each double-handled urn painted with meandering foliate design on a blue-gray ground; with incised marks to the underside; minor overall surface wear

designed in the Regency taste from Vizagapatam, India, the two sarcphogus-shaped sandalwood boxes with hinged lids adorned with fine penwork detailing; good antique condition with overall even wear and patina

each with padded crest rail above an openwork back over a tight seat with a channeled apron; flanked by upright arm rests; professionally refinished and reupholstered

overall with blue and white floral and foliate decoration on a yellow ground

the winter green fiberglass top depicting a draped table cloth adorned with gilt fleur-de-lis decoration; raised on an iron tripod stand

the ovoid pot with short neck above a tapering body adorned with carved relief decoration depicting parrots; patina and fine craquelure to glazed surface; repaired chip to inside of lip

each finely rendered lithograph of various French aircrafts of the 1930's with identifying script; used for french airplane engine marketing material; later mattes and mahogany veneered frames

the covered vase characterized by its lidded design and prominent handles; adorned overall with classical decoration and is based on the ancient Roman "Warwick Vase" known for its Bacchic ornament; good antique condition with minor surface wear 

with ribbon crest above a circular backplate emanating 3 scrolled iron candlearms; all over a knotted ribbon ending in tassels; refreshed gilding with overall even patina; rewired

this large ever-so chic fixture composed of 12-arms with 2 lights per arm often attributed to Tommi Parzinger and manufactured by Lightolier; uses chandelier bulbs with a 60 watt maximum; canopy with Lightolier label; excellent vintage condition

with a large foliate spray crest above an openwork frame consisting of floral and foliate vines, C-scrolls and acanthus leaves; shipping import label on reverse for Antonio's Antiques, San Francisco; good antique condition with overall even rubbing; later mirror plate

this extremely comfortable and stylish mid-century sofa with beechwood frame with splayed openwork ends and raised on tapering supports; fabric in good condition with minimal wear and minor fading; excellent vintage condition with wear and patina to wood

of pegged construction the serpentine top with hand-tooled maroon leather insert above a shaped apron fitted with 3 drawers adorned with rocaille brass escutcheons; all raised on graceful cabriole supports; professionally refinished; replaced leather top

with arching openwork top above a square-form body tapering to a foliate pendant knob; good antique condition; rewired with 4 standard sockets; later solid brass bobeches

in the neoclassical taste, the rectangular top with turret rear and front corners over a conforming body with 3 paneled long drawers flanked by fluted turrets; all raised on turned tapering supports ending in toupie feet; fitted with neoclassical-inspired brasses; professionally refinished with some replaced and re-glued veneer to top; overall even wear and patina

the half-round glass top with ogee edge resting on a conforming brass plated openwork frame raised on four columnar supports ending in foliate scrolled feet all joined by a lower stretcher; good vintage condition with no chips or cracks to top; antiqued brass finish with nice patina

the circular padded back with floral carved crest rail above padded arms over s-scrolled supports; joining a generous bowed seat and apron with foliate carving; raised on turned fluted supports; overall even wear and rubbing to refreshed paint and gilding; with new puddy-colored boar skin upholstery

Made from Belgian bluestone with a honed finish and embedded with fossils, the console table is comprised of a thick rectangular top with ogee edge all raised on scrolled concave supports. New with only minimal wear expected; table is ideal for interior/exterior design projects. Due to the custom nature of each table, the fossil pattern will vary.

the long seat of slatted wood flanked by incurved arms with ball-form handholds; raised on a folding scissors double base; the term Savonarola derives from the chair on which the Savonarola used to sit in the convent of San Marco in Florence. The chair is named for the Italian Renaissance religious zealot Girolamo Savonarola; wear and patina to surface; movement to hinged frame; 2 ball-form handles replaced

the solid oak circular top above a carved apron adorned with Jacobean motifs all raised on four turned supports ending in block feet all joined by perimeter stretchers; structurally sturdy with pegged construction; intentionally distressed finish to imitate age; overall wear and patina 

the rectangular top with quarter-round molded edge above a fluted apron; raised on turned columnar supports ending in block feet all joined by perimeter stretchers; structurally sturdy with pegged construction; intentionally distressed finish to imitate age; overall wear and patina 

 A tall and striking American 1960s handblown apple-green decanter by Joel Myers for Blenko Glassworks; the bulbous shaped body with long neck of heavy handblown glass fitted with a 
an iconic airtwist Sommerso style stopper; with fire pontil mark to underside; good vintage condition with no chips or cracks
see similar example: https://attic.city/item/MJx2/blenko-6716-decanter-by-joel-myers-in-teal-...

the circular hinged top with scrolling Florentine-style inlaid acanthus leaf and floral band; surrounding an ebonized roundel centering an Italianate figure of a Roman God and putto; with Antonio's Antiques retail tags; good antique condition with small veneer repairs and overall warm patina; later stand with elegant splayed supports joined by a curvaceous stretcher

each artist-signed lamp of baluster form with waisted neck above an ovoid body all over a splayed foot; resting on a turned gold-painted wooden base; each adorned with well-executed hand-painted exotic birds resting on a meandering floral and foliate branch; height: 18.5" (top of porcelain) 30.5" (top of shade); marked 'Made in Italy' to underside; good condition with no chips or cracks; professionally rewired; minor wear to wooden bases

each with square mouth above a bulbous body all in a thick lava glaze with red glazed reserves; one with original label; excellent condition with no chips or cracks