the octagonal forest-green marble top with painted inlaid scrollwork surrounded by floral and foliate decoration; all raised on a neoclassical style Michael Taylor faux stone cross tripod lyre base; overall good condition with some minor chips to base; minor even wear to top
of graceful form with sloping barrel-back above a loose cushion; the back fitted with a bentwood rib cascading to the floor providing support to the front; supported at the rear with a central curved rectilinear leg; excellent antique condition; professionally refinished; newly upholstered in a butter-yellow linen fabric
characterized by its simplified, geometric forms, elongated facial features, and mask-like appearance it features stylized marquis-shaped eyes, a prominent nose forming a blade-like shape, and a small mouth, all over a long, cylindrical neck and square plinth; finely carved and finished from a block of rosso allicante marble; overall even wear with chipping to base
each with flaring neck above a tapering body; adorned with gilt perimeter bands depicting delicate meandering floral vines; raised on a metal base with chow feet; rewired; minor wear to gilding; shades as is.
each boldly-shaped ovoid-form lamp of richly-colored turquoise crackle glaze; fitted with wooden caps and bases with brass fittings; excellent condition; one lamp of slightly darker hue; made by Frederick Cooper Lamp Company, Chicago (established 1923)
each square stool composed of rectilinear tubes fitted with leather strapwork supporting loose cushions; good vintage condition with new leather upholstery; Jørgen Høj was originally trained as a metal worker and upholsterer at the Copenhagen School for Arts and Crafts. He led a successful design business until his death in 1994 working with such designers as Poul Kjaerholm and Bodil Kjaer
each well-executed plaque of impressive scale depicting a moody forest scene and a tranquil lake setting; all within custom ebonized moulded frames with giltwood slips; excellent antique condition with no chips or cracks to ceramic; minor professional repair to one frame
each with flaring neck above a tapering body resting on a gilt-metal base; all in a soft translucent frosted glass highlighted with gilt perimeter bands; minor wear to gilding; excellent vintage condition with no chips or cracks; rewired; newly gilded bases
each of chic Italian design with arbalète crest rail above an openwork splat joining an upholstered seat; raised on gracefully splayed supports; professionally refinished; minor wear to surface; reupholstered
each of whimsical butterfly form and labeled 'farfalla' having chromed steel frames encircled by six lights and issuing curved arms ending in circular discs; good vintage condition; professionally cleaned and rewired
each hand-carved swag with plump fruit and vegetables nestled among flower heads and foliage; good antique condition with overall minor wear
each hand painted ginger jar with domed lid above a bulbous tapering body raised on a stained wooden base; painted with various figures in a landscape setting divided by cloud scroll perimeter bands; craquelure to glaze; good antique condition; now mounted as lamps; rewired
each with chrome back plate fitted with three glass "ice block" shaped elements of radiating form; the two outer elements are removable; professionally rewired; excellent condition with no chips or cracks; some patina to chrome
mounted as lamps, each dressed in a white flowing robe holding a large lotus flower standing on decorative brass stands; rewired; professional repairs to fingers; patina to brass surface
each with flaring neck above a bulbous body; the textured surface covered in a deeply colored blue and teal drip glaze; excellent condition with no chips or cracks; professionally rewired
each richly-glazed lamp in a mottled chartreuse glaze with lobed collar above a short flaring neck over a lobed body resting on a splayed base; good vintage condition with no chips or cracks; rewired
each colorful bottle-form lamp adorned with painted circles in soft colors of blue, green, peach and yellow with a gold swirl overlay all on an ivory glazed ground; supported on brown painted metal bases; height: 23" (top of ceramic) 33.25" (top of shade); good vintage condition with minor rubbing to surface; professionally rewired
each of voluptuous, elegant form in vibrant fuschia cased glass; raised on splayed gilt-wood bases; excellent condition; rewired
each tall vase of ovoid form with short neck above an ovoid body; the luminous glass with subtle white streaking; excellent condition with no chips or cracks; with foil labels
each large tapering vessel finely decorated with naturalistic paintings in enamel of parrots on flower laden branches with gilt accents; excellent condition with no chips or cracks; minor wear to gilt; now mounted as lamps
each bulbous lamp with frosted overlay on a clear gold ground; the frosted glass finely etched exposing the gold luster glass beneath cresting a perimeter band of classical figures; raised on giltwood bases; height: 13" (top of glass) 24.5 (top of shade); minor wear and rubbing to glass surface; no chips or cracks; professionally rewired
each large lamp of bulbous form with long everted neck above on ovoid body raised on a brass base; all in a swirling silver and gold faux marble glaze; excellent vintage condition with minor wear; patina to metal bases; rewired
California Homes Magazine visits San Francisco's South of Market Antiques Dealers in the Fall 2016 Issue
"Eric Petsinger of Epoca mingles 20th century furniture and accessories with more traditional pieces. The Pittsburgh native advises clients, “Mix it up! Go ahead, put that shapely French rococo armchair next to a sleek John Widdicomb sofa, and see how they bring out each other’s beauty.”
