each with long neck above a bulbous body; adorned overall with a gold and white mottled surface with applied colorful flecks in red, yellow and green; excellent vintage condition with no chips or cracks; rewired; nice patina to brass bases
the long neck with bulbous mid-section of carved foliate motifs; raised on a tripartite base on 3 scrolled feet; restored condition.
each with everted lip above a columnar support over a lobed mid-section; raised on a tripartite base with 3 scrolled feet; wear to paint; small replacements.
each hand painted ginger jar with domed lid above a bulbous tapering body raised on a stained wooden base; painted with various figures in a landscape setting divided by cloud scroll perimeter bands; craquelure to glaze; good antique condition; now mounted as lamps; rewired
each of ginger jar form with scalloped octagonal body; all in a richly-colored blue and green drip glaze; good vintage condition with minor wear; re-wired
each bottle-form lamp with checkered orange and olive green design all above a rectangular wooden base; excellent condition; rewired
each bulbous lamp with glass encased gilded surface adorned with rococo figures; excellent condition; rewired; lampshades as is.
each with padded crest rail above an openwork back over a tight seat with a channeled apron; flanked by upright arm rests; professionally refinished and reupholstered
the stylized carved wooden rosette centering a circular reserve surrounded by a wreath of scrolled acanthus leaves all in a warmly patinated painted and gilded surface; good antique condition with overall even wear and patina
the rectangular upholstered seat above a scalloped Moorish-style apron all raised on cabriole legs ending in a trifid foot; overall warm patina to surface; newly upholstered with sturdy frame
each of voluptuous, elegant form in vibrant fuschia cased glass; raised on splayed gilt-wood bases; excellent condition; rewired
the tall and striking ribbed art glass lamp of conical form in luminous smoked glass all resting on a brass base; Empoli is known as the other Italian mid-century glass. Simpler in design than their Murano cousins, the simple traditional styles of Empoli glass were quickly adapted to the sparse abstract shapes of mid 20th century modernism. The vast majority of mid century-styled Empoli glass was made for the American market; height: 21.25" (top of glass) 32" (top of shade); good vintage condition with no chips or cracks; professionally rewired; even wear to re-painted base
each hour-glass shaped walnut lamp with three brass bands and waist; patination to brass; rewired; new shades 'as is'
each artist-signed lamp of baluster form with waisted neck above an ovoid body all over a splayed foot; resting on a turned gold-painted wooden base; each adorned with well-executed hand-painted exotic birds resting on a meandering floral and foliate branch; height: 18.5" (top of porcelain) 30.5" (top of shade); marked 'Made in Italy' to underside; good condition with no chips or cracks; professionally rewired; minor wear to wooden bases
the chrome body with square support and base supporting an upright crowing rooster; excellent vintage condition with minor pitting to chrome; rewired
this exuberantly rendered iron sculpture of a radiating super nova depicting the last stellar explosion of a star's life; excellent condition; oxidation to metal
each boldly-shaped ovoid-form lamp of richly-colored turquoise crackle glaze; fitted with wooden caps and bases with brass fittings; excellent condition; one lamp of slightly darker hue; made by Frederick Cooper Lamp Company, Chicago (established 1923)
the slender brass faux bamboo support resting on a circular bronze rockwork base with outscrolled leaves; good vintage condition with overall even patina and wear; professionally rewired.
Since its inception in 1860, Maison Bagués has been an emblem of French sophistication in luxury interior design and craftsmanship. Founder Noël Baguès emphasized the use of traditional techniques, solidifying the firm's elite standard of elegance and excellence in their craft.
each of urn form having an everted rim above a cylindrical body above a bulbous mid-section all above a splayed foot; raised on fluted giltwood bases; made of a striated teal glass adorned with a gilt painted perimeter band of anthemia and palm leaves with additional banding below; water-gilded caps and bases; professionally rewired; some rubbing to gilded bases and decoration; some bubbling to interior surface of urns
each urn decorated with white, lavender and gray arabesque and Moorish motifs all on a celadon ground; adorned with finely chased gilt-bronze mounts; fitted with its original oil lamp fittings and marked 'Gebrüder Brünner, Wien'; height: 14" (top of porcelain); good antique condition with no chips or cracks; some rubbing to gilding on porcelain and bronze mounts; professionally rewired
each large tapering vessel finely decorated with naturalistic paintings in enamel of parrots on flower laden branches with gilt accents; excellent condition with no chips or cracks; minor wear to gilt; now mounted as lamps
the well-figured marble top resting on an iron tripod frame with rope-twist perimeter ring surrounded by 3 splayed supports ending in hoof feet; joined by a shaped stretcher; excellent condition with minor wear and patina
A tall and striking American 1960s handblown apple-green decanter by Joel Myers for Blenko Glassworks; the bulbous shaped body with long neck of heavy handblown glass fitted with a an iconic airtwist Sommerso style stopper; with fire pontil mark to underside; good vintage condition with no chips or cracks see similar example: https://attic.city/item/MJx2/blenko-6716-decanter-by-joel-myers-in-teal-...
the two-wheeled drinks trolley with turned handle joining a rectangular top within an openwork gallery all raised on wicker-wrapped supports joining a lower shelf; The Heywood Furniture Co. began in 1826 making wicker and rattan furniture. In 1897, the company merged with a competitor, Wakefield Rattan Co., to form the Heywood-Wakefield Co. Heywood-Wakefield’s iconic Streamline Modern furniture line was introduced at the 1933 Century of Progress International Exposition in Chicago. The soft-curved, light-colored look ushered in an age of furniture called midcentury modern.
epoca, located in the Design Center neighborhood of San Francisco, has been characterized as “blended eclectic” offering unique 20th century furnishings alongside traditional antiques and accessories.
Eric Petsinger:
Two things in Eric Petsinger’s life are truly memorable. The first is a day in 1968 when his mother left the house a brunette and came home a blonde. The second was opening epoca, the beautifully edited San Francisco gallery, a fixture in the San Francisco Design Center neighborhood since 2003. In epoca, Eric has created a layered inventory with a ‘something for everyone’ approach, blending American and European antiques with 20th century furnishings. Whether assisting an interior designer or an antiques enthusiast, Eric says, “Mix it up! Go ahead and put that shapely French rococo armchair next to a sleek John Widdicomb sofa and see how they bring out each other’s beauty.”
