each with round beveled central plate within a scalloped mirrored frame of reverse-etched panels; label to back 'Uttermost';  good vintage condition with no chips or cracks; light wear to frame

a large and well-executed pair of rococo style 4-arm candelabra with trefoil-shaped baluster stem supporting a single candle cup; all resting on a six-footed splayed base; the four double-modeled candle arms supporting tulip-shaped cups on circular bobeches; adorned overall with meandering floral vines, foliate scrolls and rocaille motifs; with underglaze blue maker's mark; excellent vintage condition with no apparent chips or cracks

the Vizagapatam casket-form tea caddy in the Regency taste, the exterior veneered with sections of antlers, with a carved knob and bun feet; the hinged lid opens to reveal an interior fitted with a pair of tea compartments with hinged covers, the fittings decorated with penwork detailing; good antique condition; mixing bowl now lacking; working key and lock 

the tall and striking ribbed art glass lamp of conical form in luminous smoked glass all resting on a brass base; Empoli is known as the other Italian mid-century glass. Simpler in design than their Murano cousins, the simple traditional styles of Empoli glass were quickly adapted to the sparse abstract shapes of mid 20th century modernism. The vast majority of mid century-styled Empoli glass was made for the American market; height: 21.25" (top of glass)  32" (top of shade); good vintage condition with no chips or cracks; professionally rewired; even wear to re-painted base

great Italian design, the oval mirror having scrolled gilt metal frame, over a wall-mounted demilune console table with glass top above a scrollwork base; excellent vintage condition with overall even wear to gilding

designed in 1959 by Bodil Kjær to accompany her iconic ‘James Bond’ desk in a well-figured and deeply patinated rosewood; manufacrtured by E. Pedersen & Søn for Jason Møbler; fitted with one filing drawer and one smaller drawer all supported on steel supports; good vintage condition with professionally restored finish; key plate removed and filled

Made from Belgian bluestone with a honed finish and embedded with fossils, the table is comprised of a thick square top with bullnose edge and baluster-form support. New with only minimal wear expected, table is ideal for exterior design projects. Due to the custom nature of each table, the fossil pattern will vary.

Made from Belgian bluestone with a honed finish and embedded with fossils, the table is comprised of a thick round top with bullnose edge and barrel-form support. New with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, the fossil pattern will vary.

Made from Belgian bluestone with a honed finish and embedded with fossils, the table is comprised of a thick round top with dupont edge and baluster-form support on an octagonal plinth. New with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, the fossil pattern will vary.

excellent quality reproductions, each with serpentine shaped top above a conforming bombe-form body fitted with two drawers over a pierced rocaille-carved apron all raised on scrolled supports; the drawer fronts with graceful hand-carved surface depicting elegant scrollwork and floral vines all flanked by shaped side panels centering circular reserves; richly-colored patina with intentionally distressed finish to imitate age; good overall condition with light wear; refreshed finish

each artist-signed lamp of baluster form with waisted neck above an ovoid body all over a splayed foot; resting on a turned gold-painted wooden base; each adorned with well-executed hand-painted exotic birds resting on a meandering floral and foliate branch; height: 18.5" (top of porcelain) 30.5" (top of shade); marked 'Made in Italy' to underside; good condition with no chips or cracks; professionally rewired; minor wear to wooden bases

excellent condition with overall even wear

the long shaft of stacked glass orbs above a spheroid body emanating 6 scrolled arms; of white striated glass with gold inclusions; excellent condition with no chips or cracks; can be shortened.

each boldly-scaled urn with rolled lip above a gadrooned body all over a splayed base and square plinth; 3 urns available, 1 of lighter color; chipped and weathered surface 

Each with rolled lip above a compressed lobed body all raised on a splayed base and square plinth; chips and weather surface

the baluster support surrounded by 8 deeply scrolled arms joining a bowl with faceted pendant; excellent condition; rewired

the thick elongated bowl in colors from blue to aubergine all flanked by clear glass handles; no chips or cracks; some wear to underside.

of impressive scale, the orb-form lamp of mercury glass fitted with an ebonized wooden cap and base; good vintage condition with age to silvering; re-wired

each column of alternating marble and brass discs; raised on 4 Greek key feet; rewired; excellent condition; some rubbing to metal.

each tall stick with graduated shaft adorned with foliate carving raised on a splayed tripod base with paw feet supports; excellent restored condition with wear to gilding.

each with curvaceous opening with pinched lip above a cup-shaped body attached to a loop handle; raised on a circular base; professional repair to handle and lip; some wear and fine crackling to glaze.

each decorated urn with inverted lip flanked by double handles; the bulbous body tapering to a flared base; stamped "fac-simile of an antique vase; subject - paris seizing helen to carry her to troy;" minor repair to base

each of decanter form with long flaring neck above a compressed spheroid body; all in a graduated yellow-to-green clear glass infused with large bubbles; excellent vintage condition with no chips or cracks; rewired 

each painted in a teal and cranberry plaid adorned overall with a lacy foliate vine; raised on square wooden plinths; labeled 'Frederick Cooper, Chicago'; good vintage condition with no chips or cracks; minor rubbing and wear to surface

each bearded face surrounded by thick curly hair; with custom iron stands and lampshades