this incredibly stylish and practical dressing cabinet having a hinged top with interior mirror and divided compartments; above a shaped front with two bi-fold doors with interior drawers; the upper section with two small drawers; excellent restored condition; stamped 'John Widdicomb, Grand Rapids'

of iconic 1950's Italian design fitted with 4 doors opening to reveal a mahogany-lined interior with adjustable shelves; can be used for a television or general storage; excellent vintage condition with restored finish 

the open cartouche-shaped back with elaborately carved vasiform splat profusely carved with rocaille, C-scrolls and floral motifs above a drop-in seat with mohair upholstery; flanked by supported S-scrolled arms with lively floral carving; the seat rail with carved fretwork design; all raised on similarly carved cabriole legs ending in a trifid pad foot; finish professionally refreshed; new mohair upholstery; good antique condition with even wear and patina

this handsome chest of bombé-form with serpentine top above a conforming body fitted with 3 drawers adorned with bold solid bronze handles; excellent antique condition with overall even wear

In two parts, the top section with molded crown over three short drawers above three graduated long drawers, the base with three long drawers all supported on bracket feet; later pierced brass bat pulls; crossbanded inlay to drawer edges; overall good solid antique condition appropriate to age; overall wear and patina; areas of replaced veneer; shrinkage to oak side panels; professionally refinished

Jules Leleu (French 1883-1961); executed in a well-figured tiger-mahogany with mahogany secondary wood, having a shaped top, above the four drawer case with chromed pulls all flanked by two doors; raised on splayed supports with chrome sabots; a similar model can be seen in Yvonne Brunhammer, Le Style 1925, Editions Baschet et Cie, Paris, p. 45 & Francoise Siriex, The House of Leleu pgs. 46, 47; excellent vintage condition with refinished surface

the rectangular top above a frieze drawer inlaid with elegant scrolling rinceau centering a lined keyhole, over two long drawers fitted with wreath form brass pulls; raised on short tapering slanted legs; verso pencil inscription and dated twice "1951"; excellent vintage condition; professionally polished

a custom pair of flame mahogany Guéridon Tulipe side tables in the manner of Pierre Chareau (b. Bordeaux, France 1883 d. New York 1950) and fabriacted by Gatti Furniture, San Francisco; each hexagonal top of bookmatch veneer flame mahogany raised on a tulip-form slatted support; all over a conforming stepped base; each signed 'Gatti Furniture San Francisco 2000'; diameter: 23.25" (26.5" point to point); good condition and structurally sound; professionally refinished 

the cartouche mirror plate within a conforming giltwood frame with floral crest above an openwork frame of acanthus and rocaille carving all flanked by the mythical Ho Ho bird with one bird upright and the other downward; the Ho Ho bird was originally seen in Asian artwork and symbolizes good fortune and longevity; overall even wear and patina to re-gilded surface; later plate

a rare Art Deco cabinet with rectangular top with notched corners above a conforming body fitted with two hinged doors opening to reveal a divided interior; all raised on long sweeping cabriole supports ending in a splayed foot; all in a richly-colored and well-figured macassar veneer; good vintage condition; professionally refinished with small areas of replaced veneer

with a nod to the Napoleon III carved ropetwist stools by Fournier, this similarly carved chair in a ropetwist style with knotted feet; the framed cartouche-shaped upholstered back above a tight seat all raised on splayed supports; good vintage condition with overall even wear and patina; newly upholstered

the 3-sided top above a paneled conforming body centering double-doors fitted with a solid brass latch; John Van Koert was a prominent New York designer who helped promote the fascination with Danish modern furnishings in the 1950's. In 1954, he was exhibition director of ''Design in Scandinavia,'' at the Brooklyn Museum of Art, introducing modern Scandinavian design to Americans. Mr. Van Koert's furniture designs for Drexel, were represented by prominent department stores such as Macy's and Bloomingdale's; good vintage condition with minor wear and patina; patina to brass

the arbalete top with perimeter stringing within a crossbanded border all above a shapely bombe-form body with similar stringing and crossbanding; fitted with two long drawers having openwork solid brass pulls; the whole raised on graceful cabriole supports; overall even wear and nice warm patina; good vintage condition; professionally refinished 

The exuberantly carved openwork crest composed of dramatic interlacing C-scroll motifs with floral and foliate elements cascading down the sides; all surrounding the original beveled mirror plate within a relief-carved molding; warm patina and rubbing to water-gilded surface; areas of refreshed gilding; with some professional repairs to frame

the large oval tray of well-figure mahogany centering a robust inlaid fan medallion with crossbanded perimeter band all within a scalloped wooden gallery flanked by solid brass handles; green felt to underside; good antique condition with normal wear and patina

characterized by its simplified, geometric forms, elongated facial features, and mask-like appearance it features stylized marquis-shaped eyes, a prominent nose forming a blade-like shape, and a small mouth, all over a long, cylindrical neck and square plinth; finely carved and finished from a block of rosso allicante marble; overall even wear with chipping to base  

the handsome chest constructed during the Golden Age of Danish furniture (1800-1850) and composed of well-figured mahogany veneer fitted with three drawers inlaid with neoclassical decoration all over a scalloped apron and raised on tapering quadrangular supports; good antique condition with minor veneer repairs and overall even wear and patina

the exuberantly carved pagoda crest surrounded by lively acanthus leaves, c-scrolls and grotto motifs cascading down to an openwork frame; wear and rubbing to gilding; with professional repairs; refreshed gilding; some age to later plate

the well-figured marble top resting on an iron tripod frame with rope-twist perimeter ring surrounded by 3 splayed supports ending in hoof feet; joined by a shaped stretcher; excellent condition with minor wear and patina

Each beautifully decorated chest with concave top with canted corners above a conforming body fitted with 2 short over 2 long drawers all raised on splayed bracket feet; with overall red ground and gilt decorated chinoiserie motifs including bird, floral and vine, architectural follies and waterscapes; good antique condition with refreshed surface; professionally restored with overall craquelure and patina; japanning possibly later

each good quality chest fitted with 2 mahogany-lined drawers with fruitwood stringing centering brass pulls; raised on tapering turned supports; excellent condition.

having curved front with five inlaid doors, all raised on turned and flared feet with brass terminals; the center door opens to reveal sycamore-veneered drawers; the right door opens to reveal a mirrored and glass bar compartment;  excellent condition
 

in the manner of Maison Jansen, the thick oval glass top resting on a conforming steel body with four elegantly splayed supports capped with brass rams heads and terminating in hoof feet; all joined by curved interlocking stretchers; good vintage condition with even wear and patina