with giltwood neck above a turned columnar body of nicely figured Carrara marble all over a giltwood base; good vintage condition with minor chipping to edges; re-wired; neck and base re-gilded

each of simple cylindrical form covered in a mottled celadon green glaze; with custom giltwood bases and gilt-metal caps; 17.5" (top of vase)  28.5" (top of shade); good vintage condition with minor wear; the vases now drilled and mounted as lamps; rubbing and patina to gilding

each bulbous lamp with frosted overlay on a clear gold ground; the frosted glass finely etched exposing the gold luster glass beneath cresting a perimeter band of classical figures; raised on giltwood bases; height: 13" (top of glass)  24.5 (top of shade); minor wear and rubbing to glass surface; no chips or cracks; professionally rewired

this beautifully decorated lamp of ovoid form finely painted overall with large floral stems in rich shades of blue, green and ochre all on a mottled pale blue ground; with subtle gilt decoration; artist signed and dated 1950; excellent vintage condition with no chips or cracks, rewired; with custom giltwood base

each of campagna form with everted lip tapering to a compressed portly body all over a square plinth; adorned with ebonized highlights; 18.5" (top of wood)  29.5" (top of shade); professionally rewired; good vintage condition with minor wear and nice warm patina

each hand-blown vase of striking size with everted lip and short neck above a ribbed cylindrical body all resting on a Lucite base; good condition with no chips or cracks; minor surface abrasions commensurate with age; professionally rewired with later Lucite base

each plaster baluster-form lamp by the Bradburn Gallery covered in a celadon painted linen with hand-painted colorful birds perched on a meandering foliate branch speckled with purple berries; height: 16" (top of plaster)  27" (top of shade); gilt embossed maker's mark to underside; good condition with minimal wear; professionally rewired 

with short flaring neck above a voluptuous body over a flared foot; excellent condition.

each with ebonized and carved reeded frame having arching backs above continuous arms raised on tapering legs; good restored condition with new upholstery; professionally refinished 

An elegant and finely ; Labeled: Han Larsen, Kallundborg, Kjobenhavn; the half-round top over a conforming base inlaid with satinwood inlay and ebony stringing; fitted with four drawers flanked by two hinged doors; raised on short tapering legs; Circa 1880

this large ever-so chic fixture composed of 12-arms with 2 lights per arm often attributed to Tommi Parzinger and manufactured by Lightolier; uses chandelier bulbs with a 60 watt maximum; canopy with Lightolier label; excellent vintage condition

the well-crafted lamp of quilted glass with gold inclusions; excellent condition with no chips or cracks; rewired

each of decanter form with long flaring neck above a compressed spheroid body; all in a graduated yellow-to-green clear glass infused with large bubbles; excellent vintage condition with no chips or cracks; rewired 

the ribbed lamp of silver aventurine glass; excellent condition with no chips or cracks; rewired

of impressive scale, the orb-form lamp of mercury glass fitted with an ebonized wooden cap and base; good vintage condition with age to silvering; re-wired

the thick oval glass top with ogee edge resting on a conforming neoclassical style brass base raised on four columnar supports terminating in hoof feet all joined by incurved perimeter stretchers; good vintage condition with minor pitting and patina; sturdy frame; no chips or cracks to glass with some wear to surface 

with incurved caned back centering an inlaid crest above sloping arms with brass terminals over a caned seat fitted with a loose cushion all raised on reeded supports ending in brass feet; good antique condition with minor wear and surface indentations; patina to brass; refreshed surface; new seat cushion

of exceptional quality, each double-gourd form lamp with hand-painted butterflies and raised polychrome floral and foliate vines all on a white glazed ground; height: 18" (top of porcelain  30" (top of shade); professionally rewired and restored with minor replacements to flower heads and vines

The tall vase of white cased-glass covered in an orange textured glaze adorned with a continuous fret band; excellent condition with no chips or cracks

with short everted neck above a tapering ovoid body in a deep red 'orange peel' glaze adorned with lava glaze perimeter bands; minor wear.

the striking ovoid vase tapering to the base; the textured finish in black and white glaze with vibrant red streaking around the body; minor wear

each of colored satinato glass with domed lids above a cylindrical body over a splayed foot; good vintage condition with one minor chip to green jar lip

the inset square glass top within a gilt-iron frame adorned overall with a meandering floral and foliate vine; good vintage condition with overall wear and patina; some missing petals

the thickly-modeled large vessel with exaggerated mouth above a long flaring neck over a bulbous body all in a richly-colored teal mottled drip glaze; excellent condition with no chips or cracks; original Jaru Pottery label

each square stool composed of rectilinear tubes fitted with leather strapwork supporting loose cushions; good vintage condition with new leather upholstery; Jørgen Høj was originally trained as a metal worker and upholsterer at the Copenhagen School for Arts and Crafts. He led a successful design business until his death in 1994 working with such designers as Poul Kjaerholm and Bodil Kjaer