the large urn with banded oak leaf lip above egg-and-dart ring; the waisted body with swirled fluted decoration flanked by whimsical masked handles; all raised on a separate iron splayed socle; overall even wear

with rolled lip adorned with egg-and-dart design above a a flared neck over a compressed body with lively acanthus leaf decoration; all raised on a splayed base and square plinth; overall even weathered finish to surface

the chrome fixture with central support emanating 10 splayed arms ending in tubular batons capped by glass spheres with electrical sockets at opposite end; adorned with suspended glass spheres; fitted with 10 chandelier-sized sockets; excellent vintage condition with minor surface wear; re-wired

this large ever-so chic fixture composed of 12-arms with 2 lights per arm often attributed to Tommi Parzinger and manufactured by Lightolier; uses chandelier bulbs with a 60 watt maximum; canopy with Lightolier label; excellent vintage condition

the round top with inlaid perimeter band depicting hunters and various animals amid a meandering foliate vine; raised on a splayed support over a square plinth with similar inlay; resting on four paw feet; professionally restored with small areas of replaced inlay 

this extremely comfortable and stylish mid-century sofa with beechwood frame with splayed openwork ends and raised on tapering supports; fabric in good condition with minimal wear and minor fading; excellent vintage condition with wear and patina to wood

of pegged construction the serpentine top with hand-tooled maroon leather insert above a shaped apron fitted with 3 drawers adorned with rocaille brass escutcheons; all raised on graceful cabriole supports; professionally refinished; replaced leather top

with arching openwork top above a square-form body tapering to a foliate pendant knob; good antique condition; rewired with 4 standard sockets; later solid brass bobeches

the arbalete top with perimeter stringing within a crossbanded border all above a shapely bombe-form body with similar stringing and crossbanding; fitted with two long drawers having openwork solid brass pulls; the whole raised on graceful cabriole supports; overall even wear and nice warm patina; good vintage condition; professionally refinished 

in the neoclassical taste, the rectangular top with turret rear and front corners over a conforming body with 3 paneled long drawers flanked by fluted turrets; all raised on turned tapering supports ending in toupie feet; fitted with neoclassical-inspired brasses; professionally refinished with some replaced and re-glued veneer to top; overall even wear and patina

the half-round glass top with ogee edge resting on a conforming brass plated openwork frame raised on four columnar supports ending in foliate scrolled feet all joined by a lower stretcher; good vintage condition with no chips or cracks to top; antiqued brass finish with nice patina

the long seat of slatted wood flanked by incurved arms with ball-form handholds; raised on a folding scissors double base; the term Savonarola derives from the chair on which the Savonarola used to sit in the convent of San Marco in Florence. The chair is named for the Italian Renaissance religious zealot Girolamo Savonarola; wear and patina to surface; movement to hinged frame; 2 ball-form handles replaced

each custom made chair by Lx Rossi with in-curved sloping back cascading down to outscrolled terminals; flanked by a bowed loose cushion over a plain frieze apron all resting on tapering turned supports; the frame veneered in a taupe-colored shagreen; excellent condition; newly upholstered

the half-round top over a conforming base inlaid with satinwood inlay and ebony stringing; fitted with four drawers flanked by two hinged doors; raised on short tapering legs; paper label 'Han Larsen, Kallundborg, Kjobenhavn'; good antique condition with minor replacements; refreshed finish

of iconic 1950's Italian design fitted with 4 doors opening to reveal a mahogany-lined interior with adjustable shelves; can be used for a television or general storage; excellent vintage condition with restored finish 

a stylish pair of italian white-glazed urns with over-scaled flared reticulated neck over a bulbous mid-section with raised foliate decoration; raised on a splayed base resting on a black lacquer wooden plinth; excellent vintage condition with custom wooden base; rewired

each of graceful art deco design with gently incurved upholstered back flanked by padded arms joining conical terminals; all above a tight seat raised on tuned supports; good condition professionally refinished and reupholstered 

 A tall and striking American 1960s handblown apple-green decanter by Joel Myers for Blenko Glassworks; the bulbous shaped body with long neck of heavy handblown glass fitted with a 
an iconic airtwist Sommerso style stopper; with fire pontil mark to underside; good vintage condition with no chips or cracks
see similar example: https://attic.city/item/MJx2/blenko-6716-decanter-by-joel-myers-in-teal-...

in a deep brown lacquer finish; the openwork lattice back and sides flanking a tight seat; with sloping arms joining a channeled apron all raised on gently splaying supports; good vintage condition; professionally refinished a reupholstered

the circular hinged top with scrolling Florentine-style inlaid acanthus leaf and floral band; surrounding an ebonized roundel centering an Italianate figure of a Roman God and putto; with Antonio's Antiques retail tags; good antique condition with small veneer repairs and overall warm patina; later stand with elegant splayed supports joined by a curvaceous stretcher

the octagonal forest-green marble top with painted inlaid scrollwork surrounded by floral and foliate decoration; all raised on a neoclassical style Michael Taylor faux stone cross tripod lyre base; overall good condition with some minor chips to base; minor even wear to top

of graceful form with sloping barrel-back above a loose cushion; the back fitted with a bentwood rib cascading to the floor providing support to the front; supported at the rear with a central curved rectilinear leg; excellent antique condition; professionally refinished; newly upholstered in a butter-yellow linen fabric

each columnar lamp of Carrara marble with Tuscan style capital above a cylindrical standard resting on a cylindrical base all over a square base; height: 16.25" (top of marble) 27.25" (top of shade); good vintage condition with even wear and patina to surface; some abrasions with two polished chips; professionally rewired   

each urn decorated with white, lavender and gray arabesque and Moorish motifs all on a celadon ground; adorned with finely chased gilt-bronze mounts; fitted with its original oil lamp fittings and marked 'Gebrüder Brünner, Wien'; height: 14" (top of porcelain); good antique condition with no chips or cracks; some rubbing to gilding on porcelain and bronze mounts; professionally rewired 

a large and well-executed pair of rococo style 4-arm candelabra with trefoil-shaped baluster stem supporting a single candle cup; all resting on a six-footed splayed base; the four double-modeled candle arms supporting tulip-shaped cups on circular bobeches; adorned overall with meandering floral vines, foliate scrolls and rocaille motifs; with underglaze blue maker's mark; excellent vintage condition with no apparent chips or cracks