Each hand-carved cup-shaped vessel with Greek key collar above a tapering body resting on a separate square base; overall wear and patina; one side on each urn of darker patina; some chipping to surface; one with replaced Greek key rim
of good scale and quality, circa 1930; each high back dining chair with beige leather upholstery and birdseye maple frame, for S.Hille & Co, London, consisting of two arm and six side chairs, having a vasiform splat above a tight seat; raised on graceful splayed supports; professionally refinished; minor wear and patina to later leather upholstery;
The Marbro Lamp Company was established by Morris Markoff and his brother (Mar-bro) after World War II in the garment district of Los Angeles. While specializing in a wide selection of antiques and decorative accessories, they are best known for their high quality lamps. Lamp parts were sourced from all over the world, but always assembled in their LA shop; this fine example of a thickly modeled faceted crystal lamp with gilt-metal mounts; no chips or cracks; rewired
of neoclassical style, the oval inset beveled glass top within a nickel-plated frame; all raised on cylindrical supports ending in toupie feet all joined by a shaped stretcher; good vintage condition with some abrasions to glass and metal; minor pitting on feet; small interior chip to glass along edge
each of decanter form with long flaring neck above a compressed spheroid body; all in a graduated yellow-to-green clear glass infused with large bubbles; excellent vintage condition with no chips or cracks; rewired
each plaster baluster-form lamp by the Bradburn Gallery covered in a celadon painted linen with hand-painted colorful birds perched on a meandering foliate branch speckled with purple berries; height: 16" (top of plaster) 27" (top of shade); gilt embossed maker's mark to underside; good condition with minimal wear; professionally rewired
each diminutive chair with upright stiles flanking an openwork splat above a drop-in upholstered seat; raised on thick legs all joined by similar openwork panels; good vintage condition with some wear to surface; newly upholstered
Excellent vintage condition with no chips or cracks; Königliche Porzellan Manufaktur, or KPM (established 1723) was a fundamental part of the landscape of the European decorative arts in the 19th Century, and was, and still is, one of the most prolific producers of luxury porcelain
a large and rare set of German Black Forest furniture with chair and ottoman; with oval back above a tight seat all surrounded by a robust frame symmetrically constructed of entwined fallow antlers; good sturdy construction with nice patina; suede upholstery in good condition with some fading and wear
each depicting a 3-story building with accompanying floor plans; each titled 'Design for a First Class Tavern'; new mattes and frames; some discoloration.
each striking lithograph with classical figures at various pursuits on a black ground; later ebonized frames and slips with hand-wrapped linen mattes.
each meticulously detailed engraving depicting various pineapple species; minor discoloration; with later acid-free mattes and giltwood frames.
each inset glass top within a solid brass frame raised on quadrangular supports joined by a lower glass shelf; excellent condition with minor overall wear
each portly lamp with everted neck above a compressed lobed body all over a splayed circular base; with ivory glazed surface and matching wooden caps; good antique condition with some chipping and patina to surface; professionally rewired
the oval central plate surrounded by a scalloped reverse-etched mirrored border adorned with twisted glass rods and C-scrolls all attached with glass rosettes and leaves; good vintage condition with only minor wear; one C-scroll with inconspicuous re-glued crack
each large-scaled urn with sweeping flared neck tapering to a flared foot; now drilled with later wooden mounts
Each tall beveled mirror obelisk resting on a square stepped mirrored plinth; no chips or cracks, excellent condition.
each with central glass support surrounded by two tall opposing leaves of translucent gold aventurine glass all raised on a thick gold bullicante disk over a later Lucite base; height: 16.5" (top of glass) 27.5" (top of shade); good vintage condition with no chips or cracks; professionally rewired; later Lucite bases
Each with sloping in-curved crest rail over vertical spiral-carved stiles; joining a U-shaped tight seat above a reeded apron all raised on cabriole supports joined by a carved X-form stretcher; professionally restored with warm patina and new leather upholstery
signed 1960s bench with floating rectangular upholstered seat resting on a walnut base with square-form tapering legs connected by two stretchers; makers label to inner stretcher; Jens Risom (1916-2016) was a Danish American furniture designer. An exemplar of Mid-Century modern design, Rison was one of the first designers to introduce Scandinavian design in the United States. His designs are on display at the Museum of Modern Art, the Rhode Island School of Design and the Cooper-Hewitt Design Museum; professionally refinished and reupholstered
a large and well-executed pair of rococo style 4-arm candelabra with trefoil-shaped baluster stem supporting a single candle cup; all resting on a six-footed splayed base; the four double-modeled candle arms supporting tulip-shaped cups on circular bobeches; adorned overall with meandering floral vines, foliate scrolls and rocaille motifs; with underglaze blue maker's mark; excellent vintage condition with no apparent chips or cracks
$5,500/pair; each of brushed solid brass with a clean and simple cup-shaped design; no longer in production; some patina and rubbing to frames and mirror plates
each hand painted ginger jar with domed lid above a bulbous tapering body raised on a stained wooden base; painted with various figures in a landscape setting divided by cloud scroll perimeter bands; craquelure to glaze; good antique condition; now mounted as lamps; rewired
each of campagna form with everted lip tapering to a compressed portly body all over a square plinth; adorned with ebonized highlights; 18.5" (top of wood) 29.5" (top of shade); professionally rewired; good vintage condition with minor wear and nice warm patina
each tall ribbed vase painted overall with floral and foliate stems resting on a pierced brass base; good antique condition with overall fine craquelure; rewired
