each with cartouche-shaped back above a shaped tight seat all raised on cabriole legs; the whole adorned with rocaille and foliate carving; professionally refinished, strengthened and reupholstered. 

each well constructed chest fitted with 2 drawers with inset reserves and brass pulls; raised on tapering supports; drawer interiors of solid oak; John Stuart furniture labels inside drawers; professionally refinished  

the well-figured round top with an inlaid laurel-leaf and interlaced ribbon perimeter border; above a plain frieze apron with inlaid beading; raised on graceful splayed legs joining a lower shelf; excellent antique condition; professionally refinished

this incredibly stylish and practical dressing cabinet having a hinged top with interior mirror and divided compartments; above a shaped front with two bi-fold doors with interior drawers; the upper section with two small drawers; excellent restored condition; stamped 'John Widdicomb, Grand Rapids'

of iconic 1950's Italian design fitted with 4 doors opening to reveal a mahogany-lined interior with adjustable shelves; can be used for a television or general storage; excellent vintage condition with restored finish 

the large mahogany oval tray centering am impressive satinwood shell motif surrounded by rosewood banding; raised on a later stand; excellent restored condition

this handsome chest of bombé-form with serpentine top above a conforming body fitted with 3 drawers adorned with bold solid bronze handles; excellent antique condition with overall even wear

Jules Leleu (French 1883-1961); executed in a well-figured tiger-mahogany with mahogany secondary wood, having a shaped top, above the four drawer case with chromed pulls all flanked by two doors; raised on splayed supports with chrome sabots; a similar model can be seen in Yvonne Brunhammer, Le Style 1925, Editions Baschet et Cie, Paris, p. 45 & Francoise Siriex, The House of Leleu pgs. 46, 47; excellent vintage condition with refinished surface

the rectangular top above a frieze drawer inlaid with elegant scrolling rinceau centering a lined keyhole, over two long drawers fitted with wreath form brass pulls; raised on short tapering slanted legs; verso pencil inscription and dated twice "1951"; excellent vintage condition; professionally polished

the large sturdy hand-carved table of pegged construction with shaped rectangular top of matchbook European walnut veneer above a scalloped apron with rocaille carving; all raised on bold cabriole supports ending in hoof feet; structurally sound; intentionally distressed finish to imitate age; minor overall wear and rubbing; professionally polished and waxed

each tall upholstered back with shaped crest above a tight serpentine seat flanked by padded arms; over a scalloped apron with foliate and rocaille carving all raised on cabriole supports ending in scrolled feet joined by a curved x-form stretcher; later leather upholstery with fine nailhead detailing; structurally sound with general rubbing and wear; nice overall patina; professionally polished 

a rare Art Deco cabinet with rectangular top with notched corners above a conforming body fitted with two hinged doors opening to reveal a divided interior; all raised on long sweeping cabriole supports ending in a splayed foot; all in a richly-colored and well-figured macassar veneer; good vintage condition; professionally refinished with small areas of replaced veneer

the 3-sided top above a paneled conforming body centering double-doors fitted with a solid brass latch; John Van Koert was a prominent New York designer who helped promote the fascination with Danish modern furnishings in the 1950's. In 1954, he was exhibition director of ''Design in Scandinavia,'' at the Brooklyn Museum of Art, introducing modern Scandinavian design to Americans. Mr. Van Koert's furniture designs for Drexel, were represented by prominent department stores such as Macy's and Bloomingdale's; good vintage condition with minor wear and patina; patina to brass

the arbalete top with perimeter stringing within a crossbanded border all above a shapely bombe-form body with similar stringing and crossbanding; fitted with two long drawers having openwork solid brass pulls; the whole raised on graceful cabriole supports; overall even wear and nice warm patina; good vintage condition; professionally refinished 

with goose neck pediment above a glazed cabinet resting on a base fitted with a single drawer over two doors; nicely decorated overall with various scenes; areas of refreshed gilding and paint; good antique condition 

surmounted by a rocaille openwork crest above an oval frame adorned with foliate carving with exaggerated c-scrolls at the sides with a foliate pendant at the base; with later antique beveled plate; some re-glued elements; overall even wear to refreshed gilded surface

the large oval tray of well-figure mahogany centering a robust inlaid fan medallion with crossbanded perimeter band all within a scalloped wooden gallery flanked by solid brass handles; green felt to underside; good antique condition with normal wear and patina

the rectangular carved frame in the neoclassical style of overlapping laurel leaves and berries tied with ribbons all highlighted with acanthus leaves at the corners; refreshed paint and gilding; nice overall even wear and patina; age to original antique plate

with arching openwork top above a square-form body tapering to a foliate pendant knob; good antique condition; rewired with 4 standard sockets; later solid brass bobeches

the well-figured marble top resting on an iron tripod frame with rope-twist perimeter ring surrounded by 3 splayed supports ending in hoof feet; joined by a shaped stretcher; excellent condition with minor wear and patina

the circular tabouret with new decking above a rope-twist gilwood frame with cabriole supports with knotted feet all joined by an x-form stretcher centering a robust central knot; gilding refreshed; nice patina with overall even rubbing; structurally sound frame; new leather upholstery .Seat furniture carved in this manner is generally associated with the Parisian upholsterer A.M.E. Fournier, who supplied at least one carved rope stool to the Musée National du Château de Compiègne.

the handsome chest constructed during the Golden Age of Danish furniture (1800-1850) and composed of well-figured mahogany veneer fitted with three drawers inlaid with neoclassical decoration all over a scalloped apron and raised on tapering quadrangular supports; good antique condition with minor veneer repairs and overall even wear and patina

each good quality chest fitted with 2 mahogany-lined drawers with fruitwood stringing centering brass pulls; raised on tapering turned supports; excellent condition.

the circular tabouret with new decking above a rope-twist giltwood frame with cabriole supports with knotted feet all joined by an x-form stretcher centering a robust central knot; furniture carved in this manner is generally associated with the Parisian upholsterer A.M.E. Fournier, who supplied at least one carved rope stool to the Musée National du Château de Compiègne; gilding refreshed; nice patina with overall even rubbing; structurally sound frame; new taupe leather upholstery with saddle-stitch detailing.