the tall ribbed lamp of sea-foam green art glass with controlled bubbles; excellent condition with no chips or cracks; rewired
each with central glass support surrounded by two tall opposing leaves of translucent gold aventurine glass all raised on a thick gold bullicante disk over a later Lucite base; height: 16.5" (top of glass) 27.5" (top of shade); good vintage condition with no chips or cracks; professionally rewired; later Lucite bases
a pair of Maurizio Tempestini (Italian, 1908-1960) mid-century modern alabaster table lamps in a sculpted flame design of polished white alabaster with veins of black; raised on oval ebonized wooden bases; good vintage condition with minor chipping; professionally rewired and bases re-painted
each large baluster-form lamp with a taupe-colored textured iridescent glaze at the shoulder cascading down to a rich emerald green striated perimeter band; resting on brown lacquered wooden bases; height: 17.5" (top of ceramic) 29.5" (top of shade); professionally rewired; good vintage condition with fine craquelure to glaze; minor wear and scuffing.
each large-scaled urn with sweeping flared neck tapering to a flared foot; now drilled with later wooden mounts
of baluster form with long neck and everted lip above an ovoid body with splayed foot; the densely-painted and colorful flowers at the shoulder above delicate cascading wisteria; excellent vintage condition with no chips or cracks; only minor wear; professionally rewired; vase now drilled and mounted as a lamp
each of decanter form with long flaring neck above a compressed spheroid body; all in a graduated yellow-to-green clear glass infused with large bubbles; excellent vintage condition with no chips or cracks; rewired
this beautifully decorated lamp of ovoid form finely painted overall with large floral stems in rich shades of blue, green and ochre all on a mottled pale blue ground; with subtle gilt decoration; artist signed and dated 1950; excellent vintage condition with no chips or cracks, rewired; with custom giltwood base
the expressive cockatoo with a prominent head crest and strong hooked beak perched upon a foliate branch-work base; with maker's marks to underside; Dux Porcelain began in 1860 by Eduard Eichler in what was then Duchov, Bohemia. The high quality pottery and porcelain figures produced there are now referred to by the abbreviated name, "Royal Dux." Ownership of the business changed frequently over the last 150 years. Bohemia became part of Czechoslovakia which was in turn controlled first by Germany then the Soviet Union.
each portly lamp with everted neck above a compressed lobed body all over a splayed circular base; with ivory glazed surface and matching wooden caps; good antique condition with some chipping and patina to surface; professionally rewired
each bulbous lamp with frosted overlay on a clear gold ground; the frosted glass finely etched exposing the gold luster glass beneath cresting a perimeter band of classical figures; raised on giltwood bases; height: 13" (top of glass) 24.5 (top of shade); minor wear and rubbing to glass surface; no chips or cracks; professionally rewired
each bottle-form lamp with checkered orange and olive green design all above a rectangular wooden base; excellent condition; rewired
of exceptional quality, each double-gourd form lamp with hand-painted butterflies and raised polychrome floral and foliate vines all on a white glazed ground; height: 18" (top of porcelain 30" (top of shade); professionally rewired and restored with minor replacements to flower heads and vines
each shimmering lamp consisting of stacked geometric crystal elements resting on a pierced shaped metal base; excellent condition with no chips or cracks; patina to metal bases; rewired
each of ginger jar form with scalloped octagonal body; all in a richly-colored blue and green drip glaze; good vintage condition with minor wear; re-wired
each large lamp of bulbous form with long everted neck above on ovoid body raised on a brass base; all in a swirling silver and gold faux marble glaze; excellent vintage condition with minor wear; patina to metal bases; rewired
each clear glass cylinder adorned with applied bamboo branch work; excellent condition; rewired
each tall vase of ovoid form with short neck above an ovoid body; the luminous glass with subtle white streaking; excellent condition with no chips or cracks; with foil labels
a large and well-executed pair of rococo style 4-arm candelabra with trefoil-shaped baluster stem supporting a single candle cup; all resting on a six-footed splayed base; the four double-modeled candle arms supporting tulip-shaped cups on circular bobeches; adorned overall with meandering floral vines, foliate scrolls and rocaille motifs; with underglaze blue maker's mark; excellent vintage condition with no apparent chips or cracks
great statement lamps with long flaring ceramic neck above a spheroid cork body resting on a similar ceramic base; good vintage condition with overall even wear; no chips or cracks to ceramic; rewired
each lamp of columnar form with long cylindrical neck over a stepped base all resting on a brass foot; 18.5" (top of glass) 30.5" (top of shade); professionally rewired; slight variation in color; minor wear and some lifting of paint to underside of glass; some rubbing to gilding; no chips or cracks
each large glazed ceramic baluster-form table lamp on later lucite bases designed by Swedish artist Ingrid Atterberg as part of the "Spiral' series, circa 1949, with alternating ochre and white stripes on a matte brown ground; impressed marks to underside; Ingrid Atterberg (1920-2008) was born in the northern Sweden city of Harnosand. She studied at Slojdforeningens School in Gothenburg. Ingrid came to the Upsala-Ekeby Pottery factory in 1944, staying on until 1964.
a quality lamp made by Chapman Manufacturing Company, USA, the swivel shade fitted with a standard socket and frosted glass panel raised on adjustable brass arms all over a rectangular base mounted with a toggle switch; professionally disassembled, cleaned and rewired; brass in good condition; ebonized elements re-painted.
each octagonal covered urn with large arching reserves adorned overall with floral and foliate stems; all raised on a giltwood base; excellent condition with some professional restorations; rewired
each hand painted ginger jar with domed lid above a bulbous tapering body raised on a stained wooden base; painted with various figures in a landscape setting divided by cloud scroll perimeter bands; craquelure to glaze; good antique condition; now mounted as lamps; rewired