each with square leather saddle-stitched seat above a Z-form chrome frame; good vintage condition with some rubbing to chrome; new leather upholstery

the serpentine top above a bombe-form body fitted with three drawers adorned with bold bronze foliate mounts; all in a well-figured and richly patinated black walnut veneer; excellent antique condition with minor veneer replacements; later hardware

the striking ovoid vessel with fish-mouth opening; painted overall with large leaves and bamboo shoots all on a white ground; with underglaze blue markings to underside; The first porcelain factory in the town of Marktredwitz opened in 1872 and was known under the name of Porzellanfabrik Jaeger, Thomas & Co. until Fritz Thomas quit in 1898, opening his own factory in 1903. In 1908, the “F. Thomas, Marktredwitz” factory was purchased by Rosenthal, ceasing operation in 1960.

the large beautifully-detailed ceramic white glazed parrot with head in profile above a well-delineated plumed body with long tail feathers; all perched upon a branch-work base with applied leaves and grapes; with underglaze blue maker's mark and paper label 'made in Italy'; good vintage condition with small areas of missing glaze; small hairline crack to one wing

the cup-shaped bowl with flared lip above a splayed foot; adorned overall with delicate floral stems; excellent condition.

each tall vase with long flaring neck above a bulbous body; the white vase encased in a yellow cased glass; excellent condition with no chips or cracks.

with short everted neck above a tapering ovoid body in a deep red 'orange peel' glaze adorned with lava glaze perimeter bands; minor wear.

surmounted by a bold ribbon above an oval frame adorned with laurel leaves and pinwheel bosses all in a finely detailed repoussé metalwork; later antiqued mirror plate; overall even rubbing and patina to gilt metal surface

the thick and robust beechwood frame with silver-gilt accents surrounding the original antiqued mirror plate; excellent antique condition with well-patinated mirror plate

the hand-carved standing bear with forward gaze and glass eyes holding a barrel for matches in front of a larger barrel for cigar storage; all over an oval carved base fitted with a cup-shaped ash tray; most likely from the Black forest area in the Swiss city of Interlagen; originally used to hold cigars but could be used on a desk as a pen or trinket holder; good antique condition with rich patina and minor wear; with an old split to the base

the large oval tray of well-figure mahogany centering a robust inlaid fan medallion with crossbanded perimeter band all within a scalloped wooden gallery flanked by solid brass handles; green felt to underside; good antique condition with normal wear and patina

the playful chubby putti with head turned holding onto a writhing dolphin; overall even weathering; excellent condition.

with flared neck above a lobed body all raised on a square plinth; good antique condition with overall weathered  and chipped surface 

a large and rare set of German Black Forest furniture with chair and ottoman; with oval back above a tight seat all surrounded by a robust frame symmetrically constructed of entwined fallow antlers; good sturdy construction with nice patina; suede upholstery in good condition with some fading and wear

the die in solid laminated mahogany for the manufacture of a child's toy pedal car (metal would be wrapped around this die and steering wheel attached later)

the lively capital with outscrolled acanthus leaves all resting on a separate wooden base; excellent condition with later base

the impressionist painting with thickly applied paint depicting sailboats at dock with dramatic cloud-filled sky; signed on front lower right; good clean painting with bright colors; in a carved giltwood frame; even wear to gilding;  panel: 13" X 19.5", overall: 20" x 26"

the stylized carved wooden rosette centering a circular reserve surrounded by a wreath of scrolled acanthus leaves all in a warmly patinated painted and gilded surface; good antique condition with overall even wear and patina

each with four panels detailing various ways to prevent accidents and lessons learned, including 'Feu, Eau, Contagion, Empoisonnements, and Maison'; based on 19th century original lithographs by Emile Deyrolle; Les Fils d’Emile Deyrolle, Rue du Bac, Paris; restored ebonized wooden frames; some darkening, wrinkling, and foxing; PRICED PER PAIR

each with circular wall mount emanating 3 scrolling iron candle arms ending in pierced candle-cups adorned with crystal flowers, all below upright tendrils; adorned overall with crystal pendants and beads; excellent restored condition; rewired; patination to gilding (3 pairs available)

each shapely vase with everted neck above an ovoid body flanked by loop handles; each vase with a finely-rendered gilded neoclassical scene; no chips or cracks; overall even wear to glaze

Consisting of a round glass top table and four armchairs with openwork metal strap-work manufactured by the iconic outdoor furniture manufacturer Brown Jordan;  Brown Jordan, a manufacturer of high-end outdoor furniture, was founded in Pasadena, California, in 1945 by Robert Brown and Hubert Jordan. The company is known for pioneering the concept of furniture specifically designed for outdoor use, transforming the patio into a stylish and functional living space; structurally sound with sturdy frames; original brown powder-coated surface with even wear and weathering; Sunbrella cushions in

designed in 1959 by Bodil Kjær to accompany her iconic ‘James Bond’ desk in a well-figured and deeply patinated rosewood; manufacrtured by E. Pedersen & Søn for Jason Møbler; fitted with one filing drawer and one smaller drawer all supported on steel supports; good vintage condition with professionally restored finish; key plate removed and filled

a tall and fantastic pair of sculptural arm chairs, each with tall back above a bucket seat flanked by outscrolled arms; raised on splayed walnut supports with a single wishbone support on the reverse; sturdy and stable with new upholstery; professionally refinished

in the neoclassical taste decorated in a silver and gold leaf finish; the reeded central support joined at the mid-section with a gadrooned sphere and acanthus leaf collars all above a tapering reeded base ending in a berry finial; emanating six scrolled gilt-iron candle arms supporting beaded bobeches; overall even wear and patina to new gilded surface; in good working order