each bulbous lamp of white cased glass fitted with a walnut neck and base; good vintage condition with minor wear; re-wired
a pair of Maurizio Tempestini (Italian, 1908-1960) mid-century modern alabaster table lamps in a sculpted flame design of polished white alabaster with veins of black; raised on oval ebonized wooden bases; good vintage condition with minor chipping; professionally rewired and bases re-painted
each of decanter form with long flaring neck above a compressed spheroid body; all in a graduated yellow-to-green clear glass infused with large bubbles; excellent vintage condition with no chips or cracks; rewired
each portly lamp with horizontal banding; raised on a tole base; excellent condition; some soiling to original shades.
each ovoid lamp of impressive size with ribbed neck above a tapering body; all in a rich drip glaze of celadon and pale blue; excellent vintage condition with no chips or cracks; rewired
each boldly-shaped ovoid-form lamp of richly-colored turquoise crackle glaze; fitted with wooden caps and bases with brass fittings; excellent condition; one lamp of slightly darker hue; made by Frederick Cooper Lamp Company, Chicago (established 1923)
each with flaring neck above a tapering body resting on a gilt-metal base; all in a soft translucent frosted glass highlighted with gilt perimeter bands; minor wear to gilding; excellent vintage condition with no chips or cracks; rewired; newly gilded bases
each bulbous lamp with frosted overlay on a clear gold ground; the frosted glass finely etched exposing the gold luster glass beneath cresting a perimeter band of classical figures; raised on giltwood bases; height: 13" (top of glass) 24.5 (top of shade); minor wear and rubbing to glass surface; no chips or cracks; professionally rewired
each striking lamp with long flaring neck above an ovoid body decorated with ivory, brown and ochre perimeter stripes on a mottled pumice-colored ground; resting on splayed walnut bases with brass caps; height: 21.25" (top of ceramic) 34" (top of shade); good vintage condition with minor rubbing to surface; professionally rewired; no chips or cracks
each of campagna form with everted lip tapering to a compressed portly body all over a square plinth; adorned with ebonized highlights; 18.5" (top of wood) 29.5" (top of shade); professionally rewired; good vintage condition with minor wear and nice warm patina
each large glazed ceramic baluster-form table lamp on later lucite bases designed by Swedish artist Ingrid Atterberg as part of the "Spiral' series, circa 1949, with alternating ochre and white stripes on a matte brown ground; impressed marks to underside; Ingrid Atterberg (1920-2008) was born in the northern Sweden city of Harnosand. She studied at Slojdforeningens School in Gothenburg. Ingrid came to the Upsala-Ekeby Pottery factory in 1944, staying on until 1964.
Made from Belgian bluestone with a honed finish and embedded with fossils, the table is comprised of a thick round top with bullnose edge and barrel-form support. New with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, the fossil pattern will vary.
each with oval-shaped bowl flanked by outscrolled handles all raised on a splayed oval base ending in a raised laurel leaf perimeter band; good antique condition with overall even wear and patina; rubbing to gilding; no chips or cracks
each colorful bottle-form lamp adorned with painted circles in soft colors of blue, green, peach and yellow with a gold swirl overlay all on an ivory glazed ground; supported on brown painted metal bases; height: 23" (top of ceramic) 33.25" (top of shade); good vintage condition with minor rubbing to surface; professionally rewired
the French made cased-glass bodies of graduated triple-gourd form resting on brass bases; in a deep teal color accentuated by the cased-glass process of fusing together multiple layers of glass; each with foil label 'BASE MADE IN FRANCE'; height: 17" (top of glass) 28" (top of shade); excellent condition with no chips or cracks; some pitting and patina to brass bases; professionally rewired
each large tapering vessel finely decorated with naturalistic paintings in enamel of parrots on flower laden branches with gilt accents; excellent condition with no chips or cracks; minor wear to gilt; now mounted as lamps
each bottle-form lamp with checkered orange and olive green design all above a rectangular wooden base; excellent condition; rewired
each with flared ceramic neck above a gadroon-form body; raised on faux bois metal bases; excellent vintage condition with no chips or cracks; rewired
each with long columnar neck above a bell-shaped body adorned with gilt banding and bold greek key motif; excellent condition with minor wear; rewired; new lampshades as is.
each octagonal covered urn with large arching reserves adorned overall with floral and foliate stems; all raised on a giltwood base; excellent condition with some professional restorations; rewired
each of thick aubergine glass with gold inclusions over a lobed base; rewired
each large-scaled urn with sweeping flared neck tapering to a flared foot; now drilled with later wooden mounts
Each tall beveled mirror obelisk resting on a square stepped mirrored plinth; no chips or cracks, excellent condition.
April showers brings May, actually, June––flowers; flowers bursting of vibrant beautiful color, just like this large pair of crackle-glaze ceramic lamps in a richly-colored turquoise by Frederick Cooper here at epoca. These lamps are a perfect example of the extraordinary quality associated with the Frederick Cooper Lamp Company established in Chicago in 1923. Frederick was a Chicago artist and was fascinated with the new invention of lamps and tried to incorporate the elements and flavors of American architecture of that time which has been carried on through the generations. Visit our gallery at 1700 16th street @ Kansas to see these and other fabulous lamps at epoca and the new home of Garden Court Antiques. See you soon!