with everted neck above an ovoid body over a lobed foot resting on a gilt-metal base; all in a smoky glass with controlled bubbles; excellent condition; rewired; lampshade as is.
the ovoid ribbed glass with controlled bubbles; with carerra marble cap and base; rewired; excellent condition with no chips or cracks; minor wear to marble; lamp shade as is.
the well-crafted lamp of quilted glass with gold inclusions; excellent condition with no chips or cracks; rewired
fitted with an octagonal flared brass cap above a conforming burlwood body resting on a brass base; good vintage condition with overall even wear and patina; rewired
each portly lamp with horizontal banding; raised on a tole base; excellent condition; some soiling to original shades.
each hour-glass shaped walnut lamp with three brass bands and waist; patination to brass; rewired; new shades 'as is'
each heavy candle holder surmounted by a shallow candlecup with flared lip raised on a gadrooned support above a ring of stylized leaves; all over a cylindrical base adorned with applied bosses flanked by opposing birds all ending in a splayed foot; good vintage condition with overall even wear and patina
Maison Jansen was a Paris-based interior decoration office founded in 1880 by Dutch-born Jean-Henri Jansen; the beveled mirror plate within a giltwood frame surrounded by a chamfered mirrored border of eglomise panels; good vintage condition with no chips or cracks to glass; later beveled plate; overall even wear and rubbing to giltwood frame
with rolled lip adorned with egg-and-dart design above a a flared neck over a compressed body with lively acanthus leaf decoration; all raised on a splayed base and square plinth; overall even weathered finish to surface
signed 1960s bench with floating rectangular upholstered seat resting on a walnut base with square-form tapering legs connected by two stretchers; makers label to inner stretcher; Jens Risom (1916-2016) was a Danish American furniture designer. An exemplar of Mid-Century modern design, Rison was one of the first designers to introduce Scandinavian design in the United States. His designs are on display at the Museum of Modern Art, the Rhode Island School of Design and the Cooper-Hewitt Design Museum; professionally refinished and reupholstered
each custom made chair by Lx Rossi with in-curved sloping back cascading down to outscrolled terminals; flanked by a bowed loose cushion over a plain frieze apron all resting on tapering turned supports; the frame veneered in a taupe-colored shagreen; excellent condition; newly upholstered
A large-scaled and elegantly designed French 1940s Klismos chair with deep incurved back with scrolled terminals; above a leather seat of criss-crossing straps all raised on dramatic splayed supports; purchased in Paris in 1993 (receipt attached); good vintage condition with sturdy frame and seat; some wear to painted surface; later leather strapwork
each with flaring neck above a bulbous body; the textured surface covered in a deeply colored blue and teal drip glaze; excellent condition with no chips or cracks; professionally rewired
each urn decorated with white, lavender and gray arabesque and Moorish motifs all on a celadon ground; adorned with finely chased gilt-bronze mounts; fitted with its original oil lamp fittings and marked 'Gebrüder Brünner, Wien'; height: 14" (top of porcelain); good antique condition with no chips or cracks; some rubbing to gilding on porcelain and bronze mounts; professionally rewired
of exceptional quality, each double-gourd form lamp with hand-painted butterflies and raised polychrome floral and foliate vines all on a white glazed ground; height: 18" (top of porcelain 30" (top of shade); professionally rewired and restored with minor replacements to flower heads and vines
each plaster baluster-form lamp by the Bradburn Gallery covered in a celadon painted linen with hand-painted colorful birds perched on a meandering foliate branch speckled with purple berries; height: 16" (top of plaster) 27" (top of shade); gilt embossed maker's mark to underside; good condition with minimal wear; professionally rewired
each with round beveled central plate within a scalloped mirrored frame of reverse-etched panels; label to back 'Uttermost'; good vintage condition with no chips or cracks; light wear to frame
with domed top and flared neck above a bulbous body over a splayed base; adorned overall with graceful gilt foliage; rewired; excellent condition with no chips or cracks; lamp shade as is.
each with flaring neck above a tapering body; adorned with gilt perimeter bands depicting delicate meandering floral vines; raised on a metal base with chow feet; rewired; minor wear to gilding; shades as is.
great statement lamps with long flaring ceramic neck above a spheroid cork body resting on a similar ceramic base; good vintage condition with overall even wear; no chips or cracks to ceramic; rewired
each hand painted ginger jar with domed lid above a bulbous tapering body raised on a stained wooden base; painted with various figures in a landscape setting divided by cloud scroll perimeter bands; craquelure to glaze; good antique condition; now mounted as lamps; rewired
from the Vista Alegre Porcelain Factory (founded 1824) each rectilinear vase with flared neck above a tapering body ending in a splayed foot; hand decorated overall with vibrant floral and foliate vines; maker's mark to underside; now drilled and mounted as lamps; with custom giltwood caps and bases; professionally rewired; only minor wear from use
each portly lamp with everted neck above a compressed lobed body all over a splayed circular base; with ivory glazed surface and matching wooden caps; good antique condition with some chipping and patina to surface; professionally rewired
each hand-blown shapely lamp with a nod to Chinese ceramic ginger jars composed of a luminous crackle-glass; all resting on gold painted wooden bases; height: 15.75" (top of glass) 26" (top of shade); good vintage condition with no chips or cracks; rubbing to gold; professionally rewired
