the open cartouche-shaped back with elaborately carved vasiform splat profusely carved with rocaille, C-scrolls and floral motifs above a drop-in seat with mohair upholstery; flanked by supported S-scrolled arms with lively floral carving; the seat rail with carved fretwork design; all raised on similarly carved cabriole legs ending in a trifid pad foot; finish professionally refreshed; new mohair upholstery; good antique condition with even wear and patina

the long seat of slatted wood flanked by incurved arms with ball-form handholds; raised on a folding scissors double base; the term Savonarola derives from the chair on which the Savonarola used to sit in the convent of San Marco in Florence. The chair is named for the Italian Renaissance religious zealot Girolamo Savonarola; wear and patina to surface; movement to hinged frame; 2 ball-form handles replaced

with solid brass tilting barrel resting on a heavy weight carriage with working wheels; finely and realistically decorated; excellent antique condition with overall even wear and patination

each with dramatic incurved openwork back sloping to upright teminals capped with giltwood spheres; flanking an attached leather seat all raised on a curule-form support; newly painted and gilded; newly upholstered in tan leather

each custom made chair by Lx Rossi with in-curved sloping back cascading down to outscrolled terminals; flanked by a bowed loose cushion over a plain frieze apron all resting on tapering turned supports; the frame veneered in a taupe-colored shagreen; excellent condition; newly upholstered

the hinged rectangular lid resting on a conforming body flanked by wrought iron handles; adorned on all sides with an exotic wood inlaid perimeter band inset with bone inlay; the front, top and back centering a pinwheel motif; good antique condition with professionally refinished surface; warm honey-color patina with overall wear; lock mechanism now lacking

the octagonal hinged lid with coved border above a flared body flanked by elaborate iron handles; raised on 4 openwork iron wheels; repainted; wear to interior.

the cylindrical lidded jar adorned with lively relief decoration of foliage and mythological figures surrounding the greek god eros; excellent condition.

each decorated urn with inverted lip flanked by double handles; the bulbous body tapering to a flared base; stamped "fac-simile of an antique vase; subject - paris seizing helen to carry her to troy;" minor repair to base

an english 19th century chromolithograph; a well-rendered picture depicting a hand-colored pineapple; ; minor discoloration; later acid-free matte and gilt-wood frame.

each of chic Italian design with arbalète crest rail above an openwork splat joining an upholstered seat; raised on gracefully splayed supports; professionally refinished; minor wear to surface; reupholstered 

produced by one of the leading pottery companies of the late 19th century,  the fluted column with stepped cap and base; good condition with overall even wear; some chipping to glaze

of sleek mid-century design with an elegant profile, James Mont's King Cole chair was deigned for one of his most notable commissions, the King Cole Penthouse in Miami; having a beech bentwood openwork barrel back with sloping arms all above a saddle seat and conforming apron; raised on tapering turned supports; professionally restored and structurally sound; refinished and reupholstered

the framed in-curved back above a bowed upholstered seat flanked by openwork sides; all raised on tapering legs ending in casters; excellent vintage condition with new tan leather upholstery; refinished surface

A large-scaled and elegantly designed French 1940s Klismos chair with deep incurved back with scrolled terminals; above a leather seat of criss-crossing straps all raised on dramatic splayed supports; purchased in Paris in 1993 (receipt attached); good vintage condition with sturdy frame and seat; some wear to painted surface; later leather strapwork

the shaped back board joining a square hinged lid over a conforming tapering body with inlaid fork and knife on the front; age to leather hinge; minor wear overall.

the framed cartouche-shaped back above a serpentine seat flanked by scrolled padded arms; the scalloped apron with rocaille and foliate carving all raised on cabriole supports with incurved feet; restored with new upholstery.

each with incurved back sloping to join a tight seat flanked by bowed arms ending in swan neck terminals; raised on cabriole legs; adorned overall with giltwood acanthus leaves, bellflowers and scrollwork; professionally restored with refreshed paint and gilding; overall even wear and patina; newly upholstered

each octagonal covered urn with large arching reserves adorned overall with floral and foliate stems; all raised on a giltwood base; excellent condition with some professional restorations; rewired

the circular padded back with floral carved crest rail above padded arms over s-scrolled supports; joining a generous bowed seat and apron with foliate carving; raised on turned fluted supports; overall even wear and rubbing to refreshed paint and gilding; with new puddy-colored boar skin upholstery

the square game table with 'floating' top of radiating oak veneer; above an ebonized body fitted with two drawers with oak secondary wood; raised on tapering, stepped quadrangular supports; each barrel-back chair with incurved back and downward sloping arms flanking a tight seat; all raised on tapering legs; professionally refreshed surface; good vintage condition with sturdy frames; reupholstered

each meticulously detailed engraving depicting various pineapple species; minor discoloration; with later acid-free mattes and giltwood frames.

each square stool composed of rectilinear tubes fitted with leather strapwork supporting loose cushions; good vintage condition with new leather upholstery; Jørgen Høj was originally trained as a metal worker and upholsterer at the Copenhagen School for Arts and Crafts. He led a successful design business until his death in 1994 working with such designers as Poul Kjaerholm and Bodil Kjaer

each depicting a 3-story building with accompanying floor plans; each titled 'Design for a First Class Tavern'; new mattes and frames; some discoloration.