with rectangular shelf above a dramatically scrolling body adorned with an over-scaled acanthus leaf ending in a scrolling volute; patination to gilding.

each boldly-scaled urn with rolled lip above a gadrooned body all over a splayed base and square plinth; 3 urns available, 1 of lighter color; chipped and weathered surface 

Each with rolled lip above a compressed lobed body all raised on a splayed base and square plinth; chips and weather surface

finely molded with small finches nesting in stylized brambles; etched in script 'Lalique France'
 

each half-round moulding with floral and foliate carved reserves surrounding a beaded inner slip; with later antiqued plates; rubbing to gilding.

the cartouche-shaped mirror within an elaborate giltwood frame of C-scrolls, rocaille, and floral carving; good antique condition with refreshed gilding; overall even wear

with pinched spout above a portly body with squared handle; all in a controlled dolomit glaze over brown in a striped pattern; signed 'Ceramano Hand Albeit' to underside; excellent vintage condition with minor surface rubbing.

minor overall weathered surface

minor overall weathered surface

each double-handled urn painted with meandering foliate design on a blue-gray ground; with incised marks to the underside; minor overall surface wear

designed in the Regency taste from Vizagapatam, India, the two sarcphogus-shaped sandalwood boxes with hinged lids adorned with fine penwork detailing; good antique condition with overall even wear and patina

the ovoid pot with short neck above a tapering body adorned with carved relief decoration depicting parrots; patina and fine craquelure to glazed surface; repaired chip to inside of lip

the splayed top centering a tranquil landscape scene; resting on a conforming body raised on gilt metal feet and flanked by bold ring handles; overall wear.

the oval antique plate within a molded slip surrounded by exuberantly-carved reticulated foliate scroll-work; patination to gilding; excellent restored condition; later plate

each shapely lamp of hand-blown sky blue dappled glass all raised on a brass and lucite circular base; professionally rewired; good vintage condition with minimal wear

the covered vase characterized by its lidded design and prominent handles; adorned overall with classical decoration and is based on the ancient Roman "Warwick Vase" known for its Bacchic ornament; good antique condition with minor surface wear 

this peaceful pastoral scene at dusk of a shepherd and his sheepdog returning their flock to the stable; Reuben LeGrande Johnston (1850-1918), was born in Alexandria, Virginia. Best known for his landscapes with animals, he was well-traveled, visiting France, Spain, England, Tangiers and Morocco. He also traveled to the American west, notably Cheyenne, Wyoming. He was a member of the Society of Washington (DC) Artists, where he exhibited, in addition to the National Academy of Design; some discoloration to paper; newly matted and framed

the hinged circular top centering a beautifully inlaid checkboard on one side flipping to reveal an inlaid Parcheesi (Ludo) board on the reverse; raised in 4 dramatically incurved supports joined by a lower shelf fitted with a hidden compartment for game pieces; professionally refinished with minor warpage to top; Parcheesi is based on Pachisi, originated in India around the 4th century A.D. Its popularity headed west in the 1860s, first traveling to England, which had taken over rule of India from the British East India Company in 1858, and then further into Europe. 

this large ribbed and cylindrical Japanese shell-game box with domed lid decorated overall with Maki-e (gold lacquered) foliate wreaths and stylized flower heads and incised brass mounts; raised on four splayed supports; good overall antique condition with even wear and rubbing to surface; some touch-ups to areas of missing lacquer; minor crack to underside of lid and inside bottom; now lacking rope.

excellent quality reproductions, each with serpentine shaped top above a conforming bombe-form body fitted with two drawers over a pierced rocaille-carved apron all raised on scrolled supports; the drawer fronts with graceful hand-carved surface depicting elegant scrollwork and floral vines all flanked by shaped side panels centering circular reserves; richly-colored patina with intentionally distressed finish to imitate age; good overall condition with light wear; refreshed finish

each artist-signed lamp of baluster form with waisted neck above an ovoid body all over a splayed foot; resting on a turned gold-painted wooden base; each adorned with well-executed hand-painted exotic birds resting on a meandering floral and foliate branch; height: 18.5" (top of porcelain) 30.5" (top of shade); marked 'Made in Italy' to underside; good condition with no chips or cracks; professionally rewired; minor wear to wooden bases

of impressive scale with stately presence, the Baroque Flemish Style cushion frame finely painted to replicate the rich, amber-like tones and distinctive radiating patterns of genuine tortoiseshell; the double-recessed frame with outer cushion molding all separated by bands of ebonized moldings; all surrounding a beveled mirror plate; excellent condition with only minimal wear 

each tall upholstered back with shaped crest above a tight serpentine seat flanked by padded arms; over a scalloped apron with foliate and rocaille carving all raised on cabriole supports ending in scrolled feet joined by a curved x-form stretcher; later leather upholstery with fine nailhead detailing; structurally sound with general rubbing and wear; nice overall patina; professionally polished 

each depicting an etruscan urn with detail images and inscriptions written below; from the book 'Picturae Etruscorum in Vasculis' by Giovanni Battista Passeri; later French mattes and giltwood frames; excellent condition.