$5,500/pair; each of brushed solid brass with a clean and simple cup-shaped design; no longer in production; some patina and rubbing to frames and mirror plates

composed of interlocking antlers resting on a circular wooden base; general marks, rubbing and wear; antlers painted with some chipping; professionally rewired

of solid construction, the round top with random swirl burnished finish over a plain frieze apron all raised on elegant splayed supports joined by a lower shelf with similar swirl finish; abrasions to top and overall even wear and patina

the oval central plate surrounded by a scalloped reverse-etched mirrored border adorned with twisted glass rods and C-scrolls all attached with glass rosettes and leaves; good vintage condition with only minor wear; one C-scroll with inconspicuous re-glued crack

this cleverly designed mid-century set of nesting tables designed by Bertha Schaefer (American 1895-1971) for M. Singer & Sons with rectangular case table fitted on the underside with 4 round drop-leaf slide-in collapsible tables suspended from slots; with label 'M. Singer & Sons, New York  Chicago'; In 1924 Schaefer founded Bertha Schaefer Interiors. Her company designed Bauhaus-inspired furniture and interiors for both residences and businesses.

each with thick napoleon machete marble top above a bowed cabinet fitted with 3 drawers with brass stringing flanked by brass inlaid fluted stiles and sides all over a scalloped apron; new tops; excellent restored condition.

each bulbous urn with gilt perimeter bands with raised decoration all on a luminous white ground; excellent vintage condition with minor rubbing to brass mounts; rewired

each with square leather saddle-stitched seat above a Z-form chrome frame; good vintage condition with some rubbing to chrome; new leather upholstery

the thickly-modeled and tall vases in a richly-colored orange glass with clear base infused with black and white swirls; no chips or cracks

each hand-blown vase of striking size with everted lip and short neck above a ribbed cylindrical body all resting on a Lucite base; good condition with no chips or cracks; minor surface abrasions commensurate with age; professionally rewired with later Lucite base

Each tall beveled mirror obelisk resting on a square stepped mirrored plinth; no chips or cracks, excellent condition. 

each inset glass top within a solid brass frame raised on quadrangular supports joined by a lower glass shelf; excellent condition with minor overall wear

minor overall weathered surface

minor overall weathered surface

the openwork chandelier capped with a spheroid element supporting six scrolled candlearms; all joined by a shapely outer stretcher;  adorned with crystal flower heads and leaves interspersed by over-scaled tole leaves all ending in an acorn pendant knob; professionally rewired; good vintage condition with minor wear; no missing crystals

the serpentine top above a bombe-form body fitted with three drawers adorned with bold bronze foliate mounts; all in a well-figured and richly patinated black walnut veneer; excellent antique condition with minor veneer replacements; later hardware

a true time capsule of 1961, the 3-dimensional plaster negative relief plaques depicting a golfer, bowler and tennis player all engaged in their sport and all from the perspective of being in front of the player; each inscribed '1961 RICHTER'; Hal Richer ( German-American 1888-1976) an artist and filmmaker known for his contribution to the Dada movement. Settling in the US after fleeing Nazi Germany, spending his later years in Connecticut; good vintage condition with some small chips to edges; some rubbing to surface

each large glazed ceramic baluster-form table lamp on later lucite bases designed by Swedish artist Ingrid Atterberg as part of the "Spiral' series, circa 1949, with alternating ochre and white stripes on a matte brown ground; impressed marks to underside; Ingrid Atterberg (1920-2008) was born in the northern Sweden city of Harnosand. She studied at Slojdforeningens School in Gothenburg. Ingrid came to the Upsala-Ekeby Pottery factory in 1944, staying on until 1964.

each of voluptuous, elegant form in vibrant fuschia cased glass; raised on splayed gilt-wood bases; excellent condition; rewired  

each tall vase of ovoid form with short neck above an ovoid body; the luminous glass with subtle white streaking; excellent condition with no chips or cracks; with foil labels

each large lamp of bulbous form with long everted neck above on ovoid body raised on a brass base; all in a swirling silver and gold faux marble glaze; excellent vintage condition with minor wear; patina to metal bases; rewired