each with flared ceramic neck above a gadroon-form body; raised on faux bois metal bases; excellent vintage condition with no chips or cracks; rewired 

each with flaring neck above square-form tapering body all in a richly-colored red-orange glaze decorated with subtle gilt floral vines; resting on a wooden ebonized base; good vintage condition with no chips or cracks; rewired

each with long columnar neck above a bell-shaped body adorned with gilt banding and bold greek key motif; excellent condition with minor wear; rewired; new lampshades as is.

each portly lamp with horizontal banding; raised on a tole base; excellent condition; some soiling to original shades.

each painted in a teal and cranberry plaid adorned overall with a lacy foliate vine; raised on square wooden plinths; labeled 'Frederick Cooper, Chicago'; good vintage condition with no chips or cracks; minor rubbing and wear to surface

each ovoid lamp of impressive size with ribbed neck above a tapering body; all in a rich drip glaze of celadon and pale blue; excellent vintage condition with no chips or cracks; rewired 

of compressed form covered overall in an ivory and brown drip-glaze over a caramel ground; excellent vintage condition with no chips or cracks; rewired

decorated with a scenic reserve centering a hunter on horseback beside a pair of dogs all on a black lacquered ground with gilt foliate decoration; impressed mark to underside ' Mark Knowles and Sons'; good antique condition with some wear and patina to surface; later faux bamboo black lacquered stand

each bearded face surrounded by thick curly hair; with custom iron stands and lampshades

the large bottle-form lamp with long neck and tapering body all in a crater glaze 

the porcelain column wrapped with metal wire above a porcelain crackle-glazed orb; all raised on a black and gold painted base; patination to metal; excellent condition

each with elegant flared neck flanked by clear aventurine glass handles all above a tapering body resting on a lobed aventurine splayed base; all over a conforming gilt-metal plinth; excellent condition; rewired; new lampshades as is.

each hour-glass shaped walnut lamp with three brass bands and waist; patination to brass; rewired; new shades 'as is'

each hand-blown white and clear glass cattail shade set into a brass back plate; no chips or cracks; some wear and patina to back plates; professionally rewired; priced individually $3,800 each

of large scale, with long everted neck above a spheroid body all resting on a custom giltwood base; good vintage condition with some wear to surface; rewired

each of ginger jar form with scalloped octagonal body; all in a richly-colored blue and green drip glaze; good vintage condition with minor wear; re-wired

of baluster form with long neck and everted lip above an ovoid body with splayed foot; the densely-painted and colorful flowers at the shoulder above delicate cascading wisteria; excellent vintage condition with no chips or cracks; only minor wear; professionally rewired; vase now drilled and mounted as a lamp

each tall and finely crafted fluted bronze hall tree adorned with finely detailed gilt-bronze neoclassical decoration with berry finials, bows, ribbons, and tassels centering a trophy with lyre; the dramatic medusa mask emanating writhing snakes (for coats) with coiled snakes further down the shaft (for umbrellas); all over a square openwork base; purchased in 1994 from Leah's Antique Gallery, New York City (receipt attached); in good antique condition with minor wear to gilding and bronze; some oxidation to bases

An unusual pair of hand-blown clear and gold aventurine Venetian candlesticks with large-scale dolphin connectors made by Salviati, circa 1920's featuring dramatic full-bodied upward-facing dolphins; raised on a splayed quilted foot with removable quilted bobeche; excellent condition with no chips or cracks;

the circular tabouret with new decking above a rope-twist giltwood frame with cabriole supports with knotted feet all joined by an x-form stretcher centering a robust central knot; furniture carved in this manner is generally associated with the Parisian upholsterer A.M.E. Fournier, who supplied at least one carved rope stool to the Musée National du Château de Compiègne; gilding refreshed; nice patina with overall even rubbing; structurally sound frame; new taupe leather upholstery with saddle-stitch detailing. 

of Georgian style in the French taste, the serpentine top with matchbook herringbone veneer within a cross-banded border; all above a Bombé-form body fitted with two doors opening to reveal three mahogany serpentine drawers; flanked by carved foliate festoons cascading to an acanthus leaf carved foot; all sides with tulipwood and amaranth classically-inspired inlay of lively acanthus scrolls, floral vines, ribbons and urns; good antique condition with minor veneer replacements; good solid construction; professionally refinished

with domed top and flared neck above a bulbous body over a splayed base; adorned overall with graceful gilt foliage; rewired; excellent condition with no chips or cracks; lamp shade as is.

each with flaring neck above a tapering body; adorned with gilt perimeter bands depicting delicate meandering floral vines; raised on a metal base with chow feet; rewired; minor wear to gilding; shades as is.

a stylish pair of italian white-glazed urns with over-scaled flared reticulated neck over a bulbous mid-section with raised foliate decoration; raised on a splayed base resting on a black lacquer wooden plinth; excellent vintage condition with custom wooden base; rewired

each boldly-shaped ovoid-form lamp of richly-colored turquoise crackle glaze; fitted with wooden caps and bases with brass fittings; excellent condition; one lamp of slightly darker hue; made by Frederick Cooper Lamp Company, Chicago (established 1923)