the ribbed lamp of silver aventurine glass; excellent condition with no chips or cracks; rewired
each of thick aubergine glass with gold inclusions over a lobed base; rewired
the writhing swimming fish with imbricated scales; resting on a swirling wave; one minor chip to tail.
the frosted glass sphere adorned with clear circles with frosted numbers; raised on a splayed base; excellent condition.
the long flaring neck above a compressed lobed mid-section flanked by foliate loop handles; all over a flared base adorned with an acanthus leaf border; excellent condition with no chips.
the well-figured top with chamfered edge; raised on scrolled supports and splayed legs joined by a lower shelf; good vintage condition; professionally refinished
each of solid birch construction with rectangular tops and demi-bullnose edge above a conforming body fitted with 3 uniquely sculpted drawers of raised panels acting as drawer pulls; the whole raised on splayed legs; the lack of hardware and three-dimensional shape give the Sculptura line its distinctive sculptural quality; with incised maker's mark to drawer lining; professionally refinished; good vintage condition with warm patina
each of graceful form with long cylindrical neck above a bulbous body; the whole adorned with applied striated decoration in a graduated color pattern from white to aqua; resting on brass canted bases; height: 17.25" (top of glass) 28.25" (top of shade); good vintage condition with no chips or cracks; some imperfections in glass inherent in the glass blowing process; some pitting to brass; professionally rewired
a good quality cabinet in the neoclassical style with inset square top of ribbon mahogany above a single drawer apron raised on turned supports all joined by a lower shelf over a single drawer; raised on brass casters; good vintage condition with minor overall wear and good patina; professionally refinished
In two parts, the top section with molded crown over three short drawers above three graduated long drawers, the base with three long drawers all supported on bracket feet; later pierced brass bat pulls; crossbanded inlay to drawer edges; overall good solid antique condition appropriate to age; overall wear and patina; areas of replaced veneer; shrinkage to oak side panels; professionally refinished
of ribbed baluster form with splayed scalloped foot resting on a giltwood base; excellent condition; rewired
the abstract expressionist drawing of a graceful ballerina dancing to Swan Lake in a deep bow; excellent vintage condition with only minor discoloration to paper; new acid-free matte; later cerused oak frame; with illegible signature
of compressed form covered overall in an ivory and brown drip-glaze over a caramel ground; excellent vintage condition with no chips or cracks; rewired
with tole candlecup above a well-carved graduated support raised on a tripartite base; excellent restored condition with areas of refreshed gilding.
centering a stylized bird surrounded by floral vines and blossoms; chips to rim, minor restorations.
each tall urn with rolled lip above a flared body and lobed mid-section; raised on a splayed base; overall even weathered and oxidized surface
a beautiful example of Gustavian furniture having a well-figured top with canted corners with similalry veneered side panels; the front fitted with 3 graduated drawers with tumbling block and geometric parquetry veneer; raised on tapering quadrangular supports with gilt-bronze mounts; good antique condition; professionally refinished; small areas of replaced veneer
photograph by New York City artist/photographer Alessandro Papallardo; within an ebonized wooden frame
photograph by New York artist/photographer Alessandro Papallardo; within an ebonized wooden frame
the tall and striking ribbed art glass lamp of conical form in luminous smoked glass all resting on a brass base; Empoli is known as the other Italian mid-century glass. Simpler in design than their Murano cousins, the simple traditional styles of Empoli glass were quickly adapted to the sparse abstract shapes of mid 20th century modernism. The vast majority of mid century-styled Empoli glass was made for the American market; height: 21.25" (top of glass) 32" (top of shade); good vintage condition with no chips or cracks; professionally rewired; even wear to re-painted base
The tall vase of white cased-glass covered in an orange textured glaze adorned with a continuous fret band; excellent condition with no chips or cracks