each octagonal covered urn with large arching reserves adorned overall with floral and foliate stems; all raised on a giltwood base; excellent condition with some professional restorations; rewired

each large tapering vessel finely decorated with naturalistic paintings in enamel of parrots on flower laden branches with gilt accents; excellent condition with no chips or cracks; minor wear to gilt; now mounted as lamps

each of conical form in a deep cerulean blue opaline glass; with brass caps and bases; good vintage condition with no chips or cracks; 18.25" (top of glass)  29.25" (top of shade); some pitting to well-patinated brass; professionally rewired

the French made cased-glass bodies of graduated triple-gourd form resting on brass bases; in a deep teal color accentuated by the cased-glass process of fusing together multiple layers of glass; each with foil label 'BASE MADE IN FRANCE'; height: 17" (top of glass)  28" (top of shade); excellent condition with no chips or cracks; some pitting and patina to brass bases; professionally rewired 

each inset glass top within a solid brass frame raised on quadrangular supports joined by a lower glass shelf; excellent condition with minor overall wear

the inset glass top above curule-form supports with swan motifs; excellent condition with overall minor wear

a quality lamp made by Chapman Manufacturing Company,  USA, the swivel shade fitted with a standard socket and frosted glass panel raised on adjustable brass arms all over a rectangular base mounted with a toggle switch; professionally disassembled, cleaned and rewired; brass in good condition; ebonized elements re-painted.

the long inset glass top within a molded brass border; raised on a black metal base joined by a lower glass shelf; excellent condition with overall minor wear

the squared top above a conforming body fitted with a single tambour door; the arching apron joining four columnar supports above a lower shelf; raised on compressed bulbous feet; restored condition

the gray marble top resting on an open iron-work base with 8 over-scaled double c-scrolled supports adorned with bold gilt-tole leaves; overall oxidation; later top

Ideal for a smaller space, of polished and brushed chrome construction supporting three beveled glass shelves all joined by columnar supports; the whole flanked by scrolled handles and raised on steel casters; good vintage condition with some surface abrasions and rubbing; scratches and wear to glass shelves  

each shimmering lamp consisting of stacked geometric crystal elements resting on a pierced shaped metal base; excellent condition with no chips or cracks; patina to metal bases; rewired 

the shaped lacquered antique tray (circa 1890) with Chinoiserie decoration centering a floral bouquet surrounded by birds and butterflies; raised on a faux bamboo gilt metal stand (circa 1940);  good condition with crackling to lacquer and overall even wear and patina

each large-scaled urn with sweeping flared neck tapering to a flared foot; now drilled with later wooden mounts

each of columnar form resting on a square base; originally fitted with a kerosene receptacle; excellent condition; external French wiring 

minor wear to honed surface; new wiring; shade as is; French wired

the large square inset glass top in a polished nickel and patinated brass frame raised on quadrangular supports joined by a lower glass shelf; excellent vintage condition with overall even wear and patina; signed 'Jean Charles"; Jean Charles Furniture produced a wide range of furniture in Paris over the last century closing in the late 1980`s. Jean Charles furniture appears consistently stamped with a logo of `JC` followed by `Jean Charles`.

the two-wheeled drinks trolley with turned handle joining a rectangular top within an openwork gallery all raised on wicker-wrapped supports joining a lower shelf; The Heywood Furniture Co. began in 1826 making wicker and rattan furniture. In 1897, the company merged with a competitor, Wakefield Rattan Co., to form the Heywood-Wakefield Co. Heywood-Wakefield’s iconic Streamline Modern furniture line was introduced at the 1933 Century of Progress International Exposition in Chicago. The soft-curved, light-colored look ushered in an age of furniture called midcentury modern.

the rectangular paneled tray fitted with hinged drop-down sides having pierced handles all in a mellow oak finish; with original brass inset hinges; the sides are slightly canted when closed; all raised on the original oak folding stand; measures 29"H  35"W  26" D 35 (flaps down) and 33"H  31.25"W  22.75"D (flaps up); good antique condition with overall even wear and warm patina; minor old repairs with stabilized split to one panel

this large and elegant lamp with flared neck above a tapering body highlighted with gilt perimeter bands; resting on a reticulated brass base; excellent vintage condition with minor overall even wear; rewired

the round top of deeply patinated and well-figured quarter veneered macassar ebony raised on incurved supports joined by a lower shelf; all over a tripod base with block feet; good antique condition and structurally sound; professionally refinished with small areas of replaced veneer

each column of alternating marble and brass discs; raised on 4 Greek key feet; rewired; excellent condition; some rubbing to metal.

the graduated obelisk-form body raised on 4 brass paw feet; resting on a splayed base over a brass plinth; excellent condition; rewired; shade as is

of faceted translucent white opaline glass, each with long neck above a waisted mid-section over a bell-shaped base; no chips or cracks; rewired; patination to brass fittings; new shades as is.

the shaped lamp with slumped glass mirrored panels; the front panel with a Chinoiserie reverse-painted scene; all resting on a wooden base; good vintage condition with no chips or cracks; wear and patina to wooden surface; antiquing to silvering