each striking lamp of deep purple bullicante and gold aventurine glass with an iridescent surface; raised on a brass octagonal base; excellent vintage condition with no chips or cracks; rewired 

the rectangular top with quarter-round molded edge above a fluted apron; raised on turned columnar supports ending in block feet all joined by perimeter stretchers; structurally sturdy with pegged construction; intentionally distressed finish to imitate age; overall wear and patina 

of sleek mid-century design with an elegant profile, James Mont's King Cole chair was deigned for one of his most notable commissions, the King Cole Penthouse in Miami; having a beech bentwood openwork barrel back with sloping arms all above a saddle seat and conforming apron; raised on tapering turned supports; professionally restored and structurally sound; refinished and reupholstered

with everted neck above an ovoid body over a lobed foot resting on a gilt-metal base; all in a smoky glass with controlled bubbles; excellent condition; rewired; lampshade as is.

the ovoid ribbed glass with controlled bubbles; with carerra marble cap and base; rewired; excellent condition with no chips or cracks; minor wear to marble; lamp shade as is.

the tall ribbed lamp of sea-foam green art glass with controlled bubbles; excellent condition with no chips or cracks; rewired

each with flared ceramic neck above a gadroon-form body; raised on faux bois metal bases; excellent vintage condition with no chips or cracks; rewired 

each with elegant flared neck flanked by clear aventurine glass handles all above a tapering body resting on a lobed aventurine splayed base; all over a conforming gilt-metal plinth; excellent condition; rewired; new lampshades as is.

each hour-glass shaped walnut lamp with three brass bands and waist; patination to brass; rewired; new shades 'as is'

the circular padded back with floral carved crest rail above padded arms over s-scrolled supports; joining a generous bowed seat and apron with foliate carving; raised on turned fluted supports; overall even wear and rubbing to refreshed paint and gilding; with new puddy-colored boar skin upholstery

the rectangular top with d-end flaps all with kingwood crossbanding; fitted with a single drawer with blind drawer on the reverse; raised on tapering square supports ending in casters; overall patination

a good French Rococo Style Fall Front Desk having a rectangular top with an undulating herring bone-veneered slant front, opening to reveal a hand-tooled leather writing surface below drawers and compartments; resting on a case fitted with 3-short drawers over one long drawer; supported on shapely cabriole legs; professionally restored and refinished with areas of replaced veneer; nice patina to later leather surface

How can this not make you smile? This well-carved antique Black Forest box of an expressive shaggy dog with glass eyes, forward gaze, open mouth and floppy ears all above raised paws; covered overall with a well-delineated coat; good antique condition with minor wear and nice patina; the hinge with some movement  

the round top with inset hand-tooled leather surface above a plain frieze apron; all raised on elegant splayed supports joined by an openwork ebonized stretcher; the top slides open to reveal fabric-covered compartments; good antique condition with wear and patina; areas of replaced veneer; later fabric to interior

well-carved giltwood wall mirror with a pagoda-form pediment above an open-work carved foliate frame; excellent antique condition with overall even rubbing to water-gilded surface; later mirror plate

the tall and striking ribbed art glass lamp of conical form in luminous smoked glass all resting on a brass base; Empoli is known as the other Italian mid-century glass. Simpler in design than their Murano cousins, the simple traditional styles of Empoli glass were quickly adapted to the sparse abstract shapes of mid 20th century modernism. The vast majority of mid century-styled Empoli glass was made for the American market; height: 21.25" (top of glass)  32" (top of shade); good vintage condition with no chips or cracks; professionally rewired; even wear to re-painted base

each bottle-form lamp with checkered orange and olive green design all above a rectangular wooden base; excellent condition; rewired

the large bottle-form lamp with long neck and tapering body all in a crater glaze 

each of voluptuous, elegant form in vibrant fuschia cased glass; raised on splayed gilt-wood bases; excellent condition; rewired  

each 20-light Lumiere Sputnik style chandelier designed by Jean De Merry with nickel-plated spikes creating a dazzling sphere of light; in good condition with some tarnishing to metal

beautiful Italian design of collapsible scissor form fitted with a removable tray all raised on clear plastic casters; excellent vintage condition with even wear to warm patina

an early 1950s production Florence Knoll for Knoll International lounge chair with loose back and seat cushions all resting on four turned tapering legs; professionally refinished with new butter-yellow linen upholstery; excellent vintage condition with sturdy hardwood frame

each hand-blown vase of striking size with everted lip and short neck above a ribbed cylindrical body all resting on a Lucite base; good condition with no chips or cracks; minor surface abrasions commensurate with age; professionally rewired with later Lucite base

signed 1960s bench with floating rectangular upholstered seat resting on a walnut base with square-form tapering legs connected by two stretchers; makers label to inner stretcher; Jens Risom (1916-2016) was a Danish American furniture designer. An exemplar of Mid-Century modern design, Rison was one of the first designers to introduce Scandinavian design in the United States. His designs are on display at the Museum of Modern Art, the Rhode Island School of Design and the Cooper-Hewitt Design Museum;  professionally refinished and reupholstered