the rectangular top above a frieze drawer inlaid with elegant scrolling rinceau centering a lined keyhole, over two long drawers fitted with wreath form brass pulls; raised on short tapering slanted legs; verso pencil inscription and dated twice "1951"; excellent vintage condition; professionally polished

from the bay area figurative movement; artist note: "toni could adopt any guise. as you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. she could be young, middle-aged or timeless, she could evoke a classical goddess, an african queen, a con- temporary urbanite, a peasant maid."

from the bay area figurative movement; artist note: "toni could adopt any guise. as you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. she could be young, middle-aged or timeless, she could evoke a classical goddess, an african queen, a con- temporary urbanite, a peasant maid."

from the bay area figurative movement; artist note: "toni could adopt any guise. as you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. she could be young, middle-aged or timeless, she could evoke a classical goddess, an african queen, a con- temporary urbanite, a peasant maid."

of solid construction with triangular solid maple top above a plain frieze apron all raised on tapering supports; minor wear and patina; professionally refinished

of warmly patinated cherrywood, the circular top above a deep apron fitted with a single drawer; all raised on turned supports joined by a shaped x-form stretcher; excellent antique condition; professionally polished

the round top above a plain frieze apron fitted with a single drawer; raised on a tripod base of elegantly splayed and tapering supports with a waisted neck; good vintage condition with overall even wear and patina; minor repairs and re-gluing to veneer

the porcelain column wrapped with metal wire above a porcelain crackle-glazed orb; all raised on a black and gold painted base; patination to metal; excellent condition

each hour-glass shaped walnut lamp with three brass bands and waist; patination to brass; rewired; new shades 'as is'

from Vizagapatam, the rectangular sandalwood box veneered in water buffalo horn with sloping top centering a lotus flower form finial; all raised on compressed spheroid horn feet; horn of a mellow green color; good antique; lacking key

the rectangular sandalwood box veneered in water buffalo horn with sloping top centering a lotus flower form finial; all raised on turned horn feet;  warpage to lid; lacking key

the square game table with 'floating' top of radiating oak veneer; above an ebonized body fitted with two drawers with oak secondary wood; raised on tapering, stepped quadrangular supports; professionally refreshed surface; good vintage condition

high quality antique hand-forged andirons having barley twist shafts topped with gadrooned brass finials all raised on a scrolled openwork base; good antique condition with nice overall patina and wear

each of ginger jar form with scalloped octagonal body; all in a richly-colored blue and green drip glaze; good vintage condition with minor wear; re-wired

Made from Belgian bluestone with a honed finish and embedded with fossils, the table is comprised of a thick round top with dupont edge and baluster-form support on an octagonal plinth. New with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, the fossil pattern will vary.

of well-figured mahogany with oval top raised on turned ebonized double-column supports over a conforming lower shelf; all over four short ebonized turned feet; good restored condition; professionally refinished surface

a pair of Maurizio Tempestini (Italian, 1908-1960) mid-century modern alabaster table lamps in a sculpted flame design of polished white alabaster with veins of black; raised on oval ebonized wooden bases; good vintage condition with minor chipping; professionally rewired and bases re-painted

Fred Pye (b. 1882 England d. 1964 Ogunquit, ME) Oil on canvas; large and dramatic rocky seascape painting depicting a rocky shore (most likely Ogunquit, ME) with crashing and cresting waves under a partly sunny sky with billowing clouds; signed lower right; good condition with some craquelure in upper right portion of sky; relined; within the original white-washed and gilt wooden frame with beige linen slip. 

the oval top above a plain frieze apron all raised on deep-brown stained cluster column supports ending in bun feet; all joined by a shaped lower stretcher; excellent antique condition with refinished surface

from the Bay Area Figurative Movement; Artist note: "Toni could adopt any guise. As you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. She could be young, middle-aged or timeless, she could evoke a classical goddess, an African queen, a con- temporary urbanite, a peasant maid."

of cornucopia form with flared candle holder tapering to a scrolled end; adorned with florets and acanthus leaves all over a later ebonized wooden plinth; ex-collection of Michael Taylor, San Francisco; later plinth; overall patina and wear; refreshed gilding

the well-figured round top with an inlaid laurel-leaf and interlaced ribbon perimeter border; above a plain frieze apron with inlaid beading; raised on graceful splayed legs joining a lower shelf; excellent antique condition; professionally refinished

the circular hinged top with scrolling Florentine-style inlaid acanthus leaf and floral band; surrounding an ebonized roundel centering an Italianate figure of a Roman God and putto; with Antonio's Antiques retail tags; good antique condition with small veneer repairs and overall warm patina; later stand with elegant splayed supports joined by a curvaceous stretcher

The serpentine top centering an inlaid Maltese Cross, the symbol of protection and a badge of honor, within a diamond and outer inlaid border; over a deeply scalloped apron centering a spherical reserve panel; raised on shapely cabriole supports ending in hoof feet; solid construction with rich honey-colored patina; professionally refinished; old repairs and replacements