the rectangular top with quarter-round molded edge above a fluted apron; raised on turned columnar supports ending in block feet all joined by perimeter stretchers; structurally sturdy with pegged construction; intentionally distressed finish to imitate age; overall wear and patina
with everted neck above an ovoid body over a lobed foot resting on a gilt-metal base; all in a smoky glass with controlled bubbles; excellent condition; rewired; lampshade as is.
the ovoid ribbed glass with controlled bubbles; with carerra marble cap and base; rewired; excellent condition with no chips or cracks; minor wear to marble; lamp shade as is.
the rectangular top with glass insert flanked by open handles; over a thick apron raised on elegant splayed supports
the tall ribbed lamp of sea-foam green art glass with controlled bubbles; excellent condition with no chips or cracks; rewired
each with flared ceramic neck above a gadroon-form body; raised on faux bois metal bases; excellent vintage condition with no chips or cracks; rewired
each with elegant flared neck flanked by clear aventurine glass handles all above a tapering body resting on a lobed aventurine splayed base; all over a conforming gilt-metal plinth; excellent condition; rewired; new lampshades as is.
A large-scaled and elegantly designed French 1940s Klismos chair with deep incurved back with scrolled terminals; above a leather seat of criss-crossing straps all raised on dramatic splayed supports; purchased in Paris in 1993 (receipt attached); good vintage condition with sturdy frame and seat; some wear to painted surface; later leather strapwork
the tall and striking ribbed art glass lamp of conical form in luminous smoked glass all resting on a brass base; Empoli is known as the other Italian mid-century glass. Simpler in design than their Murano cousins, the simple traditional styles of Empoli glass were quickly adapted to the sparse abstract shapes of mid 20th century modernism. The vast majority of mid century-styled Empoli glass was made for the American market; height: 21.25" (top of glass) 32" (top of shade); good vintage condition with no chips or cracks; professionally rewired; even wear to re-painted base
each bottle-form lamp with checkered orange and olive green design all above a rectangular wooden base; excellent condition; rewired
the large bottle-form lamp with long neck and tapering body all in a crater glaze
each of voluptuous, elegant form in vibrant fuschia cased glass; raised on splayed gilt-wood bases; excellent condition; rewired
having curved front with five inlaid doors, all raised on turned and flared feet with brass terminals; the center door opens to reveal sycamore-veneered drawers; the right door opens to reveal a mirrored and glass bar compartment; excellent condition
each 20-light Lumiere Sputnik style chandelier designed by Jean De Merry with nickel-plated spikes creating a dazzling sphere of light; in good condition with some tarnishing to metal
of iconic 1950's Italian design fitted with 4 doors opening to reveal a mahogany-lined interior with adjustable shelves; can be used for a television or general storage; excellent vintage condition with restored finish
beautiful Italian design of collapsible scissor form fitted with a removable tray all raised on clear plastic casters; excellent vintage condition with even wear to warm patina
an early 1950s production Florence Knoll for Knoll International lounge chair with loose back and seat cushions all resting on four turned tapering legs; professionally refinished with new butter-yellow linen upholstery; excellent vintage condition with sturdy hardwood frame
signed 1960s bench with floating rectangular upholstered seat resting on a walnut base with square-form tapering legs connected by two stretchers; makers label to inner stretcher; Jens Risom (1916-2016) was a Danish American furniture designer. An exemplar of Mid-Century modern design, Rison was one of the first designers to introduce Scandinavian design in the United States. His designs are on display at the Museum of Modern Art, the Rhode Island School of Design and the Cooper-Hewitt Design Museum; professionally refinished and reupholstered
each hand-blown vase of striking size with everted lip and short neck above a ribbed cylindrical body all resting on a Lucite base; good condition with no chips or cracks; minor surface abrasions commensurate with age; professionally rewired with later Lucite base
from his Potrero Hill studio, San Francisco artist Bill Stanisich would lay down his brush and gaze down onto Yerba Buena Island, the Bay Bridge and surrounding water. What he saw was ever-changing so he decided to capture on paper the various moods of mother nature. On still, clear nights, the water was a sheet of glass and Yerba Buena Island's silhouette soaked up the darkness creating a black void, while the tips of the Bay Bridge Towers emited beacons of light in the distance. When it rained, vague shadows were barely visible through the wet, dark skies.
the ribbed lamp of silver aventurine glass; excellent condition with no chips or cracks; rewired
each of thick aubergine glass with gold inclusions over a lobed base; rewired
the writhing swimming fish with imbricated scales; resting on a swirling wave; one minor chip to tail.
the frosted glass sphere adorned with clear circles with frosted numbers; raised on a splayed base; excellent condition.
