the globular pot with rolled lip tapering to the base; chipping and weathered surface
excellent condition with overall even wear
with serene gaze turned to the right and looking downward above a voluptuous rough-hewed seated body; excellent condition.
with scrolling handle and openwork body over a tri-pod base; even wear and oxidation to surface; good overall condition
the cartouche-shaped mirror within an elaborate giltwood frame of C-scrolls, rocaille, and floral carving; good antique condition with refreshed gilding; overall even wear
the inset glass top above curule-form supports with swan motifs; excellent condition with overall minor wear
the winter green fiberglass top depicting a draped table cloth adorned with gilt fleur-de-lis decoration; raised on an iron tripod stand
surmounted by a plumed crest; refreshed gilding and later aged mirror plate
with slender flaring neck above an ovoid body; composed of various laminated wooden sections turned on a lathe
each with square top above a square pedestal with inset reserves; chipping and overall weathered patina
minor wear to honed surface; new wiring; shade as is; French wired
the striking ovoid vessel with fish-mouth opening; painted overall with large leaves and bamboo shoots all on a white ground; with underglaze blue markings to underside; The first porcelain factory in the town of Marktredwitz opened in 1872 and was known under the name of Porzellanfabrik Jaeger, Thomas & Co. until Fritz Thomas quit in 1898, opening his own factory in 1903. In 1908, the “F. Thomas, Marktredwitz” factory was purchased by Rosenthal, ceasing operation in 1960.
each with central glass support surrounded by two tall opposing leaves of translucent gold aventurine glass all raised on a thick gold bullicante disk over a later Lucite base; height: 16.5" (top of glass) 27.5" (top of shade); good vintage condition with no chips or cracks; professionally rewired; later Lucite bases
of impressive scale with stately presence, the Baroque Flemish Style cushion frame finely painted to replicate the rich, amber-like tones and distinctive radiating patterns of genuine tortoiseshell; the double-recessed frame with outer cushion molding all separated by bands of ebonized moldings; all surrounding a beveled mirror plate; excellent condition with only minimal wear
the octagonal hinged lid with coved border above a flared body flanked by elaborate iron handles; raised on 4 openwork iron wheels; repainted; wear to interior.
the lively capital with outscrolled acanthus leaves all resting on a separate wooden base; excellent condition with later base
a serenely rendered still life depicting a lush table-scape with an exotic pineapple, symbolizing hospitality, resting on a metal tray all amid a large urn and wine glasses; good condition; illegibly signed and dated lower right; all within the original ebonized wooden frame with gold slip
composed of interlocking antlers resting on a circular wooden base; general marks, rubbing and wear; antlers painted with some chipping; professionally rewired
of baluster form with long neck and everted lip above an ovoid body with splayed foot; the densely-painted and colorful flowers at the shoulder above delicate cascading wisteria; excellent vintage condition with no chips or cracks; only minor wear; professionally rewired; vase now drilled and mounted as a lamp
a stylish pair of italian white-glazed urns with over-scaled flared reticulated neck over a bulbous mid-section with raised foliate decoration; raised on a splayed base resting on a black lacquer wooden plinth; excellent vintage condition with custom wooden base; rewired
A pair of Royal Crown Derby vases ca. 1893 having relief gilt floral and fruit motif encircling the bodies with Art Nouveau pattern at the flared necks, all on a pink ground; each having an iron red overglaze Derby Crown mark with interlacing D's above cypher indicating year 1893; gentle wear commensurate with age including slight wear to gilding; one minuscule fleabite at lower edge of one vase; slight crazing along bottom edge of one vase.
each columnar lamp of Carrara marble with Tuscan style capital above a cylindrical standard resting on a cylindrical base all over a square base; height: 16.25" (top of marble) 27.25" (top of shade); good vintage condition with even wear and patina to surface; some abrasions with two polished chips; professionally rewired
Excellent vintage condition with no chips or cracks; Königliche Porzellan Manufaktur, or KPM (established 1723) was a fundamental part of the landscape of the European decorative arts in the 19th Century, and was, and still is, one of the most prolific producers of luxury porcelain
each composed of a metal frame with wooden top and side panels; fitted with 2 metal faux-bamboo doors with antiqued mirrored panels; excellent restored condition with replaced tops
Jules Leleu (French 1883-1961); executed in a well-figured tiger-mahogany with mahogany secondary wood, having a shaped top, above the four drawer case with chromed pulls all flanked by two doors; raised on splayed supports with chrome sabots; a similar model can be seen in Yvonne Brunhammer, Le Style 1925, Editions Baschet et Cie, Paris, p. 45 & Francoise Siriex, The House of Leleu pgs. 46, 47; excellent vintage condition with refinished surface
