the original rectangular plate surrounded by a deeply, well-carved frame of robust cascading laurel leaves; the crest and lower rail with lively foliage, stylized flowers and grapes; antiquing to plate; patination to later paint and gilding.
Each hand-carved cup-shaped vessel with Greek key collar above a tapering body resting on a separate square base; overall wear and patina; one side on each urn of darker patina; some chipping to surface; one with replaced Greek key rim
The exuberantly carved openwork crest composed of dramatic interlacing C-scroll motifs with floral and foliate elements cascading down the sides; all surrounding the original beveled mirror plate within a relief-carved molding; warm patina and rubbing to water-gilded surface; areas of refreshed gilding; with some professional repairs to frame
the hand-carved walnut bear with expressive gaze fitted with glass eyes; most likely from the Black forest area in the Swiss city of Interlagen; with rich dark patina; good antique condition with minor wear
well-carved giltwood wall mirror with a pagoda-form pediment above an open-work carved foliate frame; excellent antique condition with overall even rubbing to water-gilded surface; later mirror plate
one of the prettiest pairs of chinese lamps that we have had in our inventory; each of slender baluster form adorned with gilt meandering floral vines; raised on a turned giltwood base; excellent condition with minor even wear; rewired
the frosted glass sphere adorned with clear circles with frosted numbers; raised on a splayed base; excellent condition.
the ovoid pot with short neck above a tapering body adorned with carved relief decoration depicting parrots; patina and fine craquelure to glazed surface; repaired chip to inside of lip
decorated with a scenic reserve centering a hunter on horseback beside a pair of dogs all on a black lacquered ground with gilt foliate decoration; impressed mark to underside ' Mark Knowles and Sons'; good antique condition with some wear and patina to surface; later faux bamboo black lacquered stand
the rectangular carved frame in the neoclassical style of overlapping laurel leaves and berries tied with ribbons all highlighted with acanthus leaves at the corners; refreshed paint and gilding; nice overall even wear and patina; age to original antique plate
of generous proportion with flared back and arched crest above a seat with a small hinged compartment; the seat back with carved paneled reserves; raised on a wooden base with later supports; the whole fitted with iron hardware; new channeled leather loose cushion; overall wear and patina; sound construction
How can this not make you smile? This well-carved antique Black Forest box of an expressive shaggy dog with glass eyes, forward gaze, open mouth and floppy ears all above raised paws; covered overall with a well-delineated coat; good antique condition with minor wear and nice patina; the hinge with some movement
the semi-attached leather cushion flanked by dramatic flared openwork arms with mother-of-pearl inlay over a similar openwork apron with mother-of pearl inlay and turned elements creating an intricate latticework; with beautifully carved spandrels above turned feet; the benches display the skill of the Damascus craftsmen of this time; excellent condition with only minor repairs; new leather upholstery
the exuberantly carved pagoda crest surrounded by lively acanthus leaves, c-scrolls and grotto motifs cascading down to an openwork frame; wear and rubbing to gilding; with professional repairs; refreshed gilding; some age to later plate
the circular padded back with floral carved crest rail above padded arms over s-scrolled supports; joining a generous bowed seat and apron with foliate carving; raised on turned fluted supports; overall even wear and rubbing to refreshed paint and gilding; with new puddy-colored boar skin upholstery
the well-carved Corinthian capital with faux marble top adorned overall with outscrolled acanthus leaves below scrolling volutes; all raised on a later square wooden plinth; remnants of label from Tony Duquette Collections sale, Christie's Auction House, Los Angeles, 2001, image can be seen in the book "Tony Duquette" by Wendy Goodman and Hutton Wilkinson, pg. 216; good solid condition with overall wear and patina; some shrinkage
with scrolling handle and openwork body over a tri-pod base; even wear and oxidation to surface; good overall condition
the playful chubby putti with head turned holding onto a writhing dolphin; overall even weathering; excellent condition.
the die in solid laminated mahogany for the manufacture of a child's toy pedal car (metal would be wrapped around this die and steering wheel attached later)
the impressionist painting with thickly applied paint depicting sailboats at dock with dramatic cloud-filled sky; signed on front lower right; good clean painting with bright colors; in a carved giltwood frame; even wear to gilding; panel: 13" X 19.5", overall: 20" x 26"
the stylized carved wooden rosette centering a circular reserve surrounded by a wreath of scrolled acanthus leaves all in a warmly patinated painted and gilded surface; good antique condition with overall even wear and patina
the large mahogany oval tray centering am impressive satinwood shell motif surrounded by rosewood banding; raised on a later stand; excellent restored condition
the large round mirror within a well-carved pale blue and silver-gilt frame capped with a shell motif over an openwork crest; all above an exuberantly carved frame with lively C-scrolls and acanthus leaves; purchased in 2022 from the estate of Palermo, Italy antique dealer Bartolomeo Rizzo; good antique condition with some replacements, elements re-glued; professionally restored with refreshed surface; nice overall even wear and rubbing to surface; later plate
epoca, located in the Design Center neighborhood of San Francisco, has been characterized as “blended eclectic” offering unique 20th century furnishings alongside traditional antiques and accessories.
Eric Petsinger:
Two things in Eric Petsinger’s life are truly memorable. The first is a day in 1968 when his mother left the house a brunette and came home a blonde. The second was opening epoca, the beautifully edited San Francisco gallery, a fixture in the San Francisco Design Center neighborhood since 2003. In epoca, Eric has created a layered inventory with a ‘something for everyone’ approach, blending American and European antiques with 20th century furnishings. Whether assisting an interior designer or an antiques enthusiast, Eric says, “Mix it up! Go ahead and put that shapely French rococo armchair next to a sleek John Widdicomb sofa and see how they bring out each other’s beauty.”
