Each tall beveled mirror obelisk resting on a square stepped mirrored plinth; no chips or cracks, excellent condition. 

the square clear glass plate resting on a nickel plated base consisting of 4 upturned supports over 4 downturned legs; minor patination to metal.

the baluster support surrounded by 8 deeply scrolled arms joining a bowl with faceted pendant; excellent condition; rewired

the inset glass top above curule-form supports with swan motifs; excellent condition with overall minor wear

centering a convex mirror within a gilt metal frame consisting of radiating spokes of varying lengths; good vintage condition with overall even wear to gilding

of asymmetrical form with a lively floral head emanating from one corner; with artist's initials 'PSM', overall oxidized surface

An elegant and finely ; Labeled: Han Larsen, Kallundborg, Kjobenhavn; the half-round top over a conforming base inlaid with satinwood inlay and ebony stringing; fitted with four drawers flanked by two hinged doors; raised on short tapering legs; Circa 1880

each with padded crest rail above an openwork back over a tight seat with a channeled apron; flanked by upright arm rests; professionally refinished and reupholstered

each bulbous urn with gilt perimeter bands with raised decoration all on a luminous white ground; excellent vintage condition with minor rubbing to brass mounts; rewired

the chrome body with square support and base supporting an upright crowing rooster; excellent vintage condition with minor pitting to chrome; rewired

the thickly-modeled and tall vases in a richly-colored orange glass with clear base infused with black and white swirls; no chips or cracks

the lively carved rocaille crest with plump fruit and Hoho bird cascading over the rectangular frame adorned with meandering floral festoons; overall patina and rubbing to gilded surface; later beveled plate

pencil with wash; minor discoloration; within a later ebonized walnut frame; stamped 'Atelier Garnier, Lyon'

this peaceful pastoral scene at dusk of a shepherd and his sheepdog returning their flock to the stable; Reuben LeGrande Johnston (1850-1918), was born in Alexandria, Virginia. Best known for his landscapes with animals, he was well-traveled, visiting France, Spain, England, Tangiers and Morocco. He also traveled to the American west, notably Cheyenne, Wyoming. He was a member of the Society of Washington (DC) Artists, where he exhibited, in addition to the National Academy of Design; some discoloration to paper; newly matted and framed

with a nod to the Napoleon III carved ropetwist stools by Fournier, this similarly carved chair in a ropetwist style with knotted feet; the framed cartouche-shaped upholstered back above a tight seat all raised on splayed supports; good vintage condition with overall even wear and patina; newly upholstered

the rectangular hinged lid resting on a conforming body with brass stringing; the box adorned with raised piping of contrasting marble; excellent condition.

with rectangular shelf above a dramatically scrolling body adorned with an over-scaled acanthus leaf ending in a scrolling volute; patination to gilding.

each shapely lamp of hand-blown sky blue dappled glass all raised on a brass and lucite circular base; professionally rewired; good vintage condition with minimal wear

each with round teak top raised on metal supports ending in teak feet; Albert Larsson was a Swedish carpenter and furniture maker from the Mid-century modern period. He established his own business Alberts Tibro in 1938, and after World War II the small production team began specializing in coffee tables and multifunctional height-adjustable tables. Throughout the following decades the company grew to become one of Sweden's most successful manufacturers.

the long inset glass top within a molded brass border; raised on a black metal base joined by a lower glass shelf; excellent condition with overall minor wear

the shaped lacquered antique tray (circa 1890) with Chinoiserie decoration centering a floral bouquet surrounded by birds and butterflies; raised on a faux bamboo gilt metal stand (circa 1940);  good condition with crackling to lacquer and overall even wear and patina

each portly lamp with horizontal banding; raised on a tole base; excellent condition; some soiling to original shades.

the striking ovoid vase tapering to the base; the textured finish in black and white glaze with vibrant red streaking around the body; minor wear

of large scale, with long everted neck above a spheroid body all resting on a custom giltwood base; good vintage condition with some wear to surface; rewired

the inset square glass top within a gilt-iron frame adorned overall with a meandering floral and foliate vine; good vintage condition with overall wear and patina; some missing petals