of exceptional quality, the oval beveled mirror within a conforming frame of egg and dart molding with beaded slip; all surmounted by a dramatic carved giltwood ribbon; patination to surface and age to original mercury plate

the original rectangular plate surrounded by a deeply, well-carved frame of robust cascading laurel leaves; the crest and lower rail with lively foliage, stylized flowers and grapes; antiquing to plate; patination to later paint and gilding.

from Vizagapatam, the rectangular sandalwood box veneered in water buffalo horn with sloping top centering a lotus flower form finial; all raised on compressed spheroid horn feet; horn of a mellow green color; good antique; lacking key

the rectangular upholstered seat above a scalloped Moorish-style apron all raised on cabriole legs ending in a trifid foot; overall warm patina to surface; newly upholstered with sturdy frame

the shaped top wit 2 zinc-lined compartments over a deep apron; raised on cabriole supports joined by a shaped stretcher; excellent restored condition

of well-figured mahogany with oval top raised on turned ebonized double-column supports over a conforming lower shelf; all over four short ebonized turned feet; good restored condition; professionally refinished surface

the stylized carved wooden rosette centering a circular reserve surrounded by a wreath of scrolled acanthus leaves all in a warmly patinated painted and gilded surface; good antique condition with overall even wear and patina

with rolled lip adorned with egg-and-dart design above a a flared neck over a compressed body with lively acanthus leaf decoration; all raised on a splayed base and square plinth; overall even weathered finish to surface

the rectangular top with d-end flaps all with kingwood crossbanding; fitted with a single drawer with blind drawer on the reverse; raised on tapering square supports ending in casters; overall patination

From the artist: "Old fishing boats have always fascinated me. Those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty."

Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento. 

from the artist: old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and i cannot pass one by without shooting a photograph as inspiration for a future painting. i seek to capture their essence, in a time less hurried, a calmness of spirit. i want to preserve their beauty.

michael dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his b.a. and masters in art from california state university, sacramento

from the artist: old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and i cannot pass one by without shooting a photograph as inspiration for a future painting. i seek to capture their essence, in a time less hurried, a calmness of spirit. i want to preserve their beauty.

michael dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his b.a. and masters in art from california state university, sacramento. 

from the artist: old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty.

Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

from the artist: Old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty. Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

from the artist: Old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty. Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

from the artist: Old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty. Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

from the artist: Old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty. Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

from the artist: Old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty. Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

from the artist: I've long been inspired by old things. The texture and play of light on a weathered surface are the things that spark my imagination. I seek to capture a building's essence in my paintings, in a time less hurried with a calmness of spirit. Their strong simple shapes inspire me to try to somehow preserve their beauty captured at a moment in time.

Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

the round beveled mirror within a pivoting steel frame raised on a rectilinear maplewood support; all over a steel base; good vintage condition with minor surface abrasions; minor loss of silver to original mirror with no chips or cracks; new brown felt on the reverse

this large ever-so chic fixture composed of 12-arms with 2 lights per arm often attributed to Tommi Parzinger and manufactured by Lightolier; uses chandelier bulbs with a 60 watt maximum; canopy with Lightolier label; excellent vintage condition

the round top with inlaid perimeter band depicting hunters and various animals amid a meandering foliate vine; raised on a splayed support over a square plinth with similar inlay; resting on four paw feet; professionally restored with small areas of replaced inlay 

The exuberantly carved openwork crest composed of dramatic interlacing C-scroll motifs with floral and foliate elements cascading down the sides; all surrounding the original beveled mirror plate within a relief-carved molding; warm patina and rubbing to water-gilded surface; areas of refreshed gilding; with some professional repairs to frame

the boldly-carved rope-twist oval frame embellished with acanthus leaves all surrounding a later beveled mirror plate; overall even wear and patina to refreshed gilding; antiquing to plate; some shrinkage to wood

The serpentine marble top above a conforming body having two drawers fitted with foliate bronze hardware all over a scalloped apron. adorned overall with floral and foliate inlaid olivewood reserves on a black walnut ground; good antique condition with small areas of replaced veneer; professionally refinished; some age and patina to later marble top