each with square mouth above a bulbous body all in a thick lava glaze with red glazed reserves; one with original label; excellent condition with no chips or cracks

each portly lamp with horizontal banding; raised on a tole base; excellent condition; some soiling to original shades.

each with arbalète-form crest above an incurved upholstered back over a loose cushion seat; flanked by upholstered arms all raised on gadrooned uprights and legs; professionally reupholstered and refinished; good overall condition

the chrome body with square support and base supporting an upright crowing rooster; excellent vintage condition with minor pitting to chrome; rewired

each with curvaceous opening with pinched lip above a cup-shaped body attached to a loop handle; raised on a circular base; professional repair to handle and lip; some wear and fine crackling to glaze.

each with oval-shaped bowl flanked by outscrolled handles all raised on a splayed oval base ending in a raised laurel leaf perimeter band; good antique condition with overall even wear and patina; rubbing to gilding;  no chips or cracks

Each hand-carved cup-shaped vessel with Greek key collar above a tapering body resting on a separate square base; overall wear and patina; one side on each urn of darker patina; some chipping to surface; one with replaced Greek key rim

each deeply-colored vase of bottle form, with thick neck above a spherical body, resting on a rolled foot; good antique condition with minor overall wear; no chips or cracks

each bottle-form lamp with checkered orange and olive green design all above a rectangular wooden base; excellent condition; rewired

each double-handled urn painted with meandering foliate design on a blue-gray ground; with incised marks to the underside; minor overall surface wear

each with long flaring neck above a tapering body painted overall with stylized floral and foliate vines in colors of ochre and aqua with gilt highlights all on a white ground; raised on a water-gilded wooden base; signed 'Marbro Lamp Italy'; excellent condition with no chips or cracks; re-wired; some rubbing to gilding

a versatile lamp that can be used in multiple settings, of thick hand-polished crystal with its ethereal reflective quality allowing light to penetrate changing from day to evening; all resting on a brushed chrome base; the obelisk was originally constructed by Ancient Egyptians and later used by the Greeks who described them as obeliskos; excellent condition with no chips or cracks

in the manner of Maison Jansen, the thick oval glass top resting on a conforming steel body with four elegantly splayed supports capped with brass rams heads and terminating in hoof feet; all joined by curved interlocking stretchers; good vintage condition with even wear and patina

each portly lamp with everted neck above a compressed lobed body all over a splayed circular base; with ivory glazed surface and matching wooden caps; good antique condition with some chipping and patina to surface; professionally rewired

each large-scaled urn with sweeping flared neck tapering to a flared foot; now drilled with later wooden mounts

Each tall beveled mirror obelisk resting on a square stepped mirrored plinth; no chips or cracks, excellent condition. 

each tall upholstered back with shaped crest above a tight serpentine seat flanked by padded arms; over a scalloped apron with foliate and rocaille carving all raised on cabriole supports ending in scrolled feet joined by a curved x-form stretcher; later leather upholstery with fine nailhead detailing; structurally sound with general rubbing and wear; nice overall patina; professionally polished 

from the artist: I've long been inspired by old things. The texture and play of light on a weathered surface are the things that spark my imagination. I seek to capture a building's essence in my paintings, in a time less hurried with a calmness of spirit. Their strong simple shapes inspire me to try to somehow preserve their beauty captured at a moment in time.

Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

from the artist: I've long been inspired by old things. The texture and play of light on a weathered surface are the things that spark my imagination. I seek to capture a building's essence in my paintings, in a time less hurried with a calmness of spirit. Their strong simple shapes inspire me to try to somehow preserve their beauty captured at a moment in time.

Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

this extremely comfortable and stylish mid-century sofa with beechwood frame with splayed openwork ends and raised on tapering supports; fabric in good condition with minimal wear and minor fading; excellent vintage condition with wear and patina to wood

the inset square glass top within a gilt-iron frame adorned overall with a meandering floral and foliate vine; good vintage condition with overall wear and patina; some missing petals

each in a rich egg yolk-yellow glaze with everted neck above an ovoid body with stylized laurel leaf perimeter band flanked by lions masks; all raised on a fluted splayed support resting on an ebonized wooden base; excellent vintage condition with no chips or cracks; wooden base refinished; rewired

with giltwood neck above a turned columnar body of nicely figured Carrara marble all over a giltwood base; good vintage condition with minor chipping to edges; re-wired; neck and base re-gilded