minor wear to honed surface; new wiring; shade as is; French wired
Jules Leleu (French 1883-1961); executed in a well-figured tiger-mahogany with mahogany secondary wood, having a shaped top, above the four drawer case with chromed pulls all flanked by two doors; raised on splayed supports with chrome sabots; a similar model can be seen in Yvonne Brunhammer, Le Style 1925, Editions Baschet et Cie, Paris, p. 45 & Francoise Siriex, The House of Leleu pgs. 46, 47; excellent vintage condition with refinished surface
with baluster support above a glass bowl emanating 6 scrolling candle-arms with boldly-scaled cups; adorned overall with floral and foliate stems; the whole over a triple-sphere pendant; professionally cleaned and re-wired with plug-in arms for easy assembly/disassembly; excellent vintage condition with no chips or cracks
the wide bowl with flared lip above a tapering body all raised on a raised foot; the underside with recessed frosted geometric design; excellent condition.
each with curvaceous opening with pinched lip above a cup-shaped body attached to a loop handle; raised on a circular base; professional repair to handle and lip; some wear and fine crackling to glaze.
the domed lid with one seated and one standing rabbit with inquisitive gazes; resting on a circular basket-weave bowl; minor wear; excellent condition.
the inset glass top within a chrome frame with geometric openwork apron; good condition with minor overall wear
considered to be 'the most impressive botanical works of the period' by known art historian Anthony Blunt; new acid-free matte and giltwood frame; minor discoloration
the tall back with dramatic arching crest above a serpentine seat flanked by padded arms all above a scalloped apron raised on cabriole supports; excellent restored condition.
perfect for the foot of a bed; the shaped padded seat above a scalloped apron raised on graceful cabriole supports; adorned overall with rocaille and shell carving; overall even wear; excellent restored condition; newly upholstered
the graduated obelisk-form body raised on 4 brass paw feet; resting on a splayed base over a brass plinth; excellent condition; rewired; shade as is
the shaped lacquered antique tray (circa 1890) with Chinoiserie decoration centering a floral bouquet surrounded by birds and butterflies; raised on a faux bamboo gilt metal stand (circa 1940); good condition with crackling to lacquer and overall even wear and patina
surmounted by a rocaille openwork crest above an oval frame adorned with foliate carving with exaggerated c-scrolls at the sides with a foliate pendant at the base; with later antique beveled plate; some re-glued elements; overall even wear to refreshed gilded surface
the original mirrored top above an openwork frieze raised on exaggerated openwork cabriole supports; overall even rubbing to gilded surface; antiquing and surface wear to mirrored top
centering a convex mirror within a brass frame surrounded by lively cut brass foliage; later mirror; wear and patina to metal; possibly once fitted with a clock
each with square, richly-figured macassar veneered tops cantilevered on a chrome base; excellent vintage condition with minor wear to chrome; tops professionally refinished
the shaped lamp with slumped glass mirrored panels; the front panel with a Chinoiserie reverse-painted scene; all resting on a wooden base; good vintage condition with no chips or cracks; wear and patina to wooden surface; antiquing to silvering
the squared top above a conforming body fitted with a single tambour door; the arching apron joining four columnar supports above a lower shelf; raised on compressed bulbous feet; restored condition
each with oval-shaped bowl flanked by outscrolled handles all raised on a splayed oval base ending in a raised laurel leaf perimeter band; good antique condition with overall even wear and patina; rubbing to gilding; no chips or cracks
the serpentine top above a bome body fitted with two drawers raised on cabriole supports; adorned overall with a well-executed chinoiserie decoration on an unusual teal ground; refreshed surface; good antique condition
the gray marble top resting on an open iron-work base with 8 over-scaled double c-scrolled supports adorned with bold gilt-tole leaves; overall oxidation; later top
each with incurved back sloping to join a tight seat flanked by bowed arms ending in swan neck terminals; raised on cabriole legs; adorned overall with giltwood acanthus leaves, bellflowers and scrollwork; professionally restored with refreshed paint and gilding; overall even wear and patina; newly upholstered
the well-detailed study of a Parisian room interior depicting a staircase and entitled "Escalier" in rich layered colors; with new Art Nouveau style giltwood frames; plate is in good clean condition
each with cartouche-shaped back above a shaped tight seat all raised on cabriole legs; the whole adorned with rocaille and foliate carving; professionally refinished, strengthened and reupholstered.
