each with spheroid body flanked by shell-form handles; raised on a lively dolphin support over a square base ending in shell feet; rewired and replated with new shades; excellent condition; shades as is
each with flared ceramic neck above a gadroon-form body; raised on faux bois metal bases; excellent vintage condition with no chips or cracks; rewired
each with flaring neck above square-form tapering body all in a richly-colored red-orange glaze decorated with subtle gilt floral vines; resting on a wooden ebonized base; good vintage condition with no chips or cracks; rewired
centering a baluster-form support above a glass bowl emanating 6 scrolled candle-arms with deep cups surrounding lively flower and leaf inserts; composed of gold aventurine and clear glass; good vintage condition with some replaced stems
the round top with inlaid perimeter band depicting hunters and various animals amid a meandering foliate vine; raised on a splayed support over a square plinth with similar inlay; resting on four paw feet; professionally restored with small areas of replaced inlay
the half-round glass top with ogee edge resting on a conforming brass plated openwork frame raised on four columnar supports ending in foliate scrolled feet all joined by a lower stretcher; good vintage condition with no chips or cracks to top; antiqued brass finish with nice patina
each colorful bottle-form lamp adorned with painted circles in soft colors of blue, green, peach and yellow with a gold swirl overlay all on an ivory glazed ground; supported on brown painted metal bases; height: 23" (top of ceramic) 33.25" (top of shade); good vintage condition with minor rubbing to surface; professionally rewired
each in a rich egg yolk-yellow glaze with everted neck above an ovoid body with stylized laurel leaf perimeter band flanked by lions masks; all raised on a fluted splayed support resting on an ebonized wooden base; excellent vintage condition with no chips or cracks; wooden base refinished; rewired
each lamp of columnar form with long cylindrical neck over a stepped base all resting on a brass foot; 18.5" (top of glass) 30.5" (top of shade); professionally rewired; slight variation in color; minor wear and some lifting of paint to underside of glass; some rubbing to gilding; no chips or cracks
each striking lamp with long flaring neck above an ovoid body decorated with ivory, brown and ochre perimeter stripes on a mottled pumice-colored ground; resting on splayed walnut bases with brass caps; height: 21.25" (top of ceramic) 34" (top of shade); good vintage condition with minor rubbing to surface; professionally rewired; no chips or cracks
the round top with inset hand-tooled leather surface above a plain frieze apron; all raised on elegant splayed supports joined by an openwork ebonized stretcher; the top slides open to reveal fabric-covered compartments; good antique condition with wear and patina; areas of replaced veneer; later fabric to interior
the rectangular top with quarter-round molded edge above a fluted apron; raised on turned columnar supports ending in block feet all joined by perimeter stretchers; structurally sturdy with pegged construction; intentionally distressed finish to imitate age; overall wear and patina
a versatile lamp that can be used in multiple settings, of thick hand-polished crystal with its ethereal reflective quality allowing light to penetrate changing from day to evening; all resting on a brushed chrome base; the obelisk was originally constructed by Ancient Egyptians and later used by the Greeks who described them as obeliskos; excellent condition with no chips or cracks
with waisted brass collar above a double-baluster ceramic body all in a richly-colored sapphire-blue drip glaze; excellent vintage condition with no chips or cracks; fine craquelure to glaze; rewired
of stylish mid-century design in the manner of Tommi Parzinger, with ivory-glazed oblelisk-form base emanating two deeply scrolled brass arms supporting candle form socket holders; centering a cylindrical brass rod and finial; all atop a black marble base with white veining; 18.5" (top of ceramic) 35: (top of shade); good vintage condition with light overall wear; minor pitting to brass; professionally rewired.
the large richly-patinated mahogany tray of abalete form with thick ogee perimeter molding all flanked by openwork foliate handles; professionally refinished; replaced screws to underside
the round beveled mirror within a pivoting steel frame raised on a rectilinear maplewood support; all over a steel base; good vintage condition with minor surface abrasions; minor loss of silver to original mirror with no chips or cracks; new brown felt on the reverse
each well-carved foo lion with expressive straightforward gaze on a rectilinear base with dragon-carved frieze; usually depicted in pairs consisting of a male leaning his paw upon an embroidered ball, representing supremacy over the world, and a female restraining a playful cub, symbolizing nurturing and protection for the inhabitants of a building; good antique condition with weathered surface and minor chipping
Of large scale, the well-delineated and intricately carved head of a bear with hat motif lid; the expressive face with glass eyes and large snout; most likely from the Black forest area in the Swiss city of Interlagen; good antique condition with overall even wear and patina
each with central glass support surrounded by two tall opposing leaves of translucent gold aventurine glass all raised on a thick gold bullicante disk over a later Lucite base; height: 16.5" (top of glass) 27.5" (top of shade); good vintage condition with no chips or cracks; professionally rewired; later Lucite bases
the hand-blown lamp of translucent pale blue glass with long neck above a bulbous body all raised on brass bases; excellent vintage condition with minor wear; no chips or cracks; some pitting to brass; professionally rewired
each with long neck above a bulbous body; adorned overall with a gold and white mottled surface with applied colorful flecks in red, yellow and green; excellent vintage condition with no chips or cracks; rewired; nice patina to brass bases
each of simple cylindrical form covered in a mottled celadon green glaze; with custom giltwood bases and gilt-metal caps; 17.5" (top of vase) 28.5" (top of shade); good vintage condition with minor wear; the vases now drilled and mounted as lamps; rubbing and patina to gilding
each with round teak top raised on metal supports ending in teak feet; Albert Larsson was a Swedish carpenter and furniture maker from the Mid-century modern period. He established his own business Alberts Tibro in 1938, and after World War II the small production team began specializing in coffee tables and multifunctional height-adjustable tables. Throughout the following decades the company grew to become one of Sweden's most successful manufacturers.
