of solid construction with triangular solid maple top above a plain frieze apron all raised on tapering supports; minor wear and patina; professionally refinished
the inset square glass top within a gilt-iron frame adorned overall with a meandering floral and foliate vine; good vintage condition with overall wear and patina; some missing petals
this cleverly designed mid-century set of nesting tables designed by Bertha Schaefer (American 1895-1971) for M. Singer & Sons with rectangular case table fitted on the underside with 4 round drop-leaf slide-in collapsible tables suspended from slots; with label 'M. Singer & Sons, New York Chicago'; In 1924 Schaefer founded Bertha Schaefer Interiors. Her company designed Bauhaus-inspired furniture and interiors for both residences and businesses.
of superb quality with a rich patina, the solid mahogany oval top centering an inlaid shell motif with satinwood perimeter band and stringing; all resting on turned supports ending in pad feet; fitted with swing legs on either side with large knuckle joints constructed within the frame; the half-round leaves raise with wrought-iron hinges allowing the table to function as a breakfast table, serving piece, end table or game table; Dimensions: 29.5" H x 38.75" W x 14.75" D (Closed) 49.5" L (Open) Condition: Good overall antique condition with signs of age and use including some surface abras
an impressively designed game table featuring a pivoting handkerchief top opening to reveal an intricately inlaid surface centering a removable center panel with game board and hand-tooled green leather surface on the flip side; resting on a body with openwork arabesque spandrels ending in splayed supports all joined by a lower shelf; the whole intricately inlaid with geometric designs and motifs; professionally restored with replacements to inlay; refinished
the handsome and richly-patinated English table in the Neo-Gothic taste with long rectangular top within a half-bullnose molding; above a frieze apron fitted with two drawers; raised on bold quadrangular neo-gothic supports all joined by a lower shelf; the whole supported on four compressed bun feet; good antique condition with overall wear and patina; old stains and watermarks; professionally refinished
the circular tabouret with new decking above a rope-twist giltwood frame with cabriole supports with knotted feet all joined by an x-form stretcher centering a robust central knot; furniture carved in this manner is generally associated with the Parisian upholsterer A.M.E. Fournier, who supplied at least one carved rope stool to the Musée National du Château de Compiègne; gilding refreshed; nice patina with overall even rubbing; structurally sound frame; new taupe leather upholstery with saddle-stitch detailing.
this signed special edition art glass bowl is one of Blenko's yearly designer series offerings for 2001; the large handblown circular bowl with wide rim in a rich cerulean blue glass resting on a chamfered amber-colored foot; with acid etched signature to underside 'Richard Blenko 2001'; with maker's label 'Blenko Handcraft'; excellent condition with no chips or cracks
excellent quality reproductions, each with serpentine shaped top above a conforming bombe-form body fitted with two drawers over a pierced rocaille-carved apron all raised on scrolled supports; the drawer fronts with graceful hand-carved surface depicting elegant scrollwork and floral vines all flanked by shaped side panels centering circular reserves; richly-colored patina with intentionally distressed finish to imitate age; good overall condition with light wear; refreshed finish
the octagonal forest-green marble top with painted inlaid scrollwork surrounded by floral and foliate decoration; all raised on a neoclassical style Michael Taylor faux stone cross tripod lyre base; overall good condition with some minor chips to base; minor even wear to top
the elegantly long rectangular cork top with flared ends raised on pierced splayed wooden supports; excellent condition; original design from 1948
the rectangular top with quarter-round molded edge above a fluted apron; raised on turned columnar supports ending in block feet all joined by perimeter stretchers; structurally sturdy with pegged construction; intentionally distressed finish to imitate age; overall wear and patina
in the Neoclassical taste, each well-constructed, custom made cabinet with satinwood and mahogany veneers and exotic wood inlay; centering a single curved door opening to an interior shelf; the tops adorned overall with radiating fan decoration within a scalloped inlaid border; the sides with intricate urn-form marquetry panels and crossbanding; all raised on square tapering supports; good condition with professionally restored finish; minor veneer replacements
Jules Leleu (French 1883-1961); executed in a well-figured tiger-mahogany with mahogany secondary wood, having a shaped top, above the four drawer case with chromed pulls all flanked by two doors; raised on splayed supports with chrome sabots; a similar model can be seen in Yvonne Brunhammer, Le Style 1925, Editions Baschet et Cie, Paris, p. 45 & Francoise Siriex, The House of Leleu pgs. 46, 47; excellent vintage condition with refinished surface
each with round teak top raised on metal supports ending in teak feet; Albert Larsson was a Swedish carpenter and furniture maker from the Mid-century modern period. He established his own business Alberts Tibro in 1938, and after World War II the small production team began specializing in coffee tables and multifunctional height-adjustable tables. Throughout the following decades the company grew to become one of Sweden's most successful manufacturers.
of neoclassical style, the oval inset beveled glass top within a nickel-plated frame; all raised on cylindrical supports ending in toupie feet all joined by a shaped stretcher; good vintage condition with some abrasions to glass and metal; minor pitting on feet; small interior chip to glass along edge
imported from France and in three pieces, the thick rectangular top with ogee edge raised on concave supports; great for outdoor patio or interior use; some weathering and patina to surface
the square clear glass plate resting on a nickel plated base consisting of 4 upturned supports over 4 downturned legs; minor patination to metal.
the winter green fiberglass top depicting a draped table cloth adorned with gilt fleur-de-lis decoration; raised on an iron tripod stand
each with rectangular top above a swag-carved apron with giltwood tassel decoration all fitted with a single drawer; raised on square tapering supports over a splayed base; excellent condition
the inset glass top withing a bronze frame raised on cylindrical faux-marble metal supports ending in claw-and-ball feet all joined by an upper perimeter stretcher and lower x-form stretcher; good vintage condition with minor even wear and patina; new glass plate; with 'Made in Spain' metal tag
the half-round top above a conforming apron centering a foliate reserve flanked by swag festoons and carved paterae with fluted panels; all raised on tapering quadrangular supports adorned with cascading bell-flowers all ending in a spade foot; good antique condition with professionally refinished surface
the rectangular quarter-veneered top with banding and molded edge over a burlwood frieze drawer above a scalloped apron; all raised on cabriole supports ending in pad feet; overall wear and patina; brasses replaced
this rare find was originally used as a traveling table in British Colonial India where the hinged base would fold for easy travel and fitted with a removable top; the rectangular top with canted corners and ogee edge centering a brass inlaid foliate medallion within a meandering inlaid foliate vine perimeter band; raised on a hinged conforming base with reticulated apron and arabesque spandrels all joined by a reticulated lower stretcher; good antique condition; professionally refinished and cleaned; inlay all intact; top now affixed to base
