the rectangular quarter-veneered top with banding and molded edge over a burlwood frieze drawer above a scalloped apron; all raised on cabriole supports ending in pad feet; overall wear and patina; brasses replaced
the tall ovoid-shaped lamp resting on a square plinth all clad in a russet-colored leather with brass fittings; good vintage condition with overall even wear and patina to leather; rewired
composed of interlocking antlers resting on a circular wooden base; general marks, rubbing and wear; antlers painted with some chipping; professionally rewired
each inset glass top within a solid brass frame raised on quadrangular supports joined by a lower glass shelf; excellent condition with minor overall wear
the inset glass top above curule-form supports with swan motifs; excellent condition with overall minor wear
the squared top above a conforming body fitted with a single tambour door; the arching apron joining four columnar supports above a lower shelf; raised on compressed bulbous feet; restored condition
of well-figured mahogany with oval top raised on turned ebonized double-column supports over a conforming lower shelf; all over four short ebonized turned feet; good restored condition; professionally refinished surface
each bulbous lamp with glass encased gilded surface adorned with rococo figures; excellent condition; rewired; lampshades as is.
each of thick aubergine glass with gold inclusions over a lobed base; rewired
each large-scaled urn with sweeping flared neck tapering to a flared foot; now drilled with later wooden mounts
Each tall beveled mirror obelisk resting on a square stepped mirrored plinth; no chips or cracks, excellent condition.
excellent condition; rewired
each of columnar form resting on a square base; originally fitted with a kerosene receptacle; excellent condition; external French wiring
each bulbous lamp of white cased glass fitted with a walnut neck and base; good vintage condition with minor wear; re-wired
each composed of a metal frame with wooden top and side panels; fitted with 2 metal faux-bamboo doors with antiqued mirrored panels; excellent restored condition with replaced tops
The serpentine top centering an inlaid Maltese Cross, the symbol of protection and a badge of honor, within a diamond and outer inlaid border; over a deeply scalloped apron centering a spherical reserve panel; raised on shapely cabriole supports ending in hoof feet; solid construction with rich honey-colored patina; professionally refinished; old repairs and replacements
each of simple cylindrical form covered in a mottled celadon green glaze; with custom giltwood bases and gilt-metal caps; 17.5" (top of vase) 28.5" (top of shade); good vintage condition with minor wear; the vases now drilled and mounted as lamps; rubbing and patina to gilding
of large scale, the robust lamp of octagonal baluster form with everted lip above an ovoid body all resting on a splayed foot and circular base; decorated overall in a rich drip glaze in colors of ochre, green, brown and ivory; 18.5" (top of ceramic) 30.5" (top of shade); good vintage condition with no chips or cracks; professionally rewired
each colorful bottle-form lamp adorned with painted circles in soft colors of blue, green, peach and yellow with a gold swirl overlay all on an ivory glazed ground; supported on brown painted metal bases; height: 23" (top of ceramic) 33.25" (top of shade); good vintage condition with minor rubbing to surface; professionally rewired
each hand-blown shapely lamp with a nod to Chinese ceramic ginger jars composed of a luminous crackle-glass; all resting on gold painted wooden bases; height: 15.75" (top of glass) 26" (top of shade); good vintage condition with no chips or cracks; rubbing to gold; professionally rewired
the French made cased-glass bodies of graduated triple-gourd form resting on brass bases; in a deep teal color accentuated by the cased-glass process of fusing together multiple layers of glass; each with foil label 'BASE MADE IN FRANCE'; height: 17" (top of glass) 28" (top of shade); excellent condition with no chips or cracks; some pitting and patina to brass bases; professionally rewired
As Seen on Martha Stewart Christophe Pourny is coming to epoca to sign his first book ‘The Furniture Bible'
Thursday, October 8th 4:00 - 7:00pm