each large-scaled curule bench with semi-detached seat flanked by flared openwork arms with turned double-baluster stretchers; all raised on down-scrolled supports ending in paw feet all joined by turned stretchers; good antique condition; professionally restored with refinished surface and new upholstery

with goose neck pediment above a glazed cabinet resting on a base fitted with a single drawer over two doors; nicely decorated overall with various scenes; areas of refreshed gilding and paint; good antique condition 

oil on canvas signed 'RM Burrer '64' lower right and verso with title 'Trees in October'; the large light-filled canvas with its spontaneous and quick brush strokes depicting an abstract October forest with splashes of fall colors and sunlight against the muted tones of the bare trees; cleaned and relined; good vintage condition with new walnut frame

in the Neoclassical taste, each well-constructed, custom made cabinet with satinwood and mahogany veneers and exotic wood inlay; centering a single curved door opening to an interior shelf; the tops adorned overall with radiating fan decoration within a scalloped inlaid border; the sides with intricate urn-form marquetry panels and crossbanding; all raised on square tapering supports; good condition with professionally restored finish; minor veneer replacements

perfect for the foot of a bed; the shaped padded seat above a scalloped apron raised on graceful cabriole supports; adorned overall with rocaille and shell carving; overall even wear; excellent restored condition; newly upholstered

the semi-attached leather cushion flanked by dramatic flared openwork arms with mother-of-pearl inlay over a similar openwork apron with mother-of pearl inlay and turned elements creating an intricate latticework; with beautifully carved spandrels above turned feet; the benches display the skill of the Damascus craftsmen of this time; excellent condition with only minor repairs; new leather upholstery

the long seat of slatted wood flanked by incurved arms with ball-form handholds; raised on a folding scissors double base; the term Savonarola derives from the chair on which the Savonarola used to sit in the convent of San Marco in Florence. The chair is named for the Italian Renaissance religious zealot Girolamo Savonarola; wear and patina to surface; movement to hinged frame; 2 ball-form handles replaced

the rectangular top with d-end flaps all with kingwood crossbanding; fitted with a single drawer with blind drawer on the reverse; raised on tapering square supports ending in casters; overall patination

of generous proportion with flared back and arched crest above a seat with a small hinged compartment; the seat back with carved paneled reserves; raised on a wooden base with later supports; the whole fitted with iron hardware; new channeled leather loose cushion; overall wear and patina; sound construction 

of overall rich patina, the circular dish top with ribbed edge above a turned baluster support raised on 3 splayed legs with spheroid feet; repairs to base of support; overall age and warm patina; small age crack to top

custom sizes available in French limestone or Belgian bluestone;  in three parts, the thick seat resting on waisted supports; 12 week lead time; new with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, stone variations will occur 

the shaped back board joining a square hinged lid over a conforming tapering body with inlaid fork and knife on the front; age to leather hinge; minor wear overall.

the framed cartouche-shaped back above a serpentine seat flanked by scrolled padded arms; the scalloped apron with rocaille and foliate carving all raised on cabriole supports with incurved feet; restored with new upholstery.

the incurved backrest above a pierced vasi-form splat; above a serpentine seat all raised on turned legs joined by a turned stretcher; warm patina with overall age and wear

the framed in-curved back above a bowed upholstered seat flanked by openwork sides; all raised on tapering legs ending in casters; excellent vintage condition with new tan leather upholstery; refinished surface

each with round teak top raised on metal supports ending in teak feet; Albert Larsson was a Swedish carpenter and furniture maker from the Mid-century modern period. He established his own business Alberts Tibro in 1938, and after World War II the small production team began specializing in coffee tables and multifunctional height-adjustable tables. Throughout the following decades the company grew to become one of Sweden's most successful manufacturers.

well-carved giltwood wall mirror with a pagoda-form pediment above an open-work carved foliate frame; excellent antique condition with overall even rubbing to water-gilded surface; later mirror plate

each with cartouche-shaped back above a shaped tight seat all raised on cabriole legs; the whole adorned with rocaille and foliate carving; professionally refinished, strengthened and reupholstered. 

each with ebonized and carved reeded frame having arching backs above continuous arms raised on tapering legs; good restored condition with new upholstery; professionally refinished 

beautifully crafted vase by master wood turning artist, Larry Witt. Witt is a Southwest artist whose works appear in many galleries, and is collected worldwide. He composes his pieces using many different species of wood. Using no dyes or stains, Witt's pieces are defined by their natural coloration. Signed "Witt 95-186" as well as markings for the types of wood used (Bloodwood, Maple and Walnut); an exceptional artisan bowl; in good vintage condition with no missing elements; 

the hand-carved walnut bear with expressive gaze fitted with glass eyes; most likely from the Black forest area in the Swiss city of Interlagen; with rich dark patina; good antique condition with minor wear

the circular tabouret with new decking above a rope-twist giltwood frame with cabriole supports with knotted feet all joined by an x-form stretcher centering a robust central knot; furniture carved in this manner is generally associated with the Parisian upholsterer A.M.E. Fournier, who supplied at least one carved rope stool to the Musée National du Château de Compiègne; gilding refreshed; nice patina with overall even rubbing; structurally sound frame; new taupe leather upholstery with saddle-stitch detailing. 

the solid oak circular top above a carved apron adorned with Jacobean motifs all raised on four turned supports ending in block feet all joined by perimeter stretchers; structurally sturdy with pegged construction; intentionally distressed finish to imitate age; overall wear and patina 

Of Neo-gothic style and large scale with a protruding cornice carved with a meandering foliate vine; above an openwork body with trefoil and quatrefoil pierced reserves over a pointed trefoil arch; good solid condition with shrinkage at joints; chips to wood and wear and patina to surface; fitted with large steel hooks on the reverse for hanging