the gilt-metal frame emanating 6 scrolling arms; adorned overall with 3 crystal obelisks and multiple pendants; excellent condition
each meticulously detailed engraving depicting various pineapple species; minor discoloration; with later acid-free mattes and giltwood frames.
the rectangular upholstered seat above an ebonized wooden frame raised on splayed swords with gilt handles; newer upholstery; overall wear and chipping to painted surface
each inset glass top within a solid brass frame raised on quadrangular supports joined by a lower glass shelf; excellent condition with minor overall wear
each with ebonized and carved reeded frame having arching backs above continuous arms raised on tapering legs; good restored condition with new upholstery; professionally refinished
the cartouche-shaped mirror within an elaborate giltwood frame of C-scrolls, rocaille, and floral carving; good antique condition with refreshed gilding; overall even wear
each finely rendered lithograph of various French aircrafts of the 1930's with identifying script; used for french airplane engine marketing material; later mattes and mahogany veneered frames
centering a convex mirror within a gilt metal frame consisting of radiating spokes of varying lengths; good vintage condition with overall even wear to gilding
the realistically and finely turned and carved life-size hat of well-figured burl and maple wood, with telescope (flat) crown above an incised trim band all over a wide undulating brim; signed and dated 'Johan Michelsen '91 #85' (an early example of his hat carvings, 85th hat to be produced); small repair to crown.
each neoclassical open armchair with beaded framed oval back above a bowed tight seat over a beaded apron flanked by scrolled arms and uprights with acanthus carving; raised on reeded and fluted supports with acanthus collar and ending in a spheroid foot; wear and patina to refreshed painted surface; sturdy frame and good antique condition with new upholstery
the circular tabouret with new decking above a rope-twist giltwood frame with cabriole supports with knotted feet all joined by an x-form stretcher centering a robust central knot; furniture carved in this manner is generally associated with the Parisian upholsterer A.M.E. Fournier, who supplied at least one carved rope stool to the Musée National du Château de Compiègne; gilding refreshed; nice patina with overall even rubbing; structurally sound frame; new taupe leather upholstery with saddle-stitch detailing.
of impressive scale with stately presence, the Baroque Flemish Style cushion frame finely painted to replicate the rich, amber-like tones and distinctive radiating patterns of genuine tortoiseshell; the double-recessed frame with outer cushion molding all separated by bands of ebonized moldings; all surrounding a beveled mirror plate; excellent condition with only minimal wear
the large round mirror within a well-carved pale blue and silver-gilt frame capped with a shell motif over an openwork crest; all above an exuberantly carved frame with lively C-scrolls and acanthus leaves; purchased in 2022 from the estate of Palermo, Italy antique dealer Bartolomeo Rizzo; good antique condition with some replacements, elements re-glued; professionally restored with refreshed surface; nice overall even wear and rubbing to surface; later plate
each large glazed ceramic baluster-form table lamp on later lucite bases designed by Swedish artist Ingrid Atterberg as part of the "Spiral' series, circa 1949, with alternating ochre and white stripes on a matte brown ground; impressed marks to underside; Ingrid Atterberg (1920-2008) was born in the northern Sweden city of Harnosand. She studied at Slojdforeningens School in Gothenburg. Ingrid came to the Upsala-Ekeby Pottery factory in 1944, staying on until 1964.
each artist-signed lamp of baluster form with waisted neck above an ovoid body all over a splayed foot; resting on a turned gold-painted wooden base; each adorned with well-executed hand-painted exotic birds resting on a meandering floral and foliate branch; height: 18.5" (top of porcelain) 30.5" (top of shade); marked 'Made in Italy' to underside; good condition with no chips or cracks; professionally rewired; minor wear to wooden bases
Gorgeous bowl by master wood turning artist, Larry Witt. Witt is a Southwest artist, who is displayed in many galleries, and is collected all around the world. Witt composes his pieces using many different species of wood. Using no dyes or stains, it is the variety of natural colorations in his wood choices that define his work.This bowl is made of oak, maple and purpleheart woods, and is comprised of 161 separate pieces of wood. It has a wonderful, sweet smell. Amazing piece of art!
each depicting an etruscan urn with detail images and inscriptions written below; from the book 'Picturae Etruscorum in Vasculis' by Giovanni Battista Passeri; later French mattes and giltwood frames; excellent condition.
the delicately beaded frame emanating 6 scrolled arms; adorned overall with crystal pendants and swags; excellent condition; cleaned and rewired
the inset glass top within a chrome frame with geometric openwork apron; good condition with minor overall wear
considered to be 'the most impressive botanical works of the period' by known art historian Anthony Blunt; new acid-free matte and giltwood frame; minor discoloration
the framed cartouche-shaped back above a serpentine seat flanked by scrolled padded arms; the scalloped apron with rocaille and foliate carving all raised on cabriole supports with incurved feet; restored with new upholstery.
the sturdy aluminum frame with adjustable back rest; raised on graceful splayed supports
each with square leather saddle-stitched seat above a Z-form chrome frame; good vintage condition with some rubbing to chrome; new leather upholstery
with lively interlacing foliate crest above a rectangular-form frame adorned with rocaille carving at the shoulder above meandering foliate vines; good antique condition with overall even rubbing to gilding; age to original mirror plate
