finely molded with small finches nesting in stylized brambles; etched in script 'Lalique France'
 

the arbalete top with perimeter stringing within a crossbanded border all above a shapely bombe-form body with similar stringing and crossbanding; fitted with two long drawers having openwork solid brass pulls; the whole raised on graceful cabriole supports; overall even wear and nice warm patina; good vintage condition; professionally refinished 

of superb quality with a rich patina, the solid mahogany oval top centering an inlaid shell motif with satinwood perimeter band and stringing; all resting on turned supports ending in pad feet; fitted with swing legs on either side with large knuckle joints constructed within the frame; the half-round leaves raise with wrought-iron hinges allowing the table to function as a breakfast table, serving piece, end table or game table;  Dimensions: 29.5" H x 38.75" W x 14.75" D (Closed) 49.5" L (Open) Condition: Good overall antique condition with signs of age and use including some surface abras

with ribbon crest above a circular backplate emanating 3 scrolled iron candlearms; all over a knotted ribbon ending in tassels; refreshed gilding with overall even patina; rewired

this extremely comfortable and stylish mid-century sofa with beechwood frame with splayed openwork ends and raised on tapering supports; fabric in good condition with minimal wear and minor fading; excellent vintage condition with wear and patina to wood

a well-thought out composition as the table plain draws the viewer into the room of a seated woman with distant gaze dressed in a blue jacket; the table set with a bowl of fruit, a goblet and plant; all within a silver-leafed carved wooden frame with linen slip; excellent condition professionally cleaned and restored; unsigned; later frame

with its thick and bold brush strokes creating a textured surface depicting the artist's emotional energy; signed and dated on verso by Salt Lake City artist 'Ann Gallagher 1972 SLC'; good overall condition with clean surface; wear to ebonized wooden frame

the chrome fixture with central support emanating 10 splayed arms ending in tubular batons capped by glass spheres with electrical sockets at opposite end; adorned with suspended glass spheres; fitted with 10 chandelier-sized sockets; excellent vintage condition with minor surface wear; re-wired

from the Bay Area Figurative Movement; Artist note: "Toni could adopt any guise. As you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. She could be young, middle-aged or timeless, she could evoke a classical goddess, an African queen, a con- temporary urbanite, a peasant maid."

the hinged rectangular lid resting on a conforming body flanked by wrought iron handles; adorned on all sides with an exotic wood inlaid perimeter band inset with bone inlay; the front, top and back centering a pinwheel motif; good antique condition with professionally refinished surface; warm honey-color patina with overall wear; lock mechanism now lacking

Made in France from French limestone, the table is comprised of a thick round top with bullnose edge and graduated circular base. New with only minimal wear expected; table is ideal for exterior or interior design projects. Due to the custom nature of each table, stone variations will occur; available in custom sizes and carved bluestone

custom sizes available in French limestone or Belgian bluestone;  in three parts, the thick seat resting on waisted supports; 12 week lead time; new with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, stone variations will occur 

fitted with four amboyna matchbook-veneered doors opening to reveal 3 sycamore-veneered drawers; all above a scalloped apron raised on splayed legs with brass caps; excellent condition; with original retail label 'Mauri Muebles, Buenos Aires'

Custom sizes available; made in France from French limestone, the table is comprised of a thick round top with bullnose edge and barrel-form support. New with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, stone variations will occur 

each painted with joyous spontaneity successfully mixing the dreamlike and the realistic featuring three beach scenes with dramatic skies and figures scurrying around beached boats; signed 'Ritter' lower left; excellent condition; professionally framed; Laszlo Ritter was a self taught impressionist painter. The Hungarian uprising in 1956 precipitated Ritter's bid for freedom and safety in England at age seventeen. Ritter spent his early years studying the Masters and learning their techniques.

the serene tonal painting with its limited palette and harmonizing colors depicting an impressionistic, hilly wintry scene; excellent condition; new giltwood frame and fillet; Robb Beebe began his art training in 1910 at the Cleveland School of Art. Post-university studies led Beebe to the Art Institute of Chicago. In 1913, he began using the name Robb Beebe with its unusual spelling. In the 1930's, Beebe worked as an illustrator for the pulp magazine, All Story Love Tales while contributing to Women's World, Collier's and McCalls.

Alamo Square 2014 - Oil On Canvas By William Stanisich, San Francisco; Signed And Framed Dated 2014 presented by epoca. “Its paths cling to the sides of steep hills. The views are spectacular and after the 1906 earthquake, it was here the surrounding neighborhood set up a tent city to take refuge”.

from the artist: I've long been inspired by old things. The texture and play of light on a weathered surface are the things that spark my imagination. I seek to capture a building's essence in my paintings, in a time less hurried with a calmness of spirit. Their strong simple shapes inspire me to try to somehow preserve their beauty captured at a moment in time.

Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

the pastoral setting depicting three grazing cows in a lush green field below billowing clouds; signed 'A J Groenewegen' lower left

the stylized carved wooden rosette centering a circular reserve surrounded by a wreath of scrolled acanthus leaves all in a warmly patinated painted and gilded surface; good antique condition with overall even wear and patina

Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to.