923)

each tall vase of ovoid form with short neck above an ovoid body; the luminous glass with subtle white streaking; excellent condition with no chips or cracks; with foil labels

each striking lamp with long flaring neck above an ovoid body decorated with ivory, brown and ochre perimeter stripes on a mottled pumice-colored ground; resting on splayed walnut bases with brass caps; height: 21.25" (top of ceramic)  34" (top of shade); good vintage condition with minor rubbing to surface; professionally rewired; no chips or cracks

with baluster support above a glass bowl emanating 6 scrolling candle-arms with boldly-scaled cups; adorned overall with floral and foliate stems; the whole over a triple-sphere pendant; professionally cleaned and re-wired with plug-in arms for easy assembly/disassembly; excellent vintage condition with no chips or cracks

each hand-blown vase of striking size with everted lip and short neck above a ribbed cylindrical body all resting on a Lucite base; good condition with no chips or cracks; minor surface abrasions commensurate with age; professionally rewired with later Lucite base

the large square inset glass top in a polished nickel and patinated brass frame raised on quadrangular supports joined by a lower glass shelf; excellent vintage condition with overall even wear and patina; signed 'Jean Charles"; Jean Charles Furniture produced a wide range of furniture in Paris over the last century closing in the late 1980`s. Jean Charles furniture appears consistently stamped with a logo of `JC` followed by `Jean Charles`.

mounted as lamps, each dressed in a white flowing robe holding a large lotus flower standing on decorative brass stands; rewired; professional repairs to fingers; patina to brass surface

each large lamp of bulbous form with long everted neck above on ovoid body raised on a brass base; all in a swirling silver and gold faux marble glaze; excellent vintage condition with minor wear; patina to metal bases; rewired 

of heroic scale, the large stainless steel cabinet with adjustable steel shelves consisting of three cabinets fitted with two-glazed hinged doors resting on a custom made riser/stand supported on six short quadrangular legs; Provenance: US Naval Base, Norfolk, VA; good vintage condition with overall even wear and rubbing

each of solid birch construction with rectangular tops and demi-bullnose edge above a conforming body fitted with 3 uniquely sculpted drawers of raised panels acting as drawer pulls; the whole raised on splayed legs; the lack of hardware and three-dimensional shape give the Sculptura line its distinctive sculptural quality; with incised maker's mark to drawer lining; professionally refinished; good vintage condition with warm patina

this peaceful pastoral scene at dusk of a shepherd and his sheepdog returning their flock to the stable; Reuben LeGrande Johnston (1850-1918), was born in Alexandria, Virginia. Best known for his landscapes with animals, he was well-traveled, visiting France, Spain, England, Tangiers and Morocco. He also traveled to the American west, notably Cheyenne, Wyoming. He was a member of the Society of Washington (DC) Artists, where he exhibited, in addition to the National Academy of Design; some discoloration to paper; newly matted and framed

the meticulously crafted chest with book-match veneered rosewood rectangular top with concave front; above three similarly veneered drawers fitted with shell-form enameled pulls, centering well-figured walnut burl wood panels; raised on inlaid turned supports; with metal identification label "Robert W. Irwin, Grand Rapids"; excellent condition with refreshed finish; some rubbing to enameled pulls

the octagonal hinged lid with coved border above a flared body flanked by elaborate iron handles; raised on 4 openwork iron wheels; repainted; wear to interior.

the graduated obelisk-form body raised on 4 brass paw feet; resting on a splayed base over a brass plinth; excellent condition; rewired; shade as is

each painted in a teal and cranberry plaid adorned overall with a lacy foliate vine; raised on square wooden plinths; labeled 'Frederick Cooper, Chicago'; good vintage condition with no chips or cracks; minor rubbing and wear to surface

composed of interlocking antlers resting on a circular wooden base; general marks, rubbing and wear; antlers painted with some chipping; professionally rewired

a good example of American Abstract Expressionism by established contemporary artist Jan Wunderman, depicting stacked asymmetrical rock-like forms, which is rooted in the artist's nod towards nature; painted in translucent tones retaining a rich and strong color sense which is part of the artist's vocabulary; signed 'wunderman' lower left; good overall vintage condition with minor wear to the canvas; some scratches to the wooden frame

of baluster form with long neck and everted lip above an ovoid body with splayed foot; the densely-painted and colorful flowers at the shoulder above delicate cascading wisteria; excellent vintage condition with no chips or cracks; only minor wear; professionally rewired; vase now drilled and mounted as a lamp