Milos 2000 no. 1, Watercolor On Paper By William Stanisich, San Francisco presented by epoca. Milos Series, watercolor on paper, 2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’ phone (415) 864-6895. 

A Boldly Rendered Pair of French Art Nouveau Prints of Architectural Interior and Exterior Details by Ernest David; newly matted and framed.

a handsome pair of framed sea charts of the coasts of Great Britain by Captain Greenvile Collins; minor foxing; with later matte and ebonized wooden frame
London, 1781

each shapely lamp of hand-blown sky blue dappled glass all raised on a brass and lucite circular base; professionally rewired; good vintage condition with minimal wear

in the Neoclassical taste, each well-constructed, custom made cabinet with satinwood and mahogany veneers and exotic wood inlay; centering a single curved door opening to an interior shelf; the tops adorned overall with radiating fan decoration within a scalloped inlaid border; the sides with intricate urn-form marquetry panels and crossbanding; all raised on square tapering supports; good condition with professionally restored finish; minor veneer replacements

the realistically and finely turned and carved life-size hat of well-figured burl and maple wood, with telescope (flat) crown above an incised trim band all over a wide undulating brim; signed and dated 'Johan Michelsen '91 #85' (an early example of his hat carvings, 85th hat to be produced); small repair to crown.

each in a rich egg yolk-yellow glaze with everted neck above an ovoid body with stylized laurel leaf perimeter band flanked by lions masks; all raised on a fluted splayed support resting on an ebonized wooden base; excellent vintage condition with no chips or cracks; wooden base refinished; rewired

having curved front with five inlaid doors, all raised on turned and flared feet with brass terminals; the center door opens to reveal sycamore-veneered drawers; the right door opens to reveal a mirrored and glass bar compartment;  excellent condition
 

the well-carved Corinthian capital with faux marble top adorned overall with outscrolled acanthus leaves below scrolling volutes; all raised on a later square wooden plinth; remnants of label from Tony Duquette Collections sale, Christie's Auction House, Los Angeles, 2001, image can be seen in the book "Tony Duquette" by Wendy Goodman and Hutton Wilkinson, pg. 216; good solid condition with overall wear and patina; some shrinkage

Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Land's End 2006 no. 6 - Oil On Canvas By William Stanisich, San Francisco presented by epoca Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End. Presented by epoca ph. (415) 864-6895. 

a large and rare set of German Black Forest furniture with chair and ottoman; with oval back above a tight seat all surrounded by a robust frame symmetrically constructed of entwined fallow antlers; good sturdy construction with nice patina; suede upholstery in good condition with some fading and wear

Consisting of a round glass top table and four armchairs with openwork metal strap-work manufactured by the iconic outdoor furniture manufacturer Brown Jordan;  Brown Jordan, a manufacturer of high-end outdoor furniture, was founded in Pasadena, California, in 1945 by Robert Brown and Hubert Jordan. The company is known for pioneering the concept of furniture specifically designed for outdoor use, transforming the patio into a stylish and functional living space; structurally sound with sturdy frames; original brown powder-coated surface with even wear and weathering; Sunbrella cushions in

each portly lamp with everted neck above a compressed lobed body all over a splayed circular base; with ivory glazed surface and matching wooden caps; good antique condition with some chipping and patina to surface; professionally rewired

each 20-light Lumiere Sputnik style chandelier designed by Jean De Merry with nickel-plated spikes creating a dazzling sphere of light; in good condition with some tarnishing to metal

with arching openwork top above a square-form body tapering to a foliate pendant knob; good antique condition; rewired with 4 standard sockets; later solid brass bobeches

a beautiful example of Gustavian furniture having a well-figured top with canted corners with similalry veneered side panels; the front fitted with 3 graduated drawers with tumbling block and geometric parquetry veneer; raised on tapering quadrangular supports with gilt-bronze mounts; good antique condition; professionally refinished; small areas of replaced veneer

from the artist: old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and i cannot pass one by without shooting a photograph as inspiration for a future painting. i seek to capture their essence, in a time less hurried, a calmness of spirit. i want to preserve their beauty.

michael dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his b.a. and masters in art from california state university, sacramento. 

from the artist: old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty.

Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

from the artist: Old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty. Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

from the artist: Old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty. Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

from the artist: I've long been inspired by old things. The texture and play of light on a weathered surface are the things that spark my imagination. I seek to capture a building's essence in my paintings, in a time less hurried with a calmness of spirit. Their strong simple shapes inspire me to try to somehow preserve their beauty captured at a moment in time.

Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento