each richly-glazed lamp in a mottled chartreuse glaze with lobed collar above a short flaring neck over a lobed body resting on a splayed base; good vintage condition with no chips or cracks; rewired
each portly lamp with everted neck above a compressed lobed body all over a splayed circular base; with ivory glazed surface and matching wooden caps; good antique condition with some chipping and patina to surface; professionally rewired
each of voluptuous, elegant form in vibrant fuschia cased glass; raised on splayed gilt-wood bases; excellent condition; rewired
each large tapering vessel finely decorated with naturalistic paintings in enamel of parrots on flower laden branches with gilt accents; excellent condition with no chips or cracks; minor wear to gilt; now mounted as lamps
this beautifully decorated lamp of ovoid form finely painted overall with large floral stems in rich shades of blue, green and ochre all on a mottled pale blue ground; with subtle gilt decoration; artist signed and dated 1950; excellent vintage condition with no chips or cracks, rewired; with custom giltwood base
each with long neck above a bulbous body; adorned overall with a gold and white mottled surface with applied colorful flecks in red, yellow and green; excellent vintage condition with no chips or cracks; rewired; nice patina to brass bases
each hand-blown vase of striking size with everted lip and short neck above a ribbed cylindrical body all resting on a Lucite base; good condition with no chips or cracks; minor surface abrasions commensurate with age; professionally rewired with later Lucite base
each large vase modeled in the long ovoid form; the body painted in polychrome enamel depicting bold and colorful flowers, trees and butterflies under a geometric band at the shoulder; mounted as lamps with bronze openwork collar and base with lappet perimeter band; professionally rewired; nice patina to bronze; good antique condition with no chips or cracks
each tall ribbed vase painted overall with floral and foliate stems resting on a pierced brass base; good antique condition with overall fine craquelure; rewired
each with long flaring neck above a tapering body painted overall with stylized floral and foliate vines in colors of ochre and aqua with gilt highlights all on a white ground; raised on a water-gilded wooden base; signed 'Marbro Lamp Italy'; excellent condition with no chips or cracks; re-wired; some rubbing to gilding
each striking lamp of deep purple bullicante and gold aventurine glass with an iridescent surface; raised on a brass octagonal base; excellent vintage condition with no chips or cracks; rewired
a pair of flame mahogany side tables by Pierre Chareau (b. Bordeaux, France 1883 d. New York 1950); each hexagonal top of bookmatch veneer flame mahogany raised on a tulip-form slatted support; all over a conforming stepped base; good antique condition; professionally refinished
each large glazed ceramic baluster-form table lamp on later lucite bases designed by Swedish artist Ingrid Atterberg as part of the "Spiral' series, circa 1949, with alternating ochre and white stripes on a matte brown ground; impressed marks to underside; Ingrid Atterberg (1920-2008) was born in the northern Sweden city of Harnosand. She studied at Slojdforeningens School in Gothenburg. Ingrid came to the Upsala-Ekeby Pottery factory in 1944, staying on until 1964.
each with spheroid body flanked by shell-form handles; raised on a lively dolphin support over a square base ending in shell feet; rewired and replated with new shades; excellent condition; shades as is
the graduated obelisk-form body raised on 4 brass paw feet; resting on a splayed base over a brass plinth; excellent condition; rewired; shade as is
the porcelain column wrapped with metal wire above a porcelain crackle-glazed orb; all raised on a black and gold painted base; patination to metal; excellent condition
each hour-glass shaped walnut lamp with three brass bands and waist; patination to brass; rewired; new shades 'as is'
each of ginger jar form with scalloped octagonal body; all in a richly-colored blue and green drip glaze; good vintage condition with minor wear; re-wired
attributed to Warren Kessler Lamps, New York est. 1939; each hand-blown columnar lamp of baluster-form with reeded shaft above a bulbous mid-section over a cylindrical pedestal and splayed foot; all resting on a gold painted metal base; each in a soft butterscotch cased glass; height: 18.5" (top of glass); good condition with no chips or cracks; professionally rewired
each well-carved foo lion with expressive straightforward gaze on a rectilinear base with dragon-carved frieze; usually depicted in pairs consisting of a male leaning his paw upon an embroidered ball, representing supremacy over the world, and a female restraining a playful cub, symbolizing nurturing and protection for the inhabitants of a building; good antique condition with weathered surface and minor chipping
these unique carvings are from a Churulan Vallam, a traditional narrow boat used in the famous snake boat races of Kerala, South India and powered by approximately 45 people; the prow is carved as a "churul" meaning a ring out of local aini wood and adorned with incised carvings and applied metal embellishments; some missing metal elements with overall wear and abrasions; age cracks
We will set out to demystify the sometimes esoteric world of buying and decorating with antiques.
ASID Members: Everyone who buys or uses furniture, who makes, designs, or sells it, collectors, architects, decorators and students (ASID Members only, please)
Thursday, February 28 at 5:30 p.m. Epoca 1700 16th Street San Francisco
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