the rectangular top with d-end flaps all with kingwood crossbanding; fitted with a single drawer with blind drawer on the reverse; raised on tapering square supports ending in casters; overall patination

a versatile lamp that can be used in multiple settings, of thick hand-polished crystal with its ethereal reflective quality allowing light to penetrate changing from day to evening; all resting on a brushed chrome base; the obelisk was originally constructed by Ancient Egyptians and later used by the Greeks who described them as obeliskos; excellent condition with no chips or cracks

a well-thought out composition as the table plain draws the viewer into the room of a seated woman with distant gaze dressed in a blue jacket; the table set with a bowl of fruit, a goblet and plant; all within a silver-leafed carved wooden frame with linen slip; excellent condition professionally cleaned and restored; unsigned; later frame

beautiful Italian design of collapsible scissor form fitted with a removable tray all raised on clear plastic casters; excellent vintage condition with even wear to warm patina

custom sizes available in French limestone or Belgian bluestone;  in three parts, the thick seat resting on waisted supports; 12 week lead time; new with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, stone variations will occur 

the rectangular hinged lid fitted with a flush-mounted handle over a conforming body flanked by solid brass bail handles; all resting on a later detached stand; adorned overall with brass perimeter strapping and decorative brass inlay; good antique condition commensurate with age; overall wear and patina; brass strapping with indentations and wear; professionally refinished; new custom-made stand

a robust american 1960's baluster-form cork lamp with ebonized base and cap; rewired; shade as is

the baluster-form lamp of translucent frosted glass raised on a giltwood base

the ribbed lamp of silver aventurine glass; excellent condition with no chips or cracks; rewired

each of thick aubergine glass with gold inclusions over a lobed base; rewired

each large-scaled urn with sweeping flared neck tapering to a flared foot; now drilled with later wooden mounts

Each tall beveled mirror obelisk resting on a square stepped mirrored plinth; no chips or cracks, excellent condition. 

each of columnar form resting on a square base; originally fitted with a kerosene receptacle; excellent condition; external French wiring 

each bulbous lamp of white cased glass fitted with a walnut neck and base; good vintage condition with minor wear; re-wired

minor wear to honed surface; new wiring; shade as is; French wired

of impressive scale, the orb-form lamp of mercury glass fitted with an ebonized wooden cap and base; good vintage condition with age to silvering; re-wired

excellent condition; rewired

each large glazed ceramic baluster-form table lamp on later lucite bases designed by Swedish artist Ingrid Atterberg as part of the "Spiral' series, circa 1949, with alternating ochre and white stripes on a matte brown ground; impressed marks to underside; Ingrid Atterberg (1920-2008) was born in the northern Sweden city of Harnosand. She studied at Slojdforeningens School in Gothenburg. Ingrid came to the Upsala-Ekeby Pottery factory in 1944, staying on until 1964.

with everted neck above an ovoid body over a lobed foot resting on a gilt-metal base; all in a smoky glass with controlled bubbles; excellent condition; rewired; lampshade as is.

each bulbous urn with gilt perimeter bands with raised decoration all on a luminous white ground; excellent vintage condition with minor rubbing to brass mounts; rewired

the large bottle-form lamp in a richly-textured burnt-orange crater-glaze; excellent condition with no chips or cracks 

each column of alternating marble and brass discs; raised on 4 Greek key feet; rewired; excellent condition; some rubbing to metal.