with baluster support above a glass bowl emanating 6 scrolling candle-arms with boldly-scaled cups; adorned overall with floral and foliate stems; the whole over a triple-sphere pendant; professionally cleaned and re-wired with plug-in arms for easy assembly/disassembly; excellent vintage condition with no chips or cracks
each striking lamp of deep purple bullicante and gold aventurine glass with an iridescent surface; raised on a brass octagonal base; excellent vintage condition with no chips or cracks; rewired
each hand-blown vase of striking size with everted lip and short neck above a ribbed cylindrical body all resting on a Lucite base; good condition with no chips or cracks; minor surface abrasions commensurate with age; professionally rewired with later Lucite base
attributed to Warren Kessler Lamps, New York est. 1939; each hand-blown columnar lamp of baluster-form with reeded shaft above a bulbous mid-section over a cylindrical pedestal and splayed foot; all resting on a gold painted metal base; each in a soft butterscotch cased glass; height: 18.5" (top of glass); good condition with no chips or cracks; professionally rewired
attributed to Warren Kessler Lamps, New York est. 1939; each hand-blown columnar lamp of baluster-form with reeded shaft above a bulbous mid-section over a cylindrical pedestal and splayed foot; all resting on a gold painted metal base; each in a soft butterscotch cased-glass; height: 18.5" (top of glass); good condition with no chips or cracks; professionally rewired
the wide bowl with flared lip above a tapering body all raised on a raised foot; the underside with recessed frosted geometric design; excellent condition.
the ovoid ribbed glass with controlled bubbles; with carerra marble cap and base; rewired; excellent condition with no chips or cracks; minor wear to marble; lamp shade as is.
the inset glass top within a chrome frame with geometric openwork apron; good condition with minor overall wear
of ribbed baluster form with splayed scalloped foot resting on a giltwood base; excellent condition; rewired
the frosted and ribbed bullicante (controlled bubble) ovoid shade emanating alternating clear glass foliate fronds; good vintage condition with no chips or cracks; professionally rewired; fitted with three lights
each hour-glass shaped walnut lamp with three brass bands and waist; patination to brass; rewired; new shades 'as is'
of faceted translucent white opaline glass, each with long neck above a waisted mid-section over a bell-shaped base; no chips or cracks; rewired; patination to brass fittings; new shades as is.
the shaped lamp with slumped glass mirrored panels; the front panel with a Chinoiserie reverse-painted scene; all resting on a wooden base; good vintage condition with no chips or cracks; wear and patina to wooden surface; antiquing to silvering
with rolled lip adorned with egg-and-dart design above a a flared neck over a compressed body with lively acanthus leaf decoration; all raised on a splayed base and square plinth; overall even weathered finish to surface
this cleverly designed mid-century set of nesting tables designed by Bertha Schaefer (American 1895-1971) for M. Singer & Sons with rectangular case table fitted on the underside with 4 round drop-leaf slide-in collapsible tables suspended from slots; with label 'M. Singer & Sons, New York Chicago'; In 1924 Schaefer founded Bertha Schaefer Interiors. Her company designed Bauhaus-inspired furniture and interiors for both residences and businesses.
a large and rare set of German Black Forest furniture with chair and ottoman; with oval back above a tight seat all surrounded by a robust frame symmetrically constructed of entwined fallow antlers; good sturdy construction with nice patina; suede upholstery in good condition with some fading and wear
of good scale and quality, circa 1930; each high back dining chair with beige leather upholstery and birdseye maple frame, for S.Hille & Co, London, consisting of two arm and six side chairs, having a vasiform splat above a tight seat; raised on graceful splayed supports; professionally refinished; minor wear and patina to later leather upholstery;
Ideal for a smaller space, of polished and brushed chrome construction supporting three beveled glass shelves all joined by columnar supports; the whole flanked by scrolled handles and raised on steel casters; good vintage condition with some surface abrasions and rubbing; scratches and wear to glass shelves
of neoclassical style, the oval inset beveled glass top within a nickel-plated frame; all raised on cylindrical supports ending in toupie feet all joined by a shaped stretcher; good vintage condition with some abrasions to glass and metal; minor pitting on feet; small interior chip to glass along edge
the half-round glass top with ogee edge resting on a conforming brass plated openwork frame raised on four columnar supports ending in foliate scrolled feet all joined by a lower stretcher; good vintage condition with no chips or cracks to top; antiqued brass finish with nice patina
in the manner of Maison Jansen, the thick oval glass top resting on a conforming steel body with four elegantly splayed supports capped with brass rams heads and terminating in hoof feet; all joined by curved interlocking stretchers; good vintage condition with even wear and patina
each with graceful incurved padded back above an openwork rail; the bowed seat raised on cabriole supports with splayed legs at the rear all joined by a turned H-stretcher; excellent restored condition with new upholstery
a pair of Maurizio Tempestini (Italian, 1908-1960) mid-century modern alabaster table lamps in a sculpted flame design of polished white alabaster with veins of black; raised on oval ebonized wooden bases; good vintage condition with minor chipping; professionally rewired and bases re-painted
each diminutive chair with upright stiles flanking an openwork splat above a drop-in upholstered seat; raised on thick legs all joined by similar openwork panels; good vintage condition with some wear to surface; newly upholstered
