the handsome credenza by John Stuart with its simple, straightforward design constructed of richly-patinated and well-figured tiger mahogany; the rectangular top above a conforming body fitted with three doors faced with beautiful bookmatch veneer; all raised on tapering quadrangular supports; good vintage condition with small areas of replaced veneer; professionally refinished.
the realistically and finely turned and carved life-size hat of well-figured burl and maple wood, with telescope (flat) crown above an incised trim band all over a wide undulating brim; signed and dated 'Johan Michelsen '91 #85' (an early example of his hat carvings, 85th hat to be produced); small repair to crown.
the lushly painted still life depicting a woven basket full of finely painted bearded irises, parrot tulips, hydrangeas and peonies with discreetly painted bees and a snail; all resting on a draped table; good antique condition; signed lower left: M. Luber München; height: 36" (overall) 26.75" (canvas), width: 28" (overall) 18.5" (canvas); Max Luber (1879-1950) was a German academic painter who studied and worked in Munich. His paintings primarily depict lush, dark still lifes in the Flemish style.
Epoca in the pages of this Fall's Luxe Interior + Design San Francisco Edition:
"The fabulous 1950's are in at epoca with this midcentury modern pair of English ebonized benches featuring "floating" saddle seats of luxurious leather. Designed by G-Plan, England, these benches satisfy the postwar craving for a modern lifestyle, 17"H x 19.5"W x 16" D... "
When you’re in the mood for something dark with a touch of mystery this holiday, may we suggest, Black Manhattans served on MidCentury Nickel-Plated And Black Glass Drinks Cart. So classic, so chic!
Holiday Entertaining: Red, Green & Gold, these colors are nothing, if not festive! epoca's cocktail and bar cart combination draws on these definitive holiday hues for a most glamorous and celebratory soiree, Pomegranate and Cranberry Mojitos served on a PAIR of Glam Mid-century Hollywood Regency Bar Carts! Remember "Christmas Comes But Once a Year"
Paul T. Frankl, October 14, 1886 – March 21,1958 / Johnson Furniture Co. 1908 - 1983, Grand Rapids, Michigan
An émigré from Austria, Frankl settled in New York in 1914 and quickly saw a country awash in reproductions of uncomfortable European styles. From the start, Frankl took a different approach, designing sleek, unadorned pieces that reflected advances in American technology and changes in culture. In the early 1950s Johnson Furniture Company produced several lines by Paul Frankl, among them the “Contemporary” line, incorporating an early use of biomorphic designs.
Modern, inside-out Paul T. Frankl's sleek simplicity gave rise to a California look.
L.A. Times Article August 16, 2007 by Bettijane Levine
"Paul T. Frankl and Modern American Design.", Christopher Long, Yale University Press, 2007
epoca Holiday 2017 drinks: A polished, proper & posh pairing certain to impress: Queen Elizabeth's Gin & Dubonnet and an English Art Deco Demi Lune Bar
In honor of International Women's Day, epoca highlight's the work of an amazing mid-century female sculptor, Joanna Gichner Kendall. Joanna Gichner Kendall (b. 1899, Baltimore, MD. d. April 20, 1989) A portrait sculptor, she fulfilled numerous commissions for portrait busts of notables, including President John F. Kennedy and Will Rogers .
With a nod to forties-era glam, we pair a sophisticated Regency style bar cart with a signature cocktail from New York's Legendary "Stork Club". While this may not be your standard holiday cocktail, it's definitely an impressive drink to serve guests this season! A sophisticated French 1940's Regency Style Ebonized And Bronze Mounted Drinks Cart In The Manner Of Maison Jansen, Paris 1940's and "The French 75" cocktail.
As Seen on Martha Stewart Christophe Pourny is coming to epoca to sign his first book ‘The Furniture Bible'
Thursday, October 8th 4:00 - 7:00pm
epoca presents San Francisco Artist, William Stanisich, Watercolors and other works "The world’s magnificence has been enriched by a new beauty, the beauty of speed." -- Filippo Marinetti In brilliant colors complemented by velvety blacks and the virginal white of untouched paper, William Stanisich’s nocturnal street scenes are a paradoxical combination of speed and utter stillness. In these virtuoso watercolors, every surface pictured, wet with rain, has been transformed into a vehicle for light. The paintings themselves tell their story, of color applied and moved; of how an artist can take water, paper, and pigment and make moving pictures--in more than one sense of the word. Studying them, you can almost hear the sound of cars on wet pavement; of horns and engines, speeding away from you, into the night.
