each decorated urn with inverted lip flanked by double handles; the bulbous body tapering to a flared base; stamped "fac-simile of an antique vase; subject - paris seizing helen to carry her to troy;" minor repair to base

with solid brass tilting barrel resting on a heavy weight carriage with working wheels; finely and realistically decorated; excellent antique condition with overall even wear and patination

the shaped lacquered antique tray (circa 1890) with Chinoiserie decoration centering a floral bouquet surrounded by birds and butterflies; raised on a faux bamboo gilt metal stand (circa 1940);  good condition with crackling to lacquer and overall even wear and patina

the large mahogany oval tray centering am impressive satinwood shell motif surrounded by rosewood banding; raised on a later stand; excellent restored condition

the original mirrored top above an openwork frieze raised on exaggerated openwork cabriole supports; overall even rubbing to gilded surface; antiquing and surface wear to mirrored top

the shaped lamp with slumped glass mirrored panels; the front panel with a Chinoiserie reverse-painted scene; all resting on a wooden base; good vintage condition with no chips or cracks; wear and patina to wooden surface; antiquing to silvering 

with short flared lip above a compressed body over a cylindrical foot; adorned overall in a deep cobalt blue glaze with raised floral vine and bold acanthus leaves; good antique condition with overall wear; no visible repairs or cracks; some chipping, rubbing and craquelure to glaze commensurate with age

each with solid brass tilting barrel resting on a heavy-weight carriage with working wheels; finely and realistically decorated; excellent antique condition with overall even wear and patination

the round top above a plain frieze apron fitted with a single drawer; raised on a tripod base of elegantly splayed and tapering supports with a waisted neck; good vintage condition with overall even wear and patina; minor repairs and re-gluing to veneer

consisting of three pivoting, centrally-joined upright turned supports capped with brass melon-form bosses and fitted with brass coat hooks; all joined by a detachable lower circular dish for umbrellas; good antique condition with overall even wear and patina

surmounted by a bold ribbon above an oval frame adorned with laurel leaves and pinwheel bosses all in a finely detailed repoussé metalwork; later antiqued mirror plate; overall even rubbing and patina to gilt metal surface

each with oval-shaped bowl flanked by outscrolled handles all raised on a splayed oval base ending in a raised laurel leaf perimeter band; good antique condition with overall even wear and patina; rubbing to gilding;  no chips or cracks

the serpentine top above a bome body fitted with two drawers raised on cabriole supports; adorned overall with a well-executed chinoiserie decoration on an unusual teal ground; refreshed surface; good antique condition 

the rectangular upholstered seat above a scalloped Moorish-style apron all raised on cabriole legs ending in a trifid foot; overall warm patina to surface; newly upholstered with sturdy frame

the round top of deeply patinated and well-figured quarter veneered macassar ebony raised on incurved supports joined by a lower shelf; all over a tripod base with block feet; good antique condition and structurally sound; professionally refinished with small areas of replaced veneer

capped with an oak leaf wreath emanating cascading iron rope twist strands joining seven scrolled candle arms surrounding a central support with a meandering oak leaf vine; overall even wear to surface; professionally rewired 

of good scale and quality, circa 1930; each high back dining chair with beige leather upholstery and birdseye maple frame, for S.Hille & Co, London, consisting of two arm and six side chairs, having a vasiform splat above a tight seat; raised on graceful splayed supports; professionally refinished; minor wear and patina to later leather upholstery; 

the lushly painted still life depicting a woven basket full of finely painted bearded irises, parrot tulips, hydrangeas and peonies with discreetly painted bees and a snail; all resting on a draped table; good antique condition; signed lower left: M. Luber München; height: 36" (overall)  26.75" (canvas), width: 28" (overall)  18.5" (canvas); Max Luber (1879-1950) was a German academic painter who studied and worked in Munich. His paintings primarily depict lush, dark still lifes in the Flemish style.

the cerused oak blackplate centering a beveled mirror flanked by 2 similar mirrors with mirrors on the reverse; fitted with a steel and chrome hinged framework; age to plates; good antique condition

each with four panels detailing various ways to prevent accidents and lessons learned, including 'Feu, Eau, Contagion, Empoisonnements, and Maison'; based on 19th century original lithographs by Emile Deyrolle; Les Fils d’Emile Deyrolle, Rue du Bac, Paris; restored ebonized wooden frames; some darkening, wrinkling, and foxing; PRICED PER PAIR

each well-rendered artist's study depicting grasping hands and a foreshortened foot; very nicely detailed; unsigned; excellent condition with minor discoloration to paper; new deep brown lacquered wooden frames and fillets with acid-free matting

the round top with inlaid perimeter band depicting hunters and various animals amid a meandering foliate vine; raised on a splayed support over a square plinth with similar inlay; resting on four paw feet; professionally restored with small areas of replaced inlay 

of graceful form with sloping barrel-back above a loose cushion; the back fitted with a bentwood rib cascading to the floor providing support to the front; supported at the rear with a central curved rectilinear leg; excellent antique condition; professionally refinished; newly upholstered in a butter-yellow linen fabric

the half-round glass top with ogee edge resting on a conforming brass plated openwork frame raised on four columnar supports ending in foliate scrolled feet all joined by a lower stretcher; good vintage condition with no chips or cracks to top; antiqued brass finish with nice patina