the original mirrored top above an openwork frieze raised on exaggerated openwork cabriole supports; overall even rubbing to gilded surface; antiquing and surface wear to mirrored top

each with square, richly-figured macassar veneered tops cantilevered on a chrome base; excellent vintage condition with minor wear to chrome; tops professionally refinished 

each with oval-shaped bowl flanked by outscrolled handles all raised on a splayed oval base ending in a raised laurel leaf perimeter band; good antique condition with overall even wear and patina; rubbing to gilding;  no chips or cracks

the serpentine top above a bome body fitted with two drawers raised on cabriole supports; adorned overall with a well-executed chinoiserie decoration on an unusual teal ground; refreshed surface; good antique condition 

the gray marble top resting on an open iron-work base with 8 over-scaled double c-scrolled supports adorned with bold gilt-tole leaves; overall oxidation; later top

the well-detailed study of a Parisian room interior depicting a staircase and entitled "Escalier" in rich layered colors; with new Art Nouveau style giltwood frames; plate is in good clean condition 

each with cartouche-shaped back above a shaped tight seat all raised on cabriole legs; the whole adorned with rocaille and foliate carving; professionally refinished, strengthened and reupholstered. 

the shaped top wit 2 zinc-lined compartments over a deep apron; raised on cabriole supports joined by a shaped stretcher; excellent restored condition

the lively carved rocaille crest with plump fruit and Hoho bird cascading over the rectangular frame adorned with meandering floral festoons; overall patina and rubbing to gilded surface; later beveled plate

the round top of deeply patinated and well-figured quarter veneered macassar ebony raised on incurved supports joined by a lower shelf; all over a tripod base with block feet; good antique condition and structurally sound; professionally refinished with small areas of replaced veneer

the large crystal sphere resting on a classically-inspired bronze tripod stand adorned with rams head masks joined by swag festoons all ending in paw feet; all over a shaped stepped base; probably a marriage of the orb and base; overall patina and rubbing; glass orb is free of chips and cracks

each depicting an etruscan urn with detail images and inscriptions written below; from the book 'Picturae Etruscorum in Vasculis' by Giovanni Battista Passeri; later French mattes and giltwood frames; excellent condition.

of asymmetrical form with a lively floral head emanating from one corner; with artist's initials 'PSM', overall oxidized surface

the abstract expressionist drawing of a graceful ballerina dancing to Swan Lake in a deep bow; excellent vintage condition with only minor discoloration to paper; new acid-free matte; later cerused oak frame; with illegible signature

the well-figured marble top resting on an iron tripod frame with rope-twist perimeter ring surrounded by 3 splayed supports ending in hoof feet; joined by a shaped stretcher; excellent condition with minor wear and patina

a true time capsule of 1961, the 3-dimensional plaster negative relief plaques depicting a golfer, bowler and tennis player all engaged in their sport and all from the perspective of being in front of the player; each inscribed '1961 RICHTER'; Hal Richer ( German-American 1888-1976) an artist and filmmaker known for his contribution to the Dada movement. Settling in the US after fleeing Nazi Germany, spending his later years in Connecticut; good vintage condition with some small chips to edges; some rubbing to surface

the cerused oak blackplate centering a beveled mirror flanked by 2 similar mirrors with mirrors on the reverse; fitted with a steel and chrome hinged framework; age to plates; good antique condition

one of the best examples of a spoon back chair with its tall incurved back with an inlaid stylized floral and foliate motif;  the down-swept arms above a box seat raised on console legs with carved volutes and lotus leaves at the knee; professionally restored with new black boar-skin upholstery

the circular padded back with floral carved crest rail above padded arms over s-scrolled supports; joining a generous bowed seat and apron with foliate carving; raised on turned fluted supports; overall even wear and rubbing to refreshed paint and gilding; with new puddy-colored boar skin upholstery

from the artist: I've long been inspired by old things. The texture and play of light on a weathered surface are the things that spark my imagination. I seek to capture a building's essence in my paintings, in a time less hurried with a calmness of spirit. Their strong simple shapes inspire me to try to somehow preserve their beauty captured at a moment in time.

Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

Peter Hamlett (American 1919-1972) signed Oil on Board, dated 1966 verso; the lush impressionist style still life painting with thick broad brushstrokes depicting a tablescape setting with a copper pot, various vegetables and a bottle of wine; signed lower left and verso and titled 'Staff of Life' Laguna Beach 1966; Born in 1919 in Mokanshan, China during a time of political unrest, Peter Hamlett, a seascape painter, left China at age 18 when he graduated from Shanghai American School.

each tall and finely crafted fluted bronze hall tree adorned with finely detailed gilt-bronze neoclassical decoration with berry finials, bows, ribbons, and tassels centering a trophy with lyre; the dramatic medusa mask emanating writhing snakes (for coats) with coiled snakes further down the shaft (for umbrellas); all over a square openwork base; purchased in 1994 from Leah's Antique Gallery, New York City (receipt attached); in good antique condition with minor wear to gilding and bronze; some oxidation to bases

An unusual pair of hand-blown clear and gold aventurine Venetian candlesticks with large-scale dolphin connectors made by Salviati, circa 1920's featuring dramatic full-bodied upward-facing dolphins; raised on a splayed quilted foot with removable quilted bobeche; excellent condition with no chips or cracks;

the circular tabouret with new decking above a rope-twist giltwood frame with cabriole supports with knotted feet all joined by an x-form stretcher centering a robust central knot; furniture carved in this manner is generally associated with the Parisian upholsterer A.M.E. Fournier, who supplied at least one carved rope stool to the Musée National du Château de Compiègne; gilding refreshed; nice patina with overall even rubbing; structurally sound frame; new taupe leather upholstery with saddle-stitch detailing. 

Fred Pye (b. 1882 England d. 1964 Ogunquit, ME) Oil on canvas; large and dramatic rocky seascape painting depicting a rocky shore (most likely Ogunquit, ME) with crashing and cresting waves under a partly sunny sky with billowing clouds; signed lower right; good condition with some craquelure in upper right portion of sky; relined; within the original white-washed and gilt wooden frame with beige linen slip.